ISBN: 9780500239490 - a history of pictures: from the cave to the computer screen (30 resultados)

Paperback. Condición: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.…

Hardcover. Condición: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: As New. Estado de la sobrecubierta: Near Fine. 1st Edition. In a dark blue hardcover with metallic blue titles to spine. With an unclipped dust jacket with blue and white titles to spine and blue and red titles to front, with publisher's advertising label to front. Blue end papers. 363 pp., lavishly illustrated, mainly in colour. The book is in as new condition. The cover is free of shelf-wear, the binding is tight and the pages clean and unmarked. The dust jacket is near fine with just a trace of shelf-wear to the extremities. The book weighs 2 kg., additional postage will be required.…

Condición: new.

Condición: New. pp. 344.

Condición: New.

Hardcover. Condición: new. Hardcover. A picture, says David Hockney, is the only way that we can give an account of what we see. But all picture-makers face a common problem: how to compress three-dimensional people, things and places onto a flat surface? The results are often pigeonholed as paintings, photographs or films. Alternatively, they may be sorted by date and style: medieval, Renaissance or baroque. In fact, Hockney argues, whether they are made by brush, camera or digital program, and no matter if they are on cave walls or computer screens, first and foremost they are all pictures. And for us to understand how we see the world around us - and hence ourselves - what is needed is a history of pictures. This is that book.Informed and energized by a lifetime of painting, drawing and making images with cameras, Hockney, in collaboration with the art critic Martin Gayford, explores how and why pictures have been made across the millennia. What makes marks on a flat surface interesting? How do you show movement in a still picture, and how, conversely, do films and television connect with old masters? What are the ways in which time and space can be condensed into a static image on a canvas or screen? What do pictures show - truth or lies? Do photographs present the world as we experience it?Juxtaposing a rich variety of images - a still from a Disney cartoon with a Japanese woodblock print by Hiroshige, a scene from an Eisenstein film with a Velazquez painting - the authors cross the normal boundaries between high culture and popular entertainment, and make unexpected connections across time and media. Building on Hockney's groundbreaking book Secret Knowledge, they argue that film, photography, painting and drawing are deeply interconnected. Insightful and thought-provoking, A History of Pictures is an important contribution to our appreciation of how we represent our reality. The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. In this book, each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: As New. Unread book in perfect condition.

Buch. Condición: Neu. Neuware -The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link art to human skills and human needs. Each chapter addresses an important question: What happens when we try to express reality in two dimensions Why is the Mona Lisa beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting Why are optical projections always going to be more beautiful than HD television can ever be How have the makers of images depicted movement What makes marks on a flat surface interesting Energized by two lifetimes of looking at pictures, combined with a great artists 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade. 368 pp. Englisch.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. In this book, each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Num Pages: 360 pages, 325 colour illustrations. BIC Classification: AC; AFC. Category: (G) General (US: Trade). Dimension: 230 x 289 x 38. Weight in Grams: 2188. . 2016. Paperback. . . . .…

Condición: New. The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. In this book, each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Num Pages: 360 pages, 325 colour illustrations. BIC Classification: AC; AFC. Category: (G) General (US: Trade). Dimension: 230 x 289 x 38. Weight in Grams: 2188. . 2016. Paperback. . . . . Books ship from the US and Ireland.…

Buch. Condición: Neu. Neuware -The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link art to human skills and human needs. Each chapter addresses an important question: What happens when we try to express reality in two dimensions Why is the Mona Lisa beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting Why are optical projections always going to be more beautiful than HD television can ever be How have the makers of images depicted movement What makes marks on a flat surface interesting Energized by two lifetimes of looking at pictures, combined with a great artists 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade. 368 pp. Englisch.…

Buch. Condición: Neu. Neuware -'What makes some pictures a masterpiece Who better to explain than our greatest living artist, as he teams up with art critic Martin Gayford to open your eyes to the works of genius he holds dear' --Mail on Sunday 'His sharp and often delightfully slanted take on pictures, explained in clear terms, crisps up perceptions and help readers to look anew.'--Rachel Campbell-Johnston, The Times 'Wonderful . Apart from the sumptuous avalanche of reproductions, the book consists of paragraphs in which the two proprietors speak alternately. It's a measure of Hockney's vividness of perception that he can always put a cap on Gayford s knowledge . fabulous'--Clive James, Guardian 'Will keep any intelligent person amused and intrigued . [Hockney] asks big questions about the nature of picture-making and the relationship between painters and photography in a way that no other contemporary artist seems to do . enormously good-humoured and entertaining . On almost every page, there is an interesting provocation'--Andrew Marr, New Statesman 'I won't read a more interesting book all year . utterly fascinating' --AN Wilson, The Sunday Times 'An eloquent conversational testimony to the vividness of life lived through intelligent looking. You will see Caravaggio and Citizen Kane with fresh eyes' Daily Telegraph The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link 'art' to human skills and human needs. Each chapter addresses an important question: What happens when we try to express reality in two dimensions Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting Why are optical projections always going to be more beautiful than HD television can ever be How have the makers of images depicted movement What makes marks on a flat surface interesting Energized by two lifetimes of looking at pictures, combined with a great artist's 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade.…

Condición: New. In English.

Hardcover. Condición: Brand New. 344 pages. 11.18x8.94x1.50 inches. In Stock.

Condición: NEW.

Hardcover. Condición: new. Hardcover. A picture, says David Hockney, is the only way that we can give an account of what we see. But all picture-makers face a common problem: how to compress three-dimensional people, things and places onto a flat surface? The results are often pigeonholed as paintings, photographs or films. Alternatively, they may be sorted by date and style: medieval, Renaissance or baroque. In fact, Hockney argues, whether they are made by brush, camera or digital program, and no matter if they are on cave walls or computer screens, first and foremost they are all pictures. And for us to understand how we see the world around us - and hence ourselves - what is needed is a history of pictures. This is that book.Informed and energized by a lifetime of painting, drawing and making images with cameras, Hockney, in collaboration with the art critic Martin Gayford, explores how and why pictures have been made across the millennia. What makes marks on a flat surface interesting? How do you show movement in a still picture, and how, conversely, do films and television connect with old masters? What are the ways in which time and space can be condensed into a static image on a canvas or screen? What do pictures show - truth or lies? Do photographs present the world as we experience it?Juxtaposing a rich variety of images - a still from a Disney cartoon with a Japanese woodblock print by Hiroshige, a scene from an Eisenstein film with a Velazquez painting - the authors cross the normal boundaries between high culture and popular entertainment, and make unexpected connections across time and media. Building on Hockney's groundbreaking book Secret Knowledge, they argue that film, photography, painting and drawing are deeply interconnected. Insightful and thought-provoking, A History of Pictures is an important contribution to our appreciation of how we represent our reality. The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. In this book, each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condición: New. pp. 344.

Condición: New. pp. 344.

Condición: New. The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. In this book, each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the Mona Li.

Buch. Condición: Neu. Neuware - The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link art to human skills and human needs. Each chapter addresses an important question: What happens when we try to express reality in two dimensions Why is the Mona Lisa beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting Why are optical projections always going to be more beautiful than HD television can ever be How have the makers of images depicted movement What makes marks on a flat surface interesting Energized by two lifetimes of looking at pictures, combined with a great artists 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade.…

Buch. Condición: Neu. Neuware -'What makes some pictures a masterpiece Who better to explain than our greatest living artist, as he teams up with art critic Martin Gayford to open your eyes to the works of genius he holds dear' --Mail on Sunday 'His sharp and often delightfully slanted take on pictures, explained in clear terms, crisps up perceptions and help readers to look anew.'--Rachel Campbell-Johnston, The Times 'Wonderful . Apart from the sumptuous avalanche of reproductions, the book consists of paragraphs in which the two proprietors speak alternately. It's a measure of Hockney's vividness of perception that he can always put a cap on Gayford s knowledge . fabulous'--Clive James, Guardian 'Will keep any intelligent person amused and intrigued . [Hockney] asks big questions about the nature of picture-making and the relationship between painters and photography in a way that no other contemporary artist seems to do . enormously good-humoured and entertaining . On almost every page, there is an interesting provocation'--Andrew Marr, New Statesman 'I won't read a more interesting book all year . utterly fascinating' --AN Wilson, The Sunday Times 'An eloquent conversational testimony to the vividness of life lived through intelligent looking. You will see Caravaggio and Citizen Kane with fresh eyes' Daily Telegraph The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link 'art' to human skills and human needs. Each chapter addresses an important question: What happens when we try to express reality in two dimensions Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting Why are optical projections always going to be more beautiful than HD television can ever be How have the makers of images depicted movement What makes marks on a flat surface interesting Energized by two lifetimes of looking at pictures, combined with a great artist's 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade.Justin Hamilton, 1 West Smithfield, EC1A 9JU London 368 pp. Englisch.…

Hardcover. Condición: new. Hardcover. A picture, says David Hockney, is the only way that we can give an account of what we see. But all picture-makers face a common problem: how to compress three-dimensional people, things and places onto a flat surface? The results are often pigeonholed as paintings, photographs or films. Alternatively, they may be sorted by date and style: medieval, Renaissance or baroque. In fact, Hockney argues, whether they are made by brush, camera or digital program, and no matter if they are on cave walls or computer screens, first and foremost they are all pictures. And for us to understand how we see the world around us - and hence ourselves - what is needed is a history of pictures. This is that book.Informed and energized by a lifetime of painting, drawing and making images with cameras, Hockney, in collaboration with the art critic Martin Gayford, explores how and why pictures have been made across the millennia. What makes marks on a flat surface interesting? How do you show movement in a still picture, and how, conversely, do films and television connect with old masters? What are the ways in which time and space can be condensed into a static image on a canvas or screen? What do pictures show - truth or lies? Do photographs present the world as we experience it?Juxtaposing a rich variety of images - a still from a Disney cartoon with a Japanese woodblock print by Hiroshige, a scene from an Eisenstein film with a Velazquez painting - the authors cross the normal boundaries between high culture and popular entertainment, and make unexpected connections across time and media. Building on Hockney's groundbreaking book Secret Knowledge, they argue that film, photography, painting and drawing are deeply interconnected. Insightful and thought-provoking, A History of Pictures is an important contribution to our appreciation of how we represent our reality. The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. In this book, each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condición: Neu. A History of Pictures | From the Cave to the Computer Screen | David Hockney (u. a.) | Buch | Gebunden | Englisch | 2016 | Thames & Hudson Ltd | EAN 9780500239490 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

Buch. Condición: Neu. Neuware -'What makes some pictures a masterpiece Who better to explain than our greatest living artist, as he teams up with art critic Martin Gayford to open your eyes to the works of genius he holds dear' --Mail on Sunday 'His sharp and often delightfully slanted take on pictures, explained in clear terms, crisps up perceptions and help readers to look anew.'--Rachel Campbell-Johnston, The Times 'Wonderful . Apart from the sumptuous avalanche of reproductions, the book consists of paragraphs in which the two proprietors speak alternately. It's a measure of Hockney's vividness of perception that he can always put a cap on Gayford s knowledge . fabulous'--Clive James, Guardian 'Will keep any intelligent person amused and intrigued . [Hockney] asks big questions about the nature of picture-making and the relationship between painters and photography in a way that no other contemporary artist seems to do . enormously good-humoured and entertaining . On almost every page, there is an interesting provocation'--Andrew Marr, New Statesman 'I won't read a more interesting book all year . utterly fascinating' --AN Wilson, The Sunday Times 'An eloquent conversational testimony to the vividness of life lived through intelligent looking. You will see Caravaggio and Citizen Kane with fresh eyes' Daily Telegraph The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link 'art' to human skills and human needs. Each chapter addresses an important question: What happens when we try to express reality in two dimensions Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting Why are optical projections always going to be more beautiful than HD television can ever be How have the makers of images depicted movement What makes marks on a flat surface interesting Energized by two lifetimes of looking at pictures, combined with a great artist's 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade. 368 pp. Englisch.…