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Añadir al carritoPaperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 47,82
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Idioma: Inglés
Publicado por Bloomsbury Publishing Plc, US, 2020
ISBN 10: 1501367609 ISBN 13: 9781501367601
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 51,35
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Añadir al carritoPaperback. Condición: New. The place of the editor in literary production is an ambiguous and often invisible one, requiring close attention to publishing history and (often inaccessible) archival resources to bring it into focus. In The Art of Editing, Tim Groenland shows that the critical tendency to overlook the activities of editors and to focus on the solitary author figure neglects important elements of how literary works are acquired, developed and disseminated. Focusing on selected works of fiction by Raymond Carver and David Foster Wallace, authors who represent stylistic touchstones for US fiction of recent decades, Groenland presents two case studies of editorial collaboration. Carver's early stories were integral to the emergence of the Minimalist movement in the 1980s, while Wallace's novels marked a generational shift towards a more expansive, maximal mode of narrative. The role of their respective editors, however, is often overlooked. Gordon Lish's part in shaping the form of Carver's early stories remains under-explored; analyses of Wallace's fiction, meanwhile, tend to minimise Michael Pietsch's role from the creation of Infinite Jest during the mid-1990s until the present day. Drawing on extensive archival research as well as interviews with editors and collaborators, Groenland illuminates the complex and often conflicting forms of agency involved in the genesis of these influential works. The energies and tensions of the editing process emerge as essential factors in the creation of fictions more commonly understood within the paradigm of solitary authorship. The mediating role of the editor is, Groenland argues, inseparable from the development, form, and reception of these works.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 49,11
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Bloomsbury Academic 8/20/2020, 2020
ISBN 10: 1501367609 ISBN 13: 9781501367601
Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de America
EUR 55,76
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Añadir al carritoPaperback or Softback. Condición: New. The Art of Editing: Raymond Carver and David Foster Wallace. Book.
Librería: Ria Christie Collections, Uxbridge, Reino Unido
EUR 47,53
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Añadir al carritoCondición: New.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 72,26
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Añadir al carritoCondición: New. pp. 288.
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Bloomsbury USA Academic, 2020
ISBN 10: 1501367609 ISBN 13: 9781501367601
Librería: Revaluation Books, Exeter, Reino Unido
EUR 75,43
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Añadir al carritoPaperback. Condición: Brand New. 268 pages. 8.75x5.75x0.75 inches. In Stock.
Idioma: Inglés
Publicado por Bloomsbury Publishing Plc, US, 2020
ISBN 10: 1501367609 ISBN 13: 9781501367601
Librería: Rarewaves.com UK, London, Reino Unido
EUR 47,27
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Añadir al carritoPaperback. Condición: New. The place of the editor in literary production is an ambiguous and often invisible one, requiring close attention to publishing history and (often inaccessible) archival resources to bring it into focus. In The Art of Editing, Tim Groenland shows that the critical tendency to overlook the activities of editors and to focus on the solitary author figure neglects important elements of how literary works are acquired, developed and disseminated. Focusing on selected works of fiction by Raymond Carver and David Foster Wallace, authors who represent stylistic touchstones for US fiction of recent decades, Groenland presents two case studies of editorial collaboration. Carver's early stories were integral to the emergence of the Minimalist movement in the 1980s, while Wallace's novels marked a generational shift towards a more expansive, maximal mode of narrative. The role of their respective editors, however, is often overlooked. Gordon Lish's part in shaping the form of Carver's early stories remains under-explored; analyses of Wallace's fiction, meanwhile, tend to minimise Michael Pietsch's role from the creation of Infinite Jest during the mid-1990s until the present day. Drawing on extensive archival research as well as interviews with editors and collaborators, Groenland illuminates the complex and often conflicting forms of agency involved in the genesis of these influential works. The energies and tensions of the editing process emerge as essential factors in the creation of fictions more commonly understood within the paradigm of solitary authorship. The mediating role of the editor is, Groenland argues, inseparable from the development, form, and reception of these works.
Idioma: Inglés
Publicado por Bloomsbury Publishing Plc Aug 2020, 2020
ISBN 10: 1501367609 ISBN 13: 9781501367601
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 65,74
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Añadir al carritoTaschenbuch. Condición: Neu. Neuware.
Librería: Ria Christie Collections, Uxbridge, Reino Unido
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Añadir al carritoCondición: New. In.
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Añadir al carritoGebunden. Condición: New.
Idioma: Inglés
Publicado por Bloomsbury USA Academic, 2019
ISBN 10: 1501338277 ISBN 13: 9781501338274
Librería: Revaluation Books, Exeter, Reino Unido
EUR 293,37
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Añadir al carritoHardcover. Condición: Brand New. 268 pages. 9.25x6.25x1.00 inches. In Stock.
Idioma: Inglés
Publicado por Bloomsbury Academic Feb 2019, 2019
ISBN 10: 1501338277 ISBN 13: 9781501338274
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 239,54
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Añadir al carritoBuch. Condición: Neu. Neuware.
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Añadir al carritoCondición: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.
Librería: Mispah books, Redhill, SURRE, Reino Unido
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Añadir al carritohardcover. Condición: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
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Añadir al carritoCondición: New. 2019. Hardcover. . . . . .
Idioma: Inglés
Publicado por Bloomsbury Publishing (UK), 2020
ISBN 10: 1501367609 ISBN 13: 9781501367601
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
EUR 50,21
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Idioma: Inglés
Publicado por Bloomsbury Publishing (UK), 2020
ISBN 10: 1501367609 ISBN 13: 9781501367601
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 47,96
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Añadir al carritoPAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Idioma: Inglés
Publicado por Bloomsbury Publishing Plc, New York, 2020
ISBN 10: 1501367609 ISBN 13: 9781501367601
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 62,77
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Añadir al carritoPaperback. Condición: new. Paperback. The place of the editor in literary production is an ambiguous and often invisible one, requiring close attention to publishing history and (often inaccessible) archival resources to bring it into focus. In The Art of Editing, Tim Groenland shows that the critical tendency to overlook the activities of editors and to focus on the solitary author figure neglects important elements of how literary works are acquired, developed and disseminated. Focusing on selected works of fiction by Raymond Carver and David Foster Wallace, authors who represent stylistic touchstones for US fiction of recent decades, Groenland presents two case studies of editorial collaboration. Carvers early stories were integral to the emergence of the Minimalist movement in the 1980s, while Wallaces novels marked a generational shift towards a more expansive, maximal mode of narrative. The role of their respective editors, however, is often overlooked. Gordon Lishs part in shaping the form of Carvers early stories remains under-explored; analyses of Wallaces fiction, meanwhile, tend to minimise Michael Pietschs role from the creation of Infinite Jest during the mid-1990s until the present day. Drawing on extensive archival research as well as interviews with editors and collaborators, Groenland illuminates the complex and often conflicting forms of agency involved in the genesis of these influential works. The energies and tensions of the editing process emerge as essential factors in the creation of fictions more commonly understood within the paradigm of solitary authorship. The mediating role of the editor is, Groenland argues, inseparable from the development, form, and reception of these works. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por Bloomsbury Publishing Plc, 2020
ISBN 10: 1501367609 ISBN 13: 9781501367601
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 53,84
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Añadir al carritoPaperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Librería: Majestic Books, Hounslow, Reino Unido
EUR 71,76
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Añadir al carritoCondición: New. Print on Demand pp. 288.
Librería: Biblios, Frankfurt am main, HESSE, Alemania
EUR 71,53
Cantidad disponible: 4 disponibles
Añadir al carritoCondición: New. PRINT ON DEMAND pp. 288.
Idioma: Inglés
Publicado por Bloomsbury Publishing Plc, New York, 2020
ISBN 10: 1501367609 ISBN 13: 9781501367601
Librería: CitiRetail, Stevenage, Reino Unido
EUR 52,89
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. The place of the editor in literary production is an ambiguous and often invisible one, requiring close attention to publishing history and (often inaccessible) archival resources to bring it into focus. In The Art of Editing, Tim Groenland shows that the critical tendency to overlook the activities of editors and to focus on the solitary author figure neglects important elements of how literary works are acquired, developed and disseminated. Focusing on selected works of fiction by Raymond Carver and David Foster Wallace, authors who represent stylistic touchstones for US fiction of recent decades, Groenland presents two case studies of editorial collaboration. Carvers early stories were integral to the emergence of the Minimalist movement in the 1980s, while Wallaces novels marked a generational shift towards a more expansive, maximal mode of narrative. The role of their respective editors, however, is often overlooked. Gordon Lishs part in shaping the form of Carvers early stories remains under-explored; analyses of Wallaces fiction, meanwhile, tend to minimise Michael Pietschs role from the creation of Infinite Jest during the mid-1990s until the present day. Drawing on extensive archival research as well as interviews with editors and collaborators, Groenland illuminates the complex and often conflicting forms of agency involved in the genesis of these influential works. The energies and tensions of the editing process emerge as essential factors in the creation of fictions more commonly understood within the paradigm of solitary authorship. The mediating role of the editor is, Groenland argues, inseparable from the development, form, and reception of these works. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Librería: moluna, Greven, Alemania
EUR 55,00
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Añadir al carritoCondición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt.
Idioma: Inglés
Publicado por Bloomsbury Publishing (UK), 2019
ISBN 10: 1501338277 ISBN 13: 9781501338274
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
EUR 184,58
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.