9780292791367 - max ernst and alchemy: a magician in search of myth (surrealist revolution series) de mewarlick (32 resultados)
Idioma: Inglés
Editorial: University of Texas Press, 2001
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Librería: Redux Books, Grand Rapids, MI, Estados Unidos de AmericaRedux Books
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Paperback. Condición: Very Good. Paperback. Pages are clean and unmarked. Covers show very minor shelving wear.; 100% Satisfaction Guaranteed! Ships same or next business day.
Idioma: Inglés
Editorial: University Of Texas Press, Usa, 2001
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Librería: Acadia Art & Rare Books. Est. 1931, Toronto, ON, CanadaAcadia Art & Rare Books. Est. 1931
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Soft cover. Condición: Near Fine. B/W Illustrated. Slightly Creased Front Cover.
Idioma: Inglés
Editorial: MU - University of Texas Press, 2001
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Idioma: Inglés
Editorial: University of Texas Press, US, 2001
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Paperback. Condición: New. Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. W…arlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career.A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century.
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Idioma: Inglés
Editorial: University of Texas Press, 2001
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Idioma: Inglés
Editorial: University of Texas Press 3/15/2001, 2001
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Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de AmericaBargainBookStores
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Paperback or Softback. Condición: New. Max Ernst and Alchemy: A Magician in Search of Myth. Book.
Idioma: Inglés
Editorial: University of Texas Press, 2001
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Condición: new.
Idioma: Inglés
Editorial: University of Texas Press, Austin, TX, 2001
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Paperback. Condición: new. Paperback. Surrealist artist Marx Ernst defined collage as the "alchemy of the visual image". Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, howe…ver, the author persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of th elate 19th and early 20th centuries, and the author sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work images in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites.This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as if affirms his standing as one of Germany's most significant artists of the 20th century. Surrealist artist Max Ernst defined collage as the 'alchemy of the visual image'. This book demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. It helps you understand a multilayered complexity of Ernst's works. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Editorial: University of Texas Press, 2001
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Librería: Brit Books, Milton Keynes, Reino UnidoBrit Books
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Paperback. Condición: Used; Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every litera…ry palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.
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Idioma: Inglés
Editorial: University of Texas Press, 2001
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Condición: As New. Unread book in perfect condition.
Idioma: Inglés
Editorial: University of Texas Press, 2001
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condición: New. Surrealist artist Max Ernst defined collage as the 'alchemy of the visual image'. This book demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. It helps you understand a multilayered complexity of Ern…st's works. Series: The Surrealist Revolution Series. Num Pages: 335 pages, 73 b&w illus. BIC Classification: 3JJ; ACXD7; AGB; HRQX2. Category: (P) Professional & Vocational. Dimension: 155 x 230 x 18. Weight in Grams: 484. . 2001. Paperback. . . . .
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Idioma: Inglés
Editorial: University of Texas Press, US, 2001
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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Paperback. Condición: New. Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. W…arlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career.A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century.
Idioma: Inglés
Editorial: University of Texas Press, 2001
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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Condición: New. pp. 340 23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam.
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Idioma: Inglés
Editorial: University of Texas Press, 2001
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Idioma: Inglés
Editorial: University of Texas Press, 2001
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
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Editorial: University of Texas Press 2001-03-15, 2001
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Paperback. Condición: New.
Idioma: Inglés
Editorial: University of Texas Press, 2001
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- Primera edición
Librería: monobooks, Waterford, MI, Estados Unidos de Americamonobooks
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Soft cover. Condición: New. No Jacket. 1st Edition. First edition stated 2001, first printing, Published by University of Texas Press. Trade softcover without DJ as issued. Condition new, square tight and clean book, no edgewear, sharp corners, spine not creased, no names, no underlinings, no highlights, no bent page corners, no…t a reminder. 8vo, XXIV + 309 pages.
Idioma: Inglés
Editorial: University of Texas Press, 2001
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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Editorial: University of Texas Press, 2001
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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Condición: New. Surrealist artist Max Ernst defined collage as the 'alchemy of the visual image'. This book demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. It helps you understand a multilayered complexity of Ern…st's works. Series: The Surrealist Revolution Series. Num Pages: 335 pages, 73 b&w illus. BIC Classification: 3JJ; ACXD7; AGB; HRQX2. Category: (P) Professional & Vocational. Dimension: 155 x 230 x 18. Weight in Grams: 484. . 2001. Paperback. . . . . Books ship from the US and Ireland.
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Editorial: University of Texas Press, 2001
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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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Condición: New. pp. 340.
Idioma: Inglés
Editorial: Univ of Texas Pr, 2001
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Paperback. Condición: Brand New. 309 pages. 8.75x6.00x0.75 inches. In Stock.
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Editorial: University of Texas Press, 2001
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Condición: NEW.
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Kartoniert / Broschiert. Condición: New. Taking a wholly different perspective on Max Ernst and alchemy, the author persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career.
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Idioma: Inglés
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Paperback. Condición: New. Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. W…arlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career.A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century.
Idioma: Inglés
Editorial: University of Texas Press, Austin, TX, 2001
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 63,67
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Paperback. Condición: new. Paperback. Surrealist artist Marx Ernst defined collage as the "alchemy of the visual image". Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, howe…ver, the author persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of th elate 19th and early 20th centuries, and the author sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work images in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites.This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as if affirms his standing as one of Germany's most significant artists of the 20th century. Surrealist artist Max Ernst defined collage as the 'alchemy of the visual image'. This book demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. It helps you understand a multilayered complexity of Ernst's works. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Editorial: University of Texas Press, 2001
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Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de AmericaBennettBooksLtd
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paperback. Condición: New. In shrink wrap. Looks like an interesting title.
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Idioma: Inglés
Editorial: University of Texas Press, US, 2001
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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Paperback. Condición: New. Surrealist artist Max Ernst defined collage as the "alchemy of the visual image." Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. W…arlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career.A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century.
Idioma: Inglés
Editorial: Univ of Texas Pr, 2001
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 32,32
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Paperback. Condición: Brand New. 309 pages. 8.75x6.00x0.75 inches. In Stock. This item is printed on demand.
Idioma: Inglés
Editorial: University of Texas Press, 2001
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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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EUR 57,35
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Condición: New. PRINT ON DEMAND pp. 340.
