Rita ackermann (36 resultados)

Condición: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Condición: Fine. Autoren- / zusammenhängende Unterschrift; Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Verschmutzung / Farbtonveränderung.

Softcover. Condición: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Vergilbt / ausgeblichen. SCHNELLVERSAND! 1-2 Werktage. 21 cm Taschenbuch München Erd, 1999. 143 Seiten Sehr guter Zustand.

Soft cover. Condición: Near Fine. No Jacket. 1st Edition. Text in German and English.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.

Exhibition invite, 6 x 8 inches; very good condition; an unmailed copy.

softcover. Condición: Collectible; Like New. First Edition; First Printing. As New. Tight, clean and crisp. Appears unread and looks New. No inscriptions. No remainder mark. Not ex-library. In excellent condition. As New. Numerous full page color plates of works by Rita Ackermann, Anna Amadio, Edgar Arceneaux, Thomas Baumann, Annelise Coste and Andro Wekua, Russell Crotty, Karim Noureldin, Daniel Roth, Yehudit Sasportas, Silke Schatz, and Frances Stark. Text in English and German. Published on the occasion of the exhibition at the Kunsthalle Basel, March 23 - May 12, 2002. ; As New.…

Hardcover. Condición: New.

No Binding. Condición: Very Good. 10 different small exhibition announcements by Andrea Rosen Gallery for: John Currin "Untitled 1999"; Vibeke Tandberg "Untitled 1999"; John Currin "Untitled 2001"; Luc Tuymans "The Mission 2000"; Ashkan Sahihi "Untitled 2001"; Daaia Martin "Untitled 2001"; Kirsten Mosher "Pathfinder Pictures 2000"; Michael Ashkin "Garden State 2000"; Rita Ackermann "Don't Give Me Salad (Nurses) 2008; 3 panel fold out of: Parker Ito, Timur Si-Quin & Hayden Dunham exhibition titled "Everythings 2015"; they are all in small various sizes; edition sizes are unknown, none are signed; a few are in original shipping envelopes; all in VERY GOOD COND.…

Couverture rigide. Condición: Très bon. Reliure pleine toile d'éditeur, 136 pages. Edition originale. 50 illustrations en couleurs et noir et blanc. Textes en anglais de Gianni Jetzer, Richard Flood, Antoine Catala, Piper Marshall, Cameron Shaw.

Condición: Sehr gut. Spellacy, Allyson / Jetzer, Gianni (eds.) 76 pp., folio, softcover, with red transparent dust jacket, with full-page colour ill. on folded pages, exhibition catalogue Fergus McCaffrey Gallery, 01.05.2021-03.07.2021, Tokyo. Sprache(n)/language(s): en, jpVery good condition, still in its orig. wrapper.…

Paperback. Condición: Very Good. First Edition. Three paperbacks, pamphlet, and a CD-Rom in slipcase. CD unopened. Some wear and light dusting to slipcase. Books are clean and unmarked. Very good with some light handling wear. Uncommon edition.

Hardcover. Condición: Befriedigend. Ohne Schutzumschlag. Mitelstarke Gebrauchsspuren am Einband und an den Seiten.

Hardcover. Condición: Fine. 1st Edition. First edition, oversized hardcover without dust jacket as issued. A fine clean tight unmarked copy. Approximately 50 full page full color plates of Ackermann's paintings and collages facing text pages of the writing by Coley in English. Text translation at rear in Japanese. Uncommon.…

kart. Condición: Gut. 143 S. ; 21 cm 3. Aufl., 1999, Name auf Vorsatzblatt Aufgrund der neuen PPWR-Bestimmungen (EU-Verpackungsverordnung) liefern wir derzeit nicht in EU-Mitgliedstaaten. Due to the new PPWR regulations (EU Packaging and Packaging Waste Regulation), we currently do not ship to EU Member States. Sprache: Deutsch Gewicht in Gramm: 234.…

Soft cover. Condición: Near Fine. 1st Edition, Special Edition. Large quarto Saddle-stitched glossy wrappers 64 pages Artist's Book produced for Purple Fashion Magazine Issue No. 6 (Fall/Winter2006-2007) edited by Olivier Zahm A vivid artist-book style supplement presenting the fiercely expressive drawings, collages, and painterly fragments of New York-based artist Rita Ackermann. Produced for the influential Paris fashion and culture magazine Purple, the publication channels the raw immediacy of Ackermann's sketchbooks-layered figures, diaristic marks, and emotionally charged images of girls and women that blur the line between vulnerability, rebellion, and performance. Ackermann emerged in the 1990s downtown New York art scene, where her work became synonymous with a new visual language of female subjectivity and youth culture. Her drawings, often loose, fragmentary, and psychologically charged, capture a generation shaped by nightlife, fashion imagery, music, and the improvisational energy of the city. Good Morning New York embodies the moment when contemporary painting, underground publishing, and avant-garde fashion culture intersected, reflecting Purple magazine's unique role as a platform where artists, models, photographers, and designers shared the same visual terrain. An evocative artifact of the 2000s New York-Paris art and fashion nexus, and a compelling collectible for admirers of Ackermann's early work and experimental magazine publishing. Issued during a particularly influential period for Purple, the supplement reflects the magazine's unique intersection of contemporary art, fashion photography, and underground culture, making it a desirable crossover piece for collectors of artist books, fashion publishing, and early works by Ackermann. An evocative document of the mid-2000s New York-Paris creative milieu and example of the experimental publishing projects surrounding Purple Fashion.…

Hardcover. Condición: Good.

Hardcover. Condición: New. A native of Hungary, Rita Ackermann moved to New York City in the mid-1990s. She arrived to find a culture (and art world) in transition: rave and zine culture was in full swing; collaborations between artists, musicians, and magazine and book publishers were pervasive; and the dawning of the Internet age was upon us. Within a few short months after settling in New York, the artist received widespread attention for her work, particularly a group of canvases populated with figures inspired by the cult German film We Children from Bahnhof Zoo about the heroin subculture of the 1970s. Her work forged a new visual language: paintings, drawings, and collages which telescoped between a virtuosoâ"and sometimes brutalisticâ"expressionism and taut, precise figurative drawing. Ackermann?s work explores the paradoxical relationship between fragility and violence, as she derives inspiration from literature, film, philosophy, and popular culture.This lavishly illustrated volumeâ"created in close collaboration with the artistâ"chronicles the entirety of her career. Bonnie Clearwater connects the artist to Eastern European art historical precedents and examines the evolution in her practice over the last twenty years. Felix Ensslin thoughtfully examines Ackermann?s work through a panoply of European theorists? writings, from Jacques Derrida to Jacques Lacan. Harmony Korine (famed writer of Kids) contributes an imagined conversation with the artist. John Kelsey explores the artist?s use of collage and its meaning in her body of work, and Josh Smith contributes a foreword, in the form of a personal letter. …

Couverture souple. Condición: Très bon. Livre agrafé de 32 pages, 19,5 x 25,5 cm. Sans texte, images en pleine page de Rita ACKERMANN, Gusmano CESARETTI, Daniel HIGGS, Becca MANN, Ryan McGINLEY, Daido MORIYAMA, Jockum NORDSTRÖM, Raymond PETTIBON, Gee VAUCHER.

Softcover. Condición: Sehr gut. 1. Auflage. Z : 360 Seiten/pp., illustrated throughout - The street as a stage or site of creative action has acquired its own special role in art history: think of Jean-Michel Basquiat, whose work stemmed directly from street culture, or Mark Jenkins irritating pedestrians with his subtle infiltration of human-like sculptures, or the participatory installations of Kader Attia. Each of the 30 artists contributing to this bilingual German-English volume has found ways to weave art strategies into the fabric of street culture. Street and Studio focuses on the street as a zone of creativity, and as a source of inspiration to young artists whose lives and art are marked by an urban and mobile lifestyle.…

3 Kataloge, 1 Faltblatt und 1 CD Dornbracht Culture Projects 6, 2002 (sehr gutes Exemplar). Sprache: Deutsch Gewicht in Gramm: 1450 4° (28,3 x 22,5 cm). Orig.-Karton und -Broschur in Orig.-Pappschuber.

Condición: Very Good.

paperback. Condición: Sehr gut. Seiten; 9783813804546.2 Gewicht in Gramm: 500.

192 pp.; 27 x 20 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Tenth anniversary issue of the biannual publication "Purple," published in Winter of 2003. Edited by Elein Fleiss and Olivier Zahm. Contents include: "Fall/Winter 02/03," by Laetitia Benat; "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "Avenidas," by Jens Hoffmann; "Ma couleur préférée," by Claude Closky; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Therefore," by Elein Fleiss; "Surface," by Dominique Gonzalez-Foerster; "Pablo Leon de la Barra," interviewed by Lupita Peckinpah; "Purple Special: 1992," with texts by Elein Fleiss, Jeff Rian, Claude Closky, Dominique Gonzalez-Foerster, Olivier Zahm, Bennett Simpson, Lee Ranaldo, Sharon Mesmer, Marina Faust, Dike Blair, Mark Kingwell, Claude Lévêque, Richard Prince, Tim Griffin, John Kelsey, Sébastien Jamain, Michel Cloup, Mark Borthwick, Mark Fishman, and Jutta Koether; "Grand National Styling," by Terry Richardson; "Berlin Stories," by Heinz Peter Knes; "Man in the Shadows," by Emma Mafille; "Raf Simons/Louis Vuitton," by Frederike Helwig; "Hotel Okura," by Masafumi Sanai; "Dominique Sanda," by Henry Roy; "Baretto," by Giasco Bertoli; "Look But Don't Touch," by Mauricio Guillen; "Mexico City," by Marlene Marino; "AC/OC," by Banu Cennetoglu; "Rock Feller," by Christophe Brunnquell; "Emilie," by Gérard Duguet-Grasser; "World History," by Rita Ackermann; "I feel 'Lucky,' Oh so 'Lucky'!," by Glen Szabo and "Hope" by Alex Antitch. Drawings by Laetitia Benat. Very Good. Yellowing of cover edges with light bumping of top and bottom right corners of recto. Light edge wear and scratching of covers. Contents clean and unmarked.…

Softcover. Condición: Sehr gut. 1. Auflage. B : 136 pages avec 50 illustrations couleurs - Shadow Fux est la première collaboration entre l'artiste Rita Ackerman et le réalisateur Harmony Korine. Elle s'exprime dans de grandes peintures sur toiles, des dessins et un film, offrant une incroyable palette de couleurs vives faite de contrastes et de dissonances. La création de figures psychologiquement perturbées et perturbantes, dont la présence est renforcée par une narration fragmentée. - Der Band erschien zur Ausstellung Shadowfux im Swiss Institute, New York (24. November 2010 bis 30. Januar 2011) und dokumentiert die erste künstlerische Zusammenarbeit von Rita Ackermann und Harmony Korine. Ausgangspunkt waren Filmstills aus Korines Film Trash Humpers (2009), die von beiden Künstlern überarbeitet, collagiert und bemalt wurden.…

Condición: Good.

Condición: Good. Buchschnitt leicht verschmutzt. Cover geknickt.