9780271078359 - Performing Animals: History, Agency, Theater: 11 (Animalibus: Of Animals and Cultures) (16 resultados)

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Paperback. Condición: new. Paperback. From bears on the Renaissance stage to the equine pageantry of the nineteenth-century hunt, animals have been used in human-orchestrated entertainments throughout history. The essays in this volume present an array of case studies that inspire new ways of interpreting animal performance and the role of animal agency in the performing relationship.In exploring the human-animal relationship from the early modern period to the nineteenth century, Performing Animals questions what it means for an animal to perform, examines how conceptions of this relationship have evolved over time, and explores whether and how human understanding of performance is changed by an animals presence. The contributors discuss the role of animals in venues as varied as medieval plays, natural histories, dissections, and banquets, and they raise provocative questions about animals agency. In so doing, they demonstrate the innovative potential of thinking beyond the boundaries of the present in order to dismantle the barriers that have traditionally divided human from animal.From fleas to warhorses to animals that perform even after death, this delightfully varied volume brings together examples of animals made to act in ways that challenge obvious notions of performance. The result is an eye-opening exploration of human-animal relationships and identity that will appeal greatly to scholars and students of animal studies, performance studies, and posthuman studies.In addition to the editors, the contributors are Todd Andrew Borlik, Pia F. Cuneo, Kim Marra, Richard Nash, Sarah E. Parker, Rob Wakeman, Kari Weil, and Jessica Wolfe. A collection of essays that explore the role of performing animals in literature, theater, art, and other media prior to the twentieth century, and discuss recent theoretical work in animal studies, materialism, and posthumanism. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. From bears on the Renaissance stage to the equine pageantry of the nineteenth-century hunt, animals have been used in human-orchestrated entertainments throughout history. The essays in this volume present an array of case studies that inspire new ways of interpreting animal performance and the role of animal agency in the performing relationship.In exploring the human-animal relationship from the early modern period to the nineteenth century, Performing Animals questions what it means for an animal to perform, examines how conceptions of this relationship have evolved over time, and explores whether and how human understanding of performance is changed by an animals presence. The contributors discuss the role of animals in venues as varied as medieval plays, natural histories, dissections, and banquets, and they raise provocative questions about animals agency. In so doing, they demonstrate the innovative potential of thinking beyond the boundaries of the present in order to dismantle the barriers that have traditionally divided human from animal.From fleas to warhorses to animals that perform even after death, this delightfully varied volume brings together examples of animals made to act in ways that challenge obvious notions of performance. The result is an eye-opening exploration of human-animal relationships and identity that will appeal greatly to scholars and students of animal studies, performance studies, and posthuman studies.In addition to the editors, the contributors are Todd Andrew Borlik, Pia F. Cuneo, Kim Marra, Richard Nash, Sarah E. Parker, Rob Wakeman, Kari Weil, and Jessica Wolfe. A collection of essays that explore the role of performing animals in literature, theater, art, and other media prior to the twentieth century, and discuss recent theoretical work in animal studies, materialism, and posthumanism. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Paperback. Condición: new. Paperback. From bears on the Renaissance stage to the equine pageantry of the nineteenth-century hunt, animals have been used in human-orchestrated entertainments throughout history. The essays in this volume present an array of case studies that inspire new ways of interpreting animal performance and the role of animal agency in the performing relationship.In exploring the human-animal relationship from the early modern period to the nineteenth century, Performing Animals questions what it means for an animal to perform, examines how conceptions of this relationship have evolved over time, and explores whether and how human understanding of performance is changed by an animals presence. The contributors discuss the role of animals in venues as varied as medieval plays, natural histories, dissections, and banquets, and they raise provocative questions about animals agency. In so doing, they demonstrate the innovative potential of thinking beyond the boundaries of the present in order to dismantle the barriers that have traditionally divided human from animal.From fleas to warhorses to animals that perform even after death, this delightfully varied volume brings together examples of animals made to act in ways that challenge obvious notions of performance. The result is an eye-opening exploration of human-animal relationships and identity that will appeal greatly to scholars and students of animal studies, performance studies, and posthuman studies.In addition to the editors, the contributors are Todd Andrew Borlik, Pia F. Cuneo, Kim Marra, Richard Nash, Sarah E. Parker, Rob Wakeman, Kari Weil, and Jessica Wolfe. A collection of essays that explore the role of performing animals in literature, theater, art, and other media prior to the twentieth century, and discuss recent theoretical work in animal studies, materialism, and posthumanism. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. A collection of essays that explore the role of performing animals in literature, theater, art, and other media prior to the twentieth century, and discuss recent theoretical work in animal studies, materialism, and posthumanism.Klappentextrn.

Taschenbuch. Condición: Neu. Performing Animals | History, Agency, Theater | Karen Raber (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2018 | Pennsylvania State University Press | EAN 9780271078359 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - From bears on the Renaissance stage to the equine pageantry of the nineteenth-century hunt, animals have been used in human-orchestrated entertainments throughout history. The essays in this volume present an array of case studies that inspire new ways of interpreting animal performance and the role of animal agency in the performing relationship.In exploring the human-animal relationship from the early modern period to the nineteenth century, Performing Animals questions what it means for an animal to 'perform,' examines how conceptions of this relationship have evolved over time, and explores whether and how human understanding of performance is changed by an animal's presence. The contributors discuss the role of animals in venues as varied as medieval plays, natural histories, dissections, and banquets, and they raise provocative questions about animals' agency. In so doing, they demonstrate the innovative potential of thinking beyond the boundaries of the present in order to dismantle the barriers that have traditionally divided human from animal.From fleas to warhorses to animals that 'perform' even after death, this delightfully varied volume brings together examples of animals made to 'act' in ways that challenge obvious notions of performance. The result is an eye-opening exploration of human-animal relationships and identity that will appeal greatly to scholars and students of animal studies, performance studies, and posthuman studies.In addition to the editors, the contributors are Todd Andrew Borlik, Pia F. Cuneo, Kim Marra, Richard Nash, Sarah E. Parker, Rob Wakeman, Kari Weil, and Jessica Wolfe.