vaucher gee (28 resultados)

CD_rom. Originally released in 1985 on vinyl, this is a 124 page perfect-bound book of 50 poems by Rimbaud, each illustrated by Vaucher. With the accompanying audio CD of songs composed by Rimbaud and sung by Libertine, remastered in 2008 and now released for the first time on CD. as new in shrink wrap.

Created by Vaucher using 19th century wood type letterpress combined with a risograph printed collage image during a visit to New York in 2018. Letterpress and Risograph print. Printed at The Arm in New York. Signed, embossed, and editioned to recto. Edition of 44. 11 x 17 in. Near fine.

First Edition. First edition. Softcover. 32 pages. Exhibition catalog for a group show that ran April 21 through May 26, 2007. Includes color and black and white illustrations after works by Rita Ackerman, Gee Vaucher, Becca Mann, Daido Moriyama, Raymond Pettibon, Gusmano Cesaretti, Jockum Nordstrom, Ryan McGinley, and Daniel Higgs. A clean very near fine copy in stapled wrappers.

Firstsite. 2016. Paperback. Illustrated. Extremites lightly worn otherwise a lovely clean and fresh copy.

Softcover. Condición: Fine. First edition. Wrappers. Illustrated. Fine with a cd attached on the inside of the rear wrapper as issued. Prose and music by the feminist artist famous for her work with the punk collective, CRASS.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Soft cover. Condición: Very Good. 1st Edition. Published on the occasion of the exhibition Gee Vaucher Introspective, held at Firstsite Gallery November 12, 2016-February 19, 2017. Contents: The door to the garden : Gee Vaucher and the cultivation of artistic counterculture / Stevphen Shukaitis -- A very private person / Penny Rimbaud -- Freedom, desire and the questioning of 'isms' in Gee Vaucher's early designs (1975-79) / Rebecca Binns -- Gee Vaucher's punk painting as record sleeves / George McKay -- Pin-up/cut-up : woman in Gee Vaucher's assemblages / Patricia Allmer & John Sears -- Domestic violence / Yuval Etgar. 143 pages : illustrations (some color) ; 21 cm. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Soft cover. Condición: Very Good. 1st Edition. Octavo (21 cm). 143 pages. Illustrated in colour and b&w throughout. Foreword by Sally Shaw; Introduction by Marie-France Kittler. Essays by Shukaitis, Penny Rimbaud, Rebecca Binns, George McKay, Patricia Allmer and John Sears, Yuval Etgar. Published to accompany an exhibition held at the Firstsite Gallery from 12 November 2016 to 19 February 2017. Very Good. Cover a bit worn at the edges and corners, particularly at the foot of its spine and in the bottom corner of its front.

Condición: Near fine. Offset printed poster of Lady Liberty with her head in her hands. The painting was originally created by Gee Vaucher for the band Tackhead's 1989 album 'Friendly as a Hand Grenade', and was more recently and visibly used as the front page of the British Daily Mirror the day after Donald Trump's presidential victory in November 2016. Offset print. Signed, embossed, and titled on recto. Printed by Calverts. 16 7/8 x 17 3/8 in.

This publication by Gee Vaucher takes the original book, 'Une Semaine de Bonte' by Max Ernst and the inspiring words of 'Knots' by R D Laing, to illustrate, in black and white, the conundrum of 'the family', from the sublime to the destructive. Includes collages with introduction by Vaucher. This is the first of seven in the series and represents TUESDAY - FATHER. Paperback. Offset, perfect bound. Unpaginated. 40pp. 8 ¼ x 11 ¼ in. Near fine. 5 copies.

This publication by Gee Vaucher takes the original book, 'Une Semaine de Bonte' by Max Ernst and the inspiring words of 'Knots' by R D Laing, to illustrate, in black and white, the conundrum of 'the family', from the sublime to the destructive. Includes collages with introduction by Vaucher. This is the second of seven in the series and represents MONDAY - MOTHER. Paperback. Offset, perfect bound. Unpaginated. 40pp. 8 ¼ x 11 ¼ in. Near fine.

Soft cover. Condición: Very Good. 1st Edition. near very good condition with a bit of wear and a pen name on the front and on the title page.

Uncommon and amazing catalogue of works by Gee Vaucher, known largely for work for the seminal punk band Crass, and here showing one over 100 pages a breadth of work that is quite deep and spans between collage and illustration, often with rich and saturated imagery. This copy is generally clean and well kept, with a solid, sturdy binding nad no marks to the interior at all. Front cover lightly bumped in the upper right corner and again slightly towards the middle of the top edge - the bump at the corner extends slightly to the pages within, sometimes far less noticeable than others, but always relegated entirely to the corner and margin, therefore not effecting any text or image. Otherwise just some light rubbing and scuffing to covers, with one or two deeper scratches on the back panel. Excellent and scarce and now in custom mylar.

hardcover. Condición: Good. Ex-library copy with usual markings.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. With original belly band.

Paperback. Condición: Very Good. VG+, crisp and clean showing minimal wear.

Offset printed poster of Lady Liberty with her head in her hands. The painting was originally created by Gee Vaucher for the band Tackhead's 1989 album 'Friendly as a Hand Grenade', and was more recently and visibly used as the front page of the British Daily Mirror the day after Donald Trump's presidential victory in November 2016. This version of the print includes over-printed silkscreen text in red, "Give us Justice which is not the searing spite of revenge, Peace which is not the product of war nor dependent upon it. Give us freedom where now there is only servitude". Offset and silkscreen print. Signed, embossed, and titled on recto. Printed by Calverts. 17 x 17 ¼ in. Near fine.

Hardcover. Condición: Très bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Edition 2012. Livre reconditionné de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Different cover. Edition 2012. Refurbished library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Silkscreen eleven color print on fine paper by Gee Vaucher. Silkscreen on handmade paper. Signed, titled, editioned and embossed on recto. Limited edition. 19 x 25 in.

Color screenprint of cover image from Vaucher's publication Animal Rites, which considers the relationship between humans and animals, and how we insist on giving to our furry and feathered friends the characteristics of human emotions. Silkscreen on handmade paper. Signed, embossed, titled, and editioned to recto. Edition of 50. 15 x 22 ½ in. Printed by Gee Vaucher and Karen Fiorito at Buddha Cat Press. Near fine.

Silkscreen print originally created for a book project which changed direction in the making. As a result, Gee Vaucher created this poster sized individual print. Silkscreen on handmade paper. Signed, titled, editioned and embossed on recto. Limited edition of 50. 22 ¼ x 30 ¼ in. Near fine.

A poster sized print of a nude with a twist by Gee Vaucher. Digital print of a nude woman's musculature from the head to the shoulders, with a silkscreened photographic image of a fully fleshed body from the shoulders down. Digital Glicee print with silkscreen overprint. Signed, titled, editioned and embossed on recto. Limited edition of 10 Artists' Proofs. 19 ¼ x 27 ½ in. Near fine.

Silkscreen print created by Gee Vaucher featuring praying hands adorned in gold jewelry, holding a cigar. A stunning commentary on the materialism of organized religion. Available in two colorways - blue or gold. Silkscreen poster print. Signed, titled, editioned, and embossed on recto. Limited edition Artists' Proof. 22 x 30 in. Near fine.

Poster released with the uncensored 1981 reissue of Crass' The Feeding Of The Five Thousand. Riffing on the "Your Country Needs YOU" British World War I recruitment poster, the image is of a burned hand caught in barbed wire rather than of an authoritative man pointing at the viewer. An example of how Crass's militant aesthetics, appropriating a well-known slogan of state propaganda to reveal the reality of state violence. Offset. 24 1/2 x 34 1/2 in. Near fine.

Print by the visual artist Gee Vaucher, who is best known for her work with the seminal anarchist punk band Crass. Drawing first appeared in International Anthem, Nihilist Newspaper for the Living, No. 5. Silkscreen on handmade paper. 22 1/2 x 30 in. Stamped, signed, and editioned in the hand of Gee Vaucher. Near fine.

Unbound. Condición: Fine. Limited edition. Measuring 17.5" x 17". Offset lithograph with silkscreen overprint on cardstock. Signed by Gee Vaucher. A sepia toned lithograph depicting a weeping Statue of Liberty with writing by Penny Rimbaud of the CRASS collective printed over it. Vaucher, best known for her work with the punk collective, CRASS, is a feminist collage artist who used silkscreening and print making as a means to promote social change by creating street protest art.

Unbound. Condición: Fine. Broadside. First edition. Measuring 34.5" x 24.25". An offset lithograph print originally released with the uncensored reissue of *The Feeding of the 5,000*. Signed by the artist. A photograph of a burned hand caught in barbed wire with the words, "Your country needs YOU," at the bottom. Vaucher, best known for her work with the punk collective, CRASS, is a feminist collage artist who used silkscreening and print making as a means to promote social change by creating street protest art.

Unbound. Condición: Fine. First edition. A 30" x 22.5" silkscreen print. Fine. Copy 37 of 50 Signed and numbered copies. A print depicting a large hand with a knife shaped as a cross stabbing a body with the words "Onward Christian Soldiers" next to it. Vaucher, best known for her work with the punk collective, CRASS, is a feminist collage artist who used silkscreening and print making as a means to promote social change by creating street, protest art.