Tessa newcomb (39 resultados)

Paperback. Condición: New. Tessa Newcomb brings together observations of ten places that shape her sense of place and belonging, from the Waveney Valley of her childhood to the East Anglian Fens and her home, allotment and local farmers' markets. Inviting viewers into her world, her personal narrative reflects on the meaning of these settings and is accompanied by examples of her art.…

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcovers. Condición: Fine. Original 1st Edition. 3 original gallery exhibition cards printed in full colour on folding cardboard. Tessa is the daughter of the late Mary Newcomb both professional artists.

Paperback. Condición: Brand New. 96 pages. 10.51x8.35x0.55 inches. In Stock.

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: Near Fine. First edition (hardback). 8vo (22cm by 17cm), 95pp. Illustrated throughout in colour. Original burgundy cloth, dustwrapper. The book and the dustwrapper are in excellent condition. ISBN 9781908326539.

Hardback. Condición: New. On New Year's Day 1986, encouraged by her dealer Andras Kalman, artist Mary Newcomb, then aged 64, began to keep a diary. She wrote in its opening pages: 'I wanted . to remind ourselves that - in our haste - in this century - we may not give time to pause and look - and may pass on our way unheeding'. This beautiful new book, compiled by the artist's daughter and grandson, reveals Mary Newcomb as an acute observer of her surroundings, reproducing her copious sketches alongside more finished paintings and short diary extracts to draw out the many themes which preoccupied her throughout her career as an artist.Mary Newcomb's world was rural East Anglia, where she managed a small mixed farm with her husband Godfrey Newcomb. The working life of the countryside engrossed her quite as much as the cycle of Nature: she noticed and relished everything, with as keen an eye for the colour of the bridesmaids' dresses at a wedding as for the yellow and brown of a dragonfly's body.Mary's daughter Tessa Newcomb, also an artist, introduces the key themes of the book with short texts which provide fascinating insight into her mother's world. A reflective introductory essay by art critic William Packer considers Mary Newcomb's written diary observations alongside the poetic language of her art.…

Hardcover. Condición: Fine. 2022 reprint. A Fine (New) copy of this copiously illustrated 143pp volume containing sketches, paintings, diary extracts and other notes. Please see 15 pictures attached for a closer look. Packaged with care and dispatched within 24 hours.

Hardcover. Condición: new. Hardcover. On New Year's Day 1986, encouraged by her dealer Andras Kalman, artist Mary Newcomb, then aged 64, began to keep a diary. She wrote in its opening pages: 'I wanted to remind ourselves that in our haste in this century we may not give time to pause and look and may pass on our way unheeding'. This beautiful new book, compiled by the artist's daughter and grandson, reveals Mary Newcomb as an acute observer of her surroundings, reproducing her copious sketches alongside more finished paintings and short diary extracts to draw out the many themes which preoccupied her throughout her career as an artist.Mary Newcomb's world was rural East Anglia, where she managed a small mixed farm with her husband Godfrey Newcomb. The working life of the countryside engrossed her quite as much as the cycle of Nature: she noticed and relished everything, with as keen an eye for the colour of the bridesmaids' dresses at a wedding as for the yellow and brown of a dragonflys body.Mary's daughter Tessa Newcomb, also an artist, introduces the key themes of the book with short texts which provide fascinating insight into her mother's world. A reflective introductory essay by art critic William Packer considers Mary Newcomb's written diary observations alongside the poetic language of her art. This beautiful new book, compiled by the artist's daughter andgrandson, reveals Mary Newcomb as an acute observer of her surroundings,reproducing her copious sketches alongside more finished paintings and shortdiary extracts to draw out the many themes which preoccupied her throughout hercareer as an artist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Condición: new.

Hardback. Condición: New. On New Year's Day 1986, encouraged by her dealer Andras Kalman, artist Mary Newcomb, then aged 64, began to keep a diary. She wrote in its opening pages: 'I wanted . to remind ourselves that - in our haste - in this century - we may not give time to pause and look - and may pass on our way unheeding'. This beautiful new book, compiled by the artist's daughter and grandson, reveals Mary Newcomb as an acute observer of her surroundings, reproducing her copious sketches alongside more finished paintings and short diary extracts to draw out the many themes which preoccupied her throughout her career as an artist.Mary Newcomb's world was rural East Anglia, where she managed a small mixed farm with her husband Godfrey Newcomb. The working life of the countryside engrossed her quite as much as the cycle of Nature: she noticed and relished everything, with as keen an eye for the colour of the bridesmaids' dresses at a wedding as for the yellow and brown of a dragonfly's body.Mary's daughter Tessa Newcomb, also an artist, introduces the key themes of the book with short texts which provide fascinating insight into her mother's world. A reflective introductory essay by art critic William Packer considers Mary Newcomb's written diary observations alongside the poetic language of her art.…

Condición: New.

Hardcover. Condición: Brand New. 144 pages. 10.75x9.00x0.80 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: New. In English.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: NEW.

Condición: New.

Paperback. Condición: Fine. First Edition. Wraps. Small oblong 4to. Colour illustated card covers. pp 80, illus throughout in b/w. ISBN 9781838052911 Fine.

Condición: New. This beautiful new book, compiled by the artist s daughter andgrandson, reveals Mary Newcomb as an acute observer of her surroundings,reproducing her copious sketches alongside more finished paintings and shortdiary extracts to draw out the many themes whic.

Buch. Condición: Neu. Neuware - On New Year's Day 1986, encouraged by her dealer Andras Kalman, artist Mary Newcomb, then aged 64, began to keep a diary. She wrote in its opening pages: 'I wanted . to remind ourselves that - in our haste - in this century - we may not give time to pause and look - and may pass on our way unheeding'. This beautiful new book, compiled by the artist's daughter and grandson, reveals Mary Newcomb as an acute observer of her surroundings, reproducing her copious sketches alongside more finished paintings and short diary extracts to draw out the many themes which preoccupied her throughout her career as an artist.Mary Newcomb's world was rural East Anglia, where she managed a small mixed farm with her husband Godfrey Newcomb. The working life of the countryside engrossed her quite as much as the cycle of Nature: she noticed and relished everything, with as keen an eye for the colour of the bridesmaids' dresses at a wedding as for the yellow and brown of a dragonfly's body.Mary's daughter Tessa Newcomb, also an artist, introduces the key themes of the book with short texts which provide fascinating insight into her mother's world. A reflective introductory essay by art critic William Packer considers Mary Newcomb's written diary observations alongside the poetic language of her art. …

Hardback. Condición: New. On New Year's Day 1986, encouraged by her dealer Andras Kalman, artist Mary Newcomb, then aged 64, began to keep a diary. She wrote in its opening pages: 'I wanted . to remind ourselves that - in our haste - in this century - we may not give time to pause and look - and may pass on our way unheeding'. This beautiful new book, compiled by the artist's daughter and grandson, reveals Mary Newcomb as an acute observer of her surroundings, reproducing her copious sketches alongside more finished paintings and short diary extracts to draw out the many themes which preoccupied her throughout her career as an artist.Mary Newcomb's world was rural East Anglia, where she managed a small mixed farm with her husband Godfrey Newcomb. The working life of the countryside engrossed her quite as much as the cycle of Nature: she noticed and relished everything, with as keen an eye for the colour of the bridesmaids' dresses at a wedding as for the yellow and brown of a dragonfly's body.Mary's daughter Tessa Newcomb, also an artist, introduces the key themes of the book with short texts which provide fascinating insight into her mother's world. A reflective introductory essay by art critic William Packer considers Mary Newcomb's written diary observations alongside the poetic language of her art.…

Hardcover. Condición: new. Hardcover. On New Year's Day 1986, encouraged by her dealer Andras Kalman, artist Mary Newcomb, then aged 64, began to keep a diary. She wrote in its opening pages: 'I wanted to remind ourselves that in our haste in this century we may not give time to pause and look and may pass on our way unheeding'. This beautiful new book, compiled by the artist's daughter and grandson, reveals Mary Newcomb as an acute observer of her surroundings, reproducing her copious sketches alongside more finished paintings and short diary extracts to draw out the many themes which preoccupied her throughout her career as an artist.Mary Newcomb's world was rural East Anglia, where she managed a small mixed farm with her husband Godfrey Newcomb. The working life of the countryside engrossed her quite as much as the cycle of Nature: she noticed and relished everything, with as keen an eye for the colour of the bridesmaids' dresses at a wedding as for the yellow and brown of a dragonflys body.Mary's daughter Tessa Newcomb, also an artist, introduces the key themes of the book with short texts which provide fascinating insight into her mother's world. A reflective introductory essay by art critic William Packer considers Mary Newcomb's written diary observations alongside the poetic language of her art. This beautiful new book, compiled by the artist's daughter andgrandson, reveals Mary Newcomb as an acute observer of her surroundings,reproducing her copious sketches alongside more finished paintings and shortdiary extracts to draw out the many themes which preoccupied her throughout hercareer as an artist. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: Very Good. First edition. Paperback. Oblong quarto. 43pp. Original illustrated paperback. Light wear otherwise very good indeed. Price list inserted.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Newcomb, Tessa. Tessa Newcomb's Paris / edited with foreword by Philip Vann. First edition, flat-signed with a kiss by the author to fep. Bristol: Sansom & Company, 2014. Hardback, near fine, in unclipped dustjacket with small crease at front base of spine. Red cloth with gilt lettering to spine. Binding strong and tight. 95pp., colour illustrations throughout. Contents clean and bright. Born in Suffolk in 1955, Tessa Newcomb is the daughter of the artist Mary Newcomb. She attended the Norwich School of Art from 1972 and received a BA (Hons) in Fine Art from Bath Academy of Art in 1976. In 1977 she attended a course on printmaking at the Wimbledon School of Art. Newcomb's first solo exhibition was held at the Annexe Gallery, Wimbledon in 1979. Her work was included in mixed exhibitions at Crane Kalman Gallery between 1995 and 1997, followed by two solo shows in 2002 and 2004. She has works in public collections including the Bradford Metropolitan Museum and the Whitworth Art Gallery. The Suffolk countryside and country events feature predominantly in Newcomb's paintings. She also produced jacket illustrations for Julia Blackburn's Daisy in the Desert and the paperback edition of The Emperor's East Island. She lives in Suffolk. Signed by Author(s).…