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Añadir al carritoHardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Idioma: Inglés
Publicado por Oxford University Press, 2017
ISBN 10: 0190631228 ISBN 13: 9780190631222
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Publicado por Oxford University Press, 2017
ISBN 10: 0190631228 ISBN 13: 9780190631222
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Publicado por Oxford University Press Inc, 2017
ISBN 10: 0190631228 ISBN 13: 9780190631222
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Publicado por Oxford University Press Inc, 2017
ISBN 10: 0190631228 ISBN 13: 9780190631222
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Publicado por Oxford University Press, 2017
ISBN 10: 0190631228 ISBN 13: 9780190631222
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Publicado por Oxford University Press, 2017
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ISBN 10: 0190631228 ISBN 13: 9780190631222
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Añadir al carritoHardcover. Condición: Brand New. 232 pages. 9.75x6.50x1.00 inches. In Stock.
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Publicado por Oxford University Press, 2017
ISBN 10: 0190631228 ISBN 13: 9780190631222
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Añadir al carritoHardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
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Publicado por Oxford University Press, 2017
ISBN 10: 0190631228 ISBN 13: 9780190631222
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Añadir al carritoCondición: New. Print on Demand pp. 232.
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Publicado por Oxford University Press OUP, 2017
ISBN 10: 0190631228 ISBN 13: 9780190631222
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Añadir al carritoCondición: New. Print on Demand pp. 232.
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Publicado por Oxford University Press, 2017
ISBN 10: 0190631228 ISBN 13: 9780190631222
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Añadir al carritoCondición: New. PRINT ON DEMAND pp. 232.
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Publicado por Oxford University Press Inc, New York, 2017
ISBN 10: 0190631228 ISBN 13: 9780190631222
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Añadir al carritoHardcover. Condición: new. Hardcover. Today, Claude Debussy's position as a central figure in twentieth-century concert music is secure, and scholarship has long taken for granted the enduring musical and aesthetic contributions of his compositions. Yet this was not always the case. Unknown to many concert-goers and music scholars is the fact that for years after his death, Debussy's musical aesthetic was perceived as outmoded, decadent, and even harmful for French music. In Debussy's Legacy and the Construction of Reputation, Marianne Wheeldon examines the vicissitudes of the composer's posthumous reception in the 1920s and 30s, and analyzes the confluence of factors that helped to overturn the initial backlash against his music. Rather than viewing Debussy's artistic greatness as the cause of his enduring legacy, she considers it instead as an effect, tracing the manifold processes that shaped how his music was received and how its aesthetic worth was consolidated. Speaking to readers both within and beyond the domain of French music and culture, Debussy's Legacy and the Construction of Reputation enters into dialogue with research in the sociology of reputation and commemoration, examining the collective nature of the processes of artistic consecration. By analyzing the cultural forces that came to bear on the formation of Debussy's legacy, Wheeldon contributes to a greater understanding of the inter-war period--the cultural politics, debates, and issues that confronted musicians in 1920s and 30s Paris--and offers a musicological perspective on the subject of reputation building, to date underrepresented in recent writings on reputation and commemoration in the humanities. Debussy's Legacy and the Construction of Reputation is an important new study, groundbreaking in its methodology and in its approach to musical influence and cultural consecration. Debussy's Legacy and the Construction of Reputation examines the vicissitudes of Claude Debussy's posthumous reception, from its initial decline to its subsequent rehabilitation. By following the contributions of key critics and performers, in addition to the ebb and flow of musical fashions in interwar Paris, Marianne Wheeldon demonstrates how the cultivation of Debussy's legacy was a collective endeavor, one that slowly transformed what was perceived bysome as a decadent and even harmful musical influence into one that epitomized French cultural identity. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Añadir al carritoBuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Today, Claude Debussy's position as a central figure in twentieth-century concert music is secure, and scholarship has long taken for granted the enduring musical and aesthetic contributions of his compositions. Yet this was not always the case. Unknown to many concert-goers and music scholars is the fact that for years after his death, Debussy's musical aesthetic was perceived as outmoded, decadent, and even harmful for French music. In Debussy's Legacy and the Construction of Reputation, Marianne Wheeldon examines the vicissitudes of the composer's posthumous reception in the 1920s and 30s, and analyzes the confluence of factors that helped to overturn the initial backlash against his music. Rather than viewing Debussy's artistic greatness as the cause of his enduring legacy, she considers it instead as an effect, tracing the manifold processes that shaped how his music was received and how its aesthetic worth was consolidated. Speaking to readers both within and beyond the domain of French music and culture, Debussy's Legacy and the Construction of Reputation enters into dialogue with research in the sociology of reputation and commemoration, examining the collective nature of the processes of artistic consecration. By analyzing the cultural forces that came to bear on the formation of Debussy's legacy, Wheeldon contributes to a greater understanding of the inter-war period--the cultural politics, debates, and issues that confronted musicians in 1920s and 30s Paris--and offers a musicological perspective on the subject of reputation building, to date underrepresented in recent writings on reputation and commemoration in the humanities. Debussy's Legacy and the Construction of Reputation is an important new study, groundbreaking in its methodology and in its approach to musical influence and cultural consecration.
Librería: preigu, Osnabrück, Alemania
EUR 80,40
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Añadir al carritoBuch. Condición: Neu. Debussy's Legacy and the Construction of Reputation | Wheeldon | Buch | Buch Gebunden | Englisch | 2014 | ACADEMIC | EAN 9780190631222 | Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, 70567 Stuttgart, vertrieb[at]dbg[dot]de | Anbieter: preigu Print on Demand.
Publicado por Oxford University Press, 2014
ISBN 10: 0190631228 ISBN 13: 9780190631222
Librería: moluna, Greven, Alemania
EUR 77,47
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Añadir al carritoGebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorrnrnMarianne Wheeldon is Professor of Music Theory at the University of Texas at Austin. She is the author of Debussy s Late Style (Indiana 2009) and co-editor, with Elliott Antokoletz, of Rethinking Debussy (Oxford 2011).