Stephen e kidd (75 resultados)

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Soft cover. Condición: Very Good. First Edition. (xi) 590 pp. Trade paperback format. Light edge and corner wear with a faintly creased spine; store stamped. Cover by Pete Rozycki. This anthology contains: Introduction: Horror in 2001; Mark of the Beast by Chico Kidd; Crocodile Lady by Christopher Fowler; All for Sale by Ramsey Campbell; The Two Dicks by Paul McAuley; By Her Hand She Draws You Down by Douglas Smith; Oh Death Where Is Thy Spatula by Poppy Z. Brite; Got to Kill Them All by Dennis Etchison; No More A-Roving by Lynda E. Rucker; First Catch Your Demon by Graham Joyce; Pump Jack by Donald R. Burleson; Outfangthief by Gala Blau; The Lost District by Joel Lane; Simeon Dimsby's Workshop by Richard A. Lupoff; Our Temporary Supervisor by Thomas Ligotti; Whose Ghosts These Are by Charles L. Grant; Shite Hawks by Muriel Gray; Off the Map by Michael Chislett; Most of My Friends Are Two-Thirds Water by Kelly Link; City in Aspic by Conrad Williams; Where All Things Perish by Tanith Lee; Struwwelpeter by Glen Hirshberg; Cleopatra Brimstone by Elizabeth Hand; Cats and Architecture by Chico Kidd; and Necrology: 2001 by Stephen Jones and Kim Newman. Size: 8vo. Pete Rozycki; (ilustrador). Book.…

Hardcover. Condición: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

hardcover. Condición: Very Good. In stock ready to dispatch from the UK.

Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Paperback. Condición: New. This book examines the concept of 'nonsense' in ancient Greek thought and uses it to explore the comedies of the fifth and fourth centuries BCE. If 'nonsense' (phluaria, leros) is a type of language felt to be unworthy of interpretation, it can help to define certain aspects of comedy that have proved difficult to grasp. Not least is the recurrent perception that although the comic genre can be meaningful (i.e. contain political opinions, moral sentiments and aesthetic tastes), some of it is just 'foolery' or 'fun'. But what exactly is this 'foolery', this part of comedy which allegedly lies beyond the scope of serious interpretation? The answer is to be found in the concept of 'nonsense': by examining the ways in which comedy does not mean, the genre's relationship to serious meaning (whether it be political, aesthetic, or moral) can be viewed in a clearer light.…

Condición: New.

Condición: New.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: Brand New. 248 pages. 9.00x6.00x0.53 inches. In Stock.

Condición: New.

Condición: New.

Paperback. Condición: Brand New. reprint edition. 216 pages. 9.58x6.75x0.50 inches. In Stock.

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Hardcover. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - What is art's relationship to play Those interested in this question tend to look to modern philosophy for answers, but, as this book shows, the question was already debated in antiquity by luminaries like Plato and Aristotle. Over the course of eight chapters, this book contextualizes those debates, and demonstrates their significance for theoretical problems today. Topics include the ancient child psychology at the root of the ancient Greek word for 'play' (paidia), the numerous toys that have survived from antiquity, and the meaning of play's conceptual opposite, the 'serious' (spoudaios).What emerges is a concept of play markedly different from the one we have inherited from modernity. Play is not a certain set of activities which unleashes a certain feeling of pleasure; it is rather a certain feeling of pleasure that unleashes the activities we think of as 'play'. As such, it offers a new set of theoretical challenges.…

Condición: New. This book employs the concept of 'nonsense' to explore those parts of Greek comedy perceived as 'just silly' and therefore 'not meaningful'. Num Pages: 216 pages. BIC Classification: AN; DSBB; HDDK. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 12. . . 2017. Reprint. Paperback. . . . . Books ship from the US and Ireland. …

Condición: New. Print on Demand.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Condición: New. This book employs the concept of 'nonsense' to explore those parts of Greek comedy perceived as 'just silly' and therefore 'not meaningful'. Num Pages: 216 pages. BIC Classification: AN; DSBB; HDDK. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 12. . . 2017. Reprint. Paperback. . . . . …

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book examines the concept of 'nonsense' in ancient Greek thought and uses it to explore the comedies of the fifth and fourth centuries BCE. If 'nonsense' (phluaria, l¿ros) is a type of language felt to be unworthy of interpretation, it can help to define certain aspects of comedy that have proved difficult to grasp. Not least is the recurrent perception that although the comic genre can be meaningful (i.e. contain political opinions, moral sentiments and aesthetic tastes), some of it is just 'foolery' or 'fun'. But what exactly is this 'foolery', this part of comedy which allegedly lies beyond the scope of serious interpretation The answer is to be found in the concept of 'nonsense': by examining the ways in which comedy does not mean, the genre's relationship to serious meaning (whether it be political, aesthetic, or moral) can be viewed in a clearer light.…

Hardcover. Condición: new. Hardcover. This book examines the concept of 'nonsense' in ancient Greek thought and uses it to explore the comedies of the fifth and fourth centuries BCE. If 'nonsense' (phluaria, leros) is a type of language felt to be unworthy of interpretation, it can help to define certain aspects of comedy that have proved difficult to grasp. Not least is the recurrent perception that although the comic genre can be meaningful (i.e. contain political opinions, moral sentiments and aesthetic tastes), some of it is just 'foolery' or 'fun'. But what exactly is this 'foolery', this part of comedy which allegedly lies beyond the scope of serious interpretation? The answer is to be found in the concept of 'nonsense': by examining the ways in which comedy does not mean, the genre's relationship to serious meaning (whether it be political, aesthetic, or moral) can be viewed in a clearer light. This book employs the ancient Greek concept of 'nonsense' to explore an observation that has vexed comic scholarship: although comedy can be meaningful (i.e. contain political opinions, moral sentiments and aesthetic tastes), some part is just 'foolery' or 'fun'. It is important for all scholars and students of Greek comedy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. This book examines the concept of 'nonsense' in ancient Greek thought and uses it to explore the comedies of the fifth and fourth centuries BCE. If 'nonsense' (phluaria, leros) is a type of language felt to be unworthy of interpretation, it can help to define certain aspects of comedy that have proved difficult to grasp. Not least is the recurrent perception that although the comic genre can be meaningful (i.e. contain political opinions, moral sentiments and aesthetic tastes), some of it is just 'foolery' or 'fun'. But what exactly is this 'foolery', this part of comedy which allegedly lies beyond the scope of serious interpretation? The answer is to be found in the concept of 'nonsense': by examining the ways in which comedy does not mean, the genre's relationship to serious meaning (whether it be political, aesthetic, or moral) can be viewed in a clearer light.…