Yarvin eloise (19 resultados)

Paperback or Softback. Condición: New. I'm Glad He's Dead: Fascism Hurts. Book.

Paperback or Softback. Condición: New. Project 2025 Boy: A Last Men Novel. Book.

Condición: New.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: New.

Condición: New. Print on Demand.

Condición: New. Print on Demand.

Condición: New. PRINT ON DEMAND.

Condición: New. PRINT ON DEMAND.

Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - I'm Glad He's Dead: Fascism Hurts is a dystopian political novel built around testimony, grief, rage, and the afterlife of authoritarian violence. Set in a basement chamber where survivors are brought in one by one to answer a brutal question, 'Who are you glad is dead ' the book turns confession into structure and witness into narrative force. Each chapter opens another account of damage done by men in power, by pastors, politicians, police, war planners, bureaucrats, and other enforcers of a fascist order that calls itself security, discipline, morality, or law. What emerges is not a revenge fantasy in any simple sense, but a record of what authoritarian systems do to bodies, families, memory, and language once they are allowed to rule.The novel moves case by case through bombings, sexual violence, reproductive control, environmental destruction, religious manipulation, border brutality, and other forms of systematized harm, all filtered through a chamber narrative that gives the book its ritual intensity. The recurring question is not whether the dead deserve sympathy, but what it means when their death is the only thing that stops further damage. That makes the book morally sharp rather than morally tidy. It is interested in pain, yes, but also in naming, testimony, survival, and the difference between justice and the mere stopping of harm. This is political fiction with a severe frame: part interrogation room, part grief archive, part anti-fascist witness stand.For readers of dystopian political fiction, anti-authoritarian literature, feminist rage fiction, chamber novels, and testimony-driven narratives, I'm Glad He's Dead offers something direct and memorable. It is stripped down in form, emotionally harsh, and built around the insistence that suffering be named plainly instead of turned into acceptable losses, policy language, or moral abstraction. Rather than asking readers to sympathize with power, it stays with the harmed, the surviving, and the ones left to speak after the damage is done.…

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Project 2025: Boy - A Last Men Novel is a dystopian political novel about memory correction, ideological collapse, and the remaking of identity inside a post-collapse reeducation system. Told through case files, proctor notes, institutional prompts, personal entries, and closing memos, the book follows Subject 1347, a boy being processed through the Flow's behavioral stabilization program after the fall of an older masculine order. What begins as a set of records about one child becomes a larger portrait of how power reshapes language, selfhood, and memory until obedience starts to feel like peace.The novel moves through remembrance, reconditioning, restructuring, and final evaluation, building a world where authoritarian control no longer relies on spectacle or open brutality but on softness, repetition, documentation, and the quiet replacement of one internal system with another. What makes the book distinctive is its form. The institutional framing gives it a cold documentary texture, while the boy's entries create a psychological record of erosion from the inside. The result is a novel about the end of male memory, the politics of correction, and the unsettling possibility that a regime can rewrite a person not through punishment alone but through atmosphere, routine, and the gradual loss of contradiction.The drawing images increase the tension and feelings of unease. The book includes the subject's drawn responses alongside written entries, and those images deepen the sense that the reader is looking through an actual archive rather than a conventional narrative. Family sketches, circles, symbolic marks, and partial figures do more than illustrate the text. They show the shrinking of self, the abstraction of memory, and the pressure of institutional interpretation. The drawings make the book feel more intimate and more clinical at the same time, reinforcing the idea that even a child's hand can become part of the machinery recording his own correction.Written for readers of dystopian political fiction, speculative archive novels, psychological dystopias, authoritarian-future fiction, and literary books about memory, identity, and ideological control, Project 2025: Boy offers something unusually controlled and eerie. It is less interested in explosions than in soft domination, less interested in spectacle than in inward collapse. By pairing documentary structure with drawn images and a child's narrowing voice, it turns reeducation into atmosphere and makes the archive itself feel like part of the regime.…

Paperback. Condición: new. Paperback. I'm Glad He's Dead: Fascism Hurts by Eloise Yarvin, with an introduction by Esme Mees, a founding author and editor at Eatms Productions, burrows deep into the sickness of our time. It reads like a confession from a country that knows what it's done but can't bring itself to say it out loud. This dark, fictional oral history takes place in a basement, where survivors of fascism, greed, and hypocrisy speak the kind of truths that polite society no longer wants to hear. One by one, under a single light, they explain why they are "glad he's dead." Not out of hate. Out of exhaustion. Out of release. These are the voices of the bombed family, the silenced woman, the poisoned river, the worker left behind. Together they show what happens when cruelty becomes policy and power walks away untouched. Yarvin and Eatms Productions don't moralize. They simply hold open the wound. The result is a haunting parable about what we've allowed to fester in plain sight. It is fiction, but it feels like testimony- raw, unfiltered, and frighteningly true. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Condición: Neu. I'm Glad He's Dead | Fascism Hurts | Eloise Yarvin | Taschenbuch | Empathy Island | Englisch | 2025 | PublishDrive | EAN 9781966014324 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

Taschenbuch. Condición: Neu. Project 2025 Boy | A Last Men Novel | Eloise Yarvin | Taschenbuch | Archive | Englisch | 2025 | PublishDrive | EAN 9781966014294 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.