Stark frances (67 resultados)

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condición: Good. Book shows common (average) signs of wear and use. Binding is still tight. Covers are intact but may be repaired. We have 75,000 books to choose from -- Ship within 24 hours -- Satisfaction Guaranteed.

Hardcover without dustjacket as issued, 64 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Good. some shelfwear but still NICE! Oversized.

First Edition. First edition. Oblong hardcover. 131 pages. Text in English and German with contributions by Barbara Steiner, Stephan Schmidt-Wulffen, Jorn Schafaff, Philippe Parreno, Andreas Spiegl, and Frances Stark Includes numerous illustrations. A very good copy in boards with some slight bowing and with some bumping to the bottom right corner. No dust jacket as issued.…

Softcover, staple bound, 16 pages; fair condition: ex-museum library copy with two 1-inch square blank white stickers taped to upper left corner of front cover; library stamp on 1st page; no other internal marks. As is; fine reference copy.

Pictorial Wrappers. Condición: Very Good. The first page has a small red heart stamp; tight, text clean. 48 p., illustrated [otob: 40] Size: Oversize.

Paperback. First edition. Fine/As New paperback. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. Text by Frances Stark. Staple-bound stiff wraps; 16 pages; 8 full-page color plates; 6 x 7 inches. The catalogue for an exhibition of photographs against colored backgrounds on aluminum by Kevin Hanley.…

hardcover. Condición: As New.

hardcover. Condición: Good. Estado de la sobrecubierta: good. A very good hardcover in a very good dust jacket. No markings.

Trade Paperback. Condición: Used - Very Good. Michael Lin wouldn't mind if someone stepped on his art: he creates all-encompassing visual floral cornucopias--often on the floor. Long interested in Asian textiles and influenced by Chinese, Japanese and American culture, many of the fabrics appropriated by the artist are designs culled from Taiwanese wedding fabrics. Included here is 'The Architect &The Housewife'--Frances Stark's rare essay on public and private space; extensive installation documentation; an illustrated exhibition history; and a complete artist biography.…

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good.

Spiralbinding Soft Cover. Condición: Like New. Page Numbers: N/A. Over-sized and/or over weight book; extra postage required. Clean, fresh copy with very light shelf wear, crisp pages and clean text. Frances J. Soo Ping Chow (Cover Design) (ilustrador).

Hard cover. Condición: Near fine. Near fine. Includes signed letter from the curator to patrons of the exhibit. Excellent condition. Jacket and cover are both crisp and clean. Binding is tight and inside is clean and unmarked.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New. Picture Shown is For Illustration Purposes Only : CONDITION : NEW.

Hardcover without dustjacket as issued, 148 pages, in English; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra for this item.

Condición: New. Sealed copy of this uncommon book of conversations between unusual and interesting artists. In shrinkwrap, no discernible wear. Contributors include Peio Aguirre, Alexandra Bachzetsis, Frederique Bergholtz, Binna Choi, Vanessa Desclaux, Annie Fletcher, Patricia Grzonka, Will holder, Karl Holmqvist, Jutta Koether, Diana Mc Carty, Padraic E. Moore, Paul O'Neill, The Otolith Group, Maria Pask, Emily Pethick, Sarah Pierce, Falke Pisano, Dieter Roelstraete, Stefanie Seibold, Lisette Smits, Frances Stark, Jan Verwoert, Grant Watson, Haegue Yang, Katarina Zdjelar. …

Soft cover. Condición: Near Fine. No Jacket. 1st Edition. Text in German and English.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Yellow cloth boards and unclipped dust jacket are in very, very good condition. Binding tight and text clean. Overall a very nice copy of this title.

Hardcover. Condición: Very Good. A quietly powerful and increasingly sought-after photobook by internationally acclaimed artist Sharon Lockhart, 'Pine Flat' is a landmark work documenting youth and landscape in rural Northern California with striking stillness and cinematic clarity. Closely aligned with Lockhart's film practice, the images unfold with a contemplative rhythm that has made this title a touchstone for collectors of contemporary photography and artist books. Now regarded as one of Lockhart's most important publications, Pine Flat captures a fleeting intersection of adolescence and place - its subtle emotional depth and formal restraint continuing to resonate. Condition : Very Good. Interior clean and unmarked, with light, even age-related toning to pages. Binding firm and square. Covers show minor handling wear, including slight creasing at the top and bottom edges, consistent with careful use and shelving. There is also a superficial 3.5mm knife cut mark above the published logo. No dust jacket as issued. A solid, highly presentable copy with only modest signs of age.…

Cloth. Condición: Near Fine. Estado de la sobrecubierta: No Jacket, As Issued. First American Edition. 240 pages 191 illustrations in color. Minor soiling to the canvas spine and boards. Edited by Bennett Simpson. Foreword by Johanna Burton. Published on the occasion of the exhibition from The Museum of Contemporary Art, Los Angeles, CA November 6, 2022-April 30, 2023. Selected Exhibition History. Selected Bibliography. Exhibition Checklist. Book.…

Hardcover. Condición: Fine. First Edition. Fine in red cloth-covered boards.

Softcover. Condición: Fine. Leichte Verschmutzung / Farbtonveränderung.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Soft cover. Condición: New. 1st Edition. My Best Thing is the printed counterpart to Frances Stark s critically acclaimed video work of the same title, originally presented at the 2011 Venice Biennale. The book documents the script and development process of the animated film, in which Stark uses pseudonymous, sexually charged chatroom conversations as a medium to explore intimacy, communication, creativity, and identity in the digital age. By combining simple avatars and actual transcripts, Stark transforms mundane online interaction into a poetic and disarming dialogue on the nature of artistic exchange and human connection. This publication is both a conceptual script and a standalone work that reveals the artist s subversive wit, vulnerability, and innovative narrative structure. Condition: New. Still sealed in original shrinkwrap.…

softcover. Condición: Collectible; Like New. First Edition; First Printing. As New. Tight, clean and crisp. Appears unread and looks New. No inscriptions. No remainder mark. Not ex-library. In excellent condition. As New. Numerous full page color plates of works by Rita Ackermann, Anna Amadio, Edgar Arceneaux, Thomas Baumann, Annelise Coste and Andro Wekua, Russell Crotty, Karim Noureldin, Daniel Roth, Yehudit Sasportas, Silke Schatz, and Frances Stark. Text in English and German. Published on the occasion of the exhibition at the Kunsthalle Basel, March 23 - May 12, 2002. ; As New.…

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…