Max Ernst and Alchemy: A Magician in Search of Myth (Surrealist Revolution Series)

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9780292791367: Max Ernst and Alchemy: A Magician in Search of Myth (Surrealist Revolution Series)
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"M. E. Warlick's book is a unique and highly significant contribution to the literature on modern art and modern culture in general." --Linda D. Henderson, Professor of Art History, University of Texas at Austin " ... when M. E. Warlick discusses {Ernst's] early art and the Surrealist context, she is authoritative... Her own scrupulously researched chapters on the artist's formative years andpre-Surrealist paintings, together with her abbreviated history of alchemy, its literature and the"occultation of Surrealism" which began in the 1920s, are useful additions to the existingscholarship."--TLS, 21 September 2001

Reseña del editor:

Surrealist artist Max Ernst defined collage as the 'alchemy of the visual image'. Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement.Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century. M. E. Warlick is Associate Professor of Art History at the University of Denver.

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M.E. Warlick
Editorial: University of Texas Press, United States (2001)
ISBN 10: 0292791364 ISBN 13: 9780292791367
Nuevos Paperback Cantidad: 10
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Descripción University of Texas Press, United States, 2001. Paperback. Estado de conservación: New. New.. 226 x 150 mm. Language: English . Brand New Book. Surrealist artist Max Ernst defined collage as the alchemy of the visual image. Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst s work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst s works, as it affirms his standing as one of Germany s most significant artists of the twentieth century. Nº de ref. de la librería AAJ9780292791367

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M.E. Warlick
Editorial: University of Texas Press, United States (2001)
ISBN 10: 0292791364 ISBN 13: 9780292791367
Nuevos Paperback Cantidad: 10
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Descripción University of Texas Press, United States, 2001. Paperback. Estado de conservación: New. New.. 226 x 150 mm. Language: English . Brand New Book. Surrealist artist Max Ernst defined collage as the alchemy of the visual image. Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst s work squarely within this movement. Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst s works, as it affirms his standing as one of Germany s most significant artists of the twentieth century. Nº de ref. de la librería AAJ9780292791367

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Warlick, M. E.
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97802927913670000000

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M. E. Warlick, Franklin Rosemont
Editorial: University of Texas Press 2001-03-15 (2001)
ISBN 10: 0292791364 ISBN 13: 9780292791367
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Descripción University of Texas Press 2001-03-15, 2001. Paperback. Estado de conservación: New. Nº de ref. de la librería NU-MAR-00020576

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M.E. Warlick, Franklin Rosemont
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Descripción University of Texas Press. Paperback. Estado de conservación: new. BRAND NEW, Max Ernst and Alchemy: A Magician in Search of Myth, M.E. Warlick, Franklin Rosemont, Surrealist artist Max Ernst defined collage as the 'alchemy of the visual image'. Students of his work have often dismissed this comment as simply a metaphor for the transformative power of using found images in a new context. Taking a wholly different perspective on Ernst and alchemy, however, M. E. Warlick persuasively demonstrates that the artist had a profound and abiding interest in alchemical philosophy and often used alchemical symbolism in works created throughout his career. A revival of interest in alchemy swept the artistic, psychoanalytic, historical, and scientific circles of the late nineteenth and early twentieth centuries, and Warlick sets Ernst's work squarely within this movement.Looking at both his art (many of the works she discusses are reproduced in the book) and his writings, she reveals how thoroughly alchemical philosophy and symbolism pervade his early Dadaist experiments, his foundational work in surrealism, and his many collages and paintings of women and landscapes, whose images exemplify the alchemical fusing of opposites. This pioneering research adds an essential key to understanding the multilayered complexity of Ernst's works, as it affirms his standing as one of Germany's most significant artists of the twentieth century. M. E. Warlick is Associate Professor of Art History at the University of Denver. Nº de ref. de la librería B9780292791367

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Warlick, M. E.
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Descripción Univ Texas Press. Estado de conservación: BRAND NEW. BRAND NEW Softcover - This title is now printed on demand - please allow added time for shipment! A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2115109

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Descripción University of Texas Press, 2001. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CA-9780292791367

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M.E. Warlick
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Descripción University of Texas Press 2001-03-15, Austin, TX, 2001. paperback. Estado de conservación: New. Nº de ref. de la librería 9780292791367

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M.E. Warlick
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Descripción 2001. Paperback. Estado de conservación: New. 152mm x 18mm x 229mm. Paperback. Surrealist artist Marx Ernst defined collage as the alchemy of the visual image. Students of his work have often dismissed this comment as simply a metaphor for the transformative power of.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 335 pages. 0.454. Nº de ref. de la librería 9780292791367

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Descripción University of Texas Press, 2001. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780292791367

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