Weiting fan (29 resultados)

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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 31,79
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 29,59
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 39,29
Gastos de envío gratisSe envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Paperback. Condición: New. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender… representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.

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Librería: Rarewaves USA, HEBRON, KY, Estados Unidos de AmericaRarewaves USA
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EUR 41,40
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Paperback. Condición: New. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender… representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.

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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 42,28
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Paperback. Condición: new. Paperback. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attentio…n to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Huis films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kongs cultural identity through the work of a globally recognised filmmaker. An in-depth study of Ann Hui's cinema, focusing on film aesthetics and genre, the construction of femininity, and the rendition of displacement and diaspora. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 36,13
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Condición: New.

Cinema Of Ann Hui: Aesthetics, Gender, And Displacement
Zhaoyu Zhu (Editor)/ Xueyan Cheng (Editor)/ Weiting Fan (Editor)
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 35,99
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Paperback. Condición: Brand New. 328 pages. 6.14x0.85x9.21 inches. In Stock.

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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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EUR 44,45
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Condición: New.

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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 39,71
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Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Cinema Of Ann Hui: Aesthetics, Gender, And Displacement
Zhaoyu Zhu (Editor)/ Xueyan Cheng (Editor)/ Weiting Fan (Editor)
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 57,86
Envío por EUR 14,61Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Paperback. Condición: Brand New. 328 pages. 6.14x0.85x9.21 inches. In Stock.

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Librería: Speedyhen, Hertfordshire, Reino UnidoSpeedyhen
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EUR 28,38
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Condición: NEW.

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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 35,49
Envío por EUR 43,24Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: new. Paperback. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attentio…n to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Huis films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kongs cultural identity through the work of a globally recognised filmmaker. An in-depth study of Ann Hui's cinema, focusing on film aesthetics and genre, the construction of femininity, and the rendition of displacement and diaspora. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 76,26
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Librería: Rarewaves USA United, HEBRON, KY, Estados Unidos de AmericaRarewaves USA United
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EUR 43,23
Envío por EUR 43,17Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: New. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender… representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.

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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 31,24
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Taschenbuch. Condición: Neu. Neuware - A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attenti…on to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.

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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 67,71
Envío por EUR 31,95Se envía de Australia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: new. Paperback. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attentio…n to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Huis films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kongs cultural identity through the work of a globally recognised filmmaker. An in-depth study of Ann Hui's cinema, focusing on film aesthetics and genre, the construction of femininity, and the rendition of displacement and diaspora. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 93,71
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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 106,52
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. Hardcover. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attentio…n to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Huis films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kongs cultural identity through the work of a globally recognised filmmaker. An in-depth study of Ann Hui's cinema, focusing on film aesthetics and genre, the construction of femininity, and the rendition of displacement and diaspora. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 99,86
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Condición: New.

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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 109,35
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Hardback. Condición: New. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender…representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.

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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 37,87
Envío por EUR 75,96Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Paperback. Condición: New. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender… representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 107,05
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Hardcover. Condición: Brand New. In Stock.

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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 106,11
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Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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EUR 115,22
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Condición: New.

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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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EUR 99,89
Envío por EUR 43,24Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. Hardcover. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attentio…n to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Huis films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kongs cultural identity through the work of a globally recognised filmmaker. An in-depth study of Ann Hui's cinema, focusing on film aesthetics and genre, the construction of femininity, and the rendition of displacement and diaspora. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 146,95
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Condición: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 107,04
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Hardback. Condición: New. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attention to gender…representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Hui's films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kong's cultural identity through the work of a globally recognised filmmaker.

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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 169,69
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Condición: New. 2026. hardcover. . . . . .

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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 162,71
Envío por EUR 31,95Se envía de Australia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. Hardcover. A central figure in Hong Kong cinema since her debut with The Secret (1979), Ann Hui was awarded the Golden Lion for Lifetime Achievement at the 77th Venice International Film Festival in 2020. This book explores her distinctive narrative strategies and visual style, with particular attentio…n to gender representation and the depiction of displacement within diasporic communities. Bringing together essays by an international group of contributors, the volume offers a comprehensive analysis of Hui's filmmaking, from early televisual works such as The Boy from Vietnam (1978), to her recent documentary Elegies (2023). The chapters situate her formal and aesthetic choices within the specific historical and cultural conditions of Hong Kong and its film industry, demonstrating how her cinema is shaped by, and responds to, these contexts. The book also explores Hui's sustained engagement with gender and sexuality in films including Summer Snow (1995), All About Love (2010) and Our Time Will Come (2017), underscoring her creative agency as a female auteur. By reworking Chinese aesthetic traditions to reimagine femininity and female subjectivity, Huis films are positioned here as open-ended and multifaceted. In doing so, the volume deepens our understanding of Hong Kong and Chinese-language cinema, the representation of women on screen, and the ongoing reconfiguration of Hong Kongs cultural identity through the work of a globally recognised filmmaker. An in-depth study of Ann Hui's cinema, focusing on film aesthetics and genre, the construction of femininity, and the rendition of displacement and diaspora. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.