Young louis editor (19 resultados)

Hardcover. Condición: As New.

xvi, 626 pages. Hardcover: H 23.5cm x L 15.75cm. Red dust jacket lightly rubbed. Red cloth; spine slightly cocked with mild bumping at spine heel. Negligibly small stain ion bottom edge. Parental gift inscription to past owner at top of front free endpaper else interior leaves are bright and clean. Introduction by editor Louis D. Rubin; two appendices; Index. Text divided into four sections: "Colonial and Antebellum Southern Literature, 1607-1860;" "The War and After, 1861-1920;" "The Southern Renascence, 1920-1950;" and "The Recent South, 1951-1982." A very good copy in a near fine dust jacket. Approx. shipping weight = 3 pounds. ISBN 0807112518. …

Soft cover. Condición: Very Good. 96 pages. Andre Gide "Advice to a Young Writer" / Paul Bowles "Tapiama"Louis MacNiece "Indian Village" poem / Stephen Spender "Instructions" poem / Jack Cope "Three Women" / Anthony Curtis "Mood of the Month - IV" / Geoffrey Grigson "The Poet in D H Lawrence".

Trade Paperback. Condición: Very Good. Louisiana Paperback Edition: 1990. 626 + xiv pp. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments. A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, clean text, and light shelf wear. Smooth covers. Minor stains on top edge. Albert Crochet (Designer) (ilustrador).…

Paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: Brand New. 204 pages. 9.00x6.25x0.75 inches. In Stock.

Hardcover. Condición: Brand New. 218 pages. 9.25x6.25x0.75 inches. In Stock.

Paperback. Condición: Brand New. 280 pages. 9.25x6.18x0.98 inches. In Stock.

Hardcover. Condición: Brand New. 246 pages. 9.00x6.25x0.75 inches. In Stock.

Hardcover. Condición: Brand New. 282 pages. 9.02x5.98x0.69 inches. In Stock.

Hardcover. Condición: Brand New. 318 pages. 9.02x5.98x0.90 inches. In Stock.

Hardcover. Condición: Brand New. 324 pages. 9.02x5.98x0.90 inches. In Stock.

Hardcover. Condición: Brand New. 257 pages. 9.50x6.50x1.00 inches. In Stock.

Soft cover. Condición: Fair. 1st Edition. New York: The Masses Publishing Company, 1917. The April, 1917 issue (Volume IX, Number 6, whole number 70). Quarto, illustrated stapled wraps, 42 pp.; this is a scarce survivor of the smaller-format issues (i.e., no longer folio size) which were issued late in the life The Masses. 1917 was the last year of publication, and by the time of this issue, there were only months left. Just Fair, due to the absence of the front cover and the separation of the first page from the remaining textblock with rear cover - all of which is itself in Very Good condition, by any periodical standard. As the very inexpensively-produced budget-of-the-heart icon The Masses was, it no doubt deserves its own grading standard, but there is none such. Some small scale chipping on page 3 and rear cover, modest toning to the remarkably healthy contents. See scans. Certainly one of the most seminal socio-political American publications of the last 200 years, The Masses was a collection of ideological art, opinion and reporting - usually contributed with little or no compensation - which strongly represented socialist / marxist values, but in a larger sense was representative of labor, women's rights, and radical left issues in general as those were at that time. Famous names of the era often contributed work, but the names of the regulars are themselves all now in history books. The now-timeless publication was officially shut down by the U.S. Government in 1918, ostensibly on the basis of postal regulations (though it had already suspended publication in late 1917), following two intense and ideologically-charged trials. Eastman and his sister, Crystal, then started The Liberator to carry on; after The Liberator closed its doors in 1926, The New Masses, under the primary leadership of Mike Gold, carried the radical flag. The Masses, as the first, is also the rarest. Text contributors to this issue of April, 1917 included Eastman, John Reed; Louise Bryant; Floyd Dell; Howard Brubaker; Robert Hillyer; Louis Untermeyer; Hutchins Hapgood; Ruza Wenclaw; Leslie Nelson Jennings; Robert H. Lowie; Charles W. Wood; Jane Whitaker; Anne Arnold; Henry Reich, Jr.; Dorothea Gay; Franklin Van Wert; David Rosenthal; Elizabeth Fox; and Nina Bull. Art was contributed by Arthur B. Davies; K.R. Chamberlain; Boardman Robinson; Arthur Young; Maurice Sterne; and Cornelia Barns. Check out all of these names. An extraordinarily rare piece of American publishing and political history. Please see scans. l-lng2. Arthur B. Davies; K.R. Chamberlain; Boardman Robinson; Arthur Young; Maurice Sterne; Cornelia Barns (ilustrador).…

Soft cover. Condición: Very Good. 1st Edition. New York: The Masses Publishing Company, 1915. The June, 1915 issue (Volume VI, Number 9, whole number 49). Large Folio, illustrated stapled wraps, 27 pp. Very Good by any periodical standard; as the very inexpensively-produced budget-of-the-heart icon The Masses was, this example is certainly better than very good, by its own standard. Light crease the vertical length of cover; small nicks at front cover perimeter; larger chip at rear cover, lower left; modest toning to the remarkably healthy contents. See scans. Certainly one of the most seminal socio-political American publications of the last 200 years, The Masses was a collection of ideological art, opinion and reporting - usually contributed with little or no compensation - which strongly represented socialist / marxist values, but in a larger sense was representative of labor, women's rights, and radical left issues in general as those were at that time. Famous names of the era often contributed work, but the names of the regulars are themselves all now in history books. The now-timeless publication was shut down by the U.S. Government in 1918 on the basis of postal regulations, after two intense and ideologically-charged trials. Eastman and his sister, Crystal, then started The Liberator to carry on; after The Liberator closed its doors in 1926, The New Masses, under the primary leadership of Mike Gold, carried the radical flag. The Masses, as the first, is also the rarest. Text contributors to this issue of June, 1915 included Eastman, Carl Sandburg, Howard Brubaker, Harris Merton Lyon, Louis Untermeyer, Edmond McKenna, Elsie Clews Parsons, Frank Tanenbaum, Robert Carlton Brown, W.J. Robinson, Charles Grey, and Florence Kiper Frank. Art was contributed by Frank Walts, John Sloan, Art Young, Glenn O. Coleman, Stuart Davis, Cornelia Barns, Randall Davey, George Bellows, Maurice Becker, A. Londoner, Elias Goldberg, and Eugene Higgins, with Walts executing the front cover, and Davis the rear cover. Check out all of those names. An extraordinarily rare piece of American publishing and political history. l-lng2. Frank Walts, John Sloan, Art Young, Glenn O. Coleman, Stuart Davis, Cornelia Barns, Randall Davey, George Bellows, Maurice Becker, A. Londoner, Elias Goldberg, Eugene Higgins (ilustrador).…

Hardcover. Condición: New. Special Edition. Full leather bound edition. Raised bands on spine with gilt lettering. Gilt page edges and cover design. Ribbon page marker. Marble design endpapers. Book is new and sealed in publishers shrinkwrap. Book.

Magazine. Eleven issue broken run of volume 20, 8x9.75 inches, articles, plays, reviews, interviews, photos, scene designs, ads, lightly worn and toned theatre magazines in stapled printed wraps. January through December but missing August 1936. The American Scene. Broadway at Its Best: 20th anniversary issue. Directors Take Command. Designers Set the Stage (back when Minnelli was a designer) Irish Theatre designs by James Reynolds. Spartan Into Nazi. The Soviet Theatre Speaks for Itself. The Actor Attacks His Part.…

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: Good. A nice-looking lot of eight different editions of the Sufi poet's best-loved, classic epic poem. The individual volumes are illustrated beautifully by a range of different artists and in multiple formats, but each is in hardcover format. The poet, Omar Khayyam (or Khayyami) was born, likely at Nishapur, in the Persian northeast, somewhere between about 1025 and 1050 A.D. His surname "Khayyam" means "tent-maker" in Persian, which might, like St. Paul/Saul, have denoted his father's vocation and major income-source. The lot is comprised of the following: 1) Rubaiyat of Omar Khayyam, translated and edited by Edward FitzGerald, New York: E.P. Dutton, 1922, illustrated by Fish (the British artist Ann Harriet Fish). Preface to the First Edition included here. Possibly a variant binding but of a quite scarce and valuable edition. Sturdy, though rear joint cloth cracked, bound as a big, tall, quarto hardcover format, decorated orange, black and vanilla paper over boards, abraded and rubbed, black cloth-backed, bumping to and scuffing of spine head and foot. Decorated duotone endpapers front and rear. Fine frontis illustration, tissue protected. List of illustrations show a half-title design, then illustrations to 18 quatrains, each being tissue-guarded, and quite fine. Evocative historiated initials. 108 pp.; 2) Rubaiyat of Omar Khayyam, with an Introduction by T. Cuyler Young, and illustrated by Eugene Karlin, 1964, a fourth printing of this edition. Near Fine condition brick-red cloth over boards, gilt illustration to front cover, lettering to spine. Bright and shiny dust jacket, illustrated, price-clipped and machine-clipped, chipping to and closed tear of top edge. Evocative black-and-white illustrations throughout. 80 [2] pp. plus a note about the illustrator and the edition; 3) Rubaiyat of Omar Khayyam, edited and with an Introduction by Louis Untermeyer, New York: Random House, 1947. Very Good condition decorated red and black cloth over boards, gilt lettering to spine. Light scuffing to spine foot, else quite sturdy of binding and attractive of interior. Illustrated duotone endpapers front and rear, fine full-color illustration at frontis, based on a translation of the First Edition and combinations of the third, fourth, and fifth editions. 147 [4] pp.; 4) Rubaiyat of Omar Khayyam, London: Macmillan & Co., 1895, a Very Good condition exemplar in hardcover format, vanilla cloth over boards, short octavo in format, gilt-ruled front and rear, gilt lettering to spine. Heavily toned endpapers, dissipating quickly. Loose bookplate of Holbrook Jackson laid in at front. Rough-cut fore-edges. 112 pp.; 5) Omar Khayyam's Quatrains, English-Persian, compiled by A. Mirbagheri, published in Tehran, Iran, by Ketabsaraye. Nearly brand-new in appearance, bound in brick-red cloth over boards, sharp and distinct gilt lettering to spine, with Persian Introduction by Moini Kermanshabi, with calligraphy by Mohammad Tagi Safania (bilingual in English and Persian) and illustrations by Reza Badrolsama throughout, many score of them. Bright and shiny dust jacket, illustrated, little worn, protected by a plastic coat. Gilt edges all around. Unpaginated, but roughly 60 pp. Gift-quality condition. 6) Fine condition exemplar of Rubaiyat of Omar Khayyam, published in London by Collins, n.d., but roughly 1950s, red leatherette over boards, gilt-stamped lettering to front cover, housed in a Very Good condition cardboard slipcase, blue and gold, and illustrated beautifully by evocative black-and-white engravings by Marjorie Anderson. 126 [1] pp. 7) Rubaiyat of Omar Khayyam, Introduction by Clement K. Shorter, published in 1907 by William Heinemann of London, England. Pocketbook-sized gray cloth over boards, blind-stamped design and ruling to front cover, gilt lettering to spine. Black-and-white portrait of Edward FitzGerald at frontis, tissue-protected. 68 pp.; 8) Rubaiyat of Omar Khayyam, Preface by Nathan Haskell Dole, published in 1900 by Thomas Mosher of New York. A Good condition little book, smaller than a mass market paperback, bound in thin brown leather, rubbed edges, gilt designs and letter to front cover. Black-and-white headers, slight pulling of a couple of signatures. 55 [1] pp. including a useful glossary and vocabulary.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…