sluijter eric (37 resultados)

Soft cover. Condición: Near Fine. No Jacket. Accompanies exhibitions at National Gallery, Detroit Institute of Arts, Rijksmuseum during Nov 1980 - July 1981. Generously illustrated in black & white with 88 images, plus additional explanatory figures. Over 50 artists, with short biographies. Faint shadow of penciled price mark on front free end page, vertical reader's crease along spine, very faint toning along edges of interior pages which are otherwise fine. 307 pages, 9" x 11" Extra shipping charge for international orders.

307 pages. Paperback: H 27.75cm x L 22.75cm. Glossy paper covers lightly rubbed; slight scuffing at edges; light vertical crease to spine; light scratching and some residue from removed price sticker at rear cover's lower right. Slight soiling to fore-edge; interior leaves have some slight curling/rippling towards their fore-edge margins but are clean. Binding is firm. A very good copy. Corrigenda sheet laid-in at rear cover. Features contributions by Albert Blankert; Beatrijs Brenninkmeyer-de Rooij; Christopher Brown; Jacques Foucart; Susan Donahue Kuretsky; Eric J. Sluijter; D.P. Snoep; Pieter van Thiel; Astrid Tumpel; Christian Tumpel; Willem L. van de Watering; Arthur K. Wheelock, Jr. Please note that this book has an approximate shipping weight of 3.75 pounds (1.7 kg) and may require additional postage for any postal class other than domestic Media Mail.

Condición: New.

Soft cover. Condición: Very Good. Large softcover. 307 pages. Covers lightly rubbed. No marks or writing in book. Spine has a couple creases along its length. Holding up very nicely overall.

PB. B&W and color illustrations Ilustrador. 240pp ISBN 0914738461 Published for the exhibition held at the Denver Art Museum, and The Newark Museum. very good, wraps (softcover) faint crease top corner front cover.

Condición: Good. Paperback, veel illustraties in kleur en z/w, 4to.

Condición: Good. Paperback, periodiek, enkele illustraties in z/w, 8vo. Leidschrift: histoprisch tijdschrift jaargang 6, nummer 3, augustus 1990. ISSN 0923-9146.

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. A FINE Hardcover with a FINE Dustjacket.

Soft Cover. Condición: Very Good Plus. First Edition. soft cover, folded card covers, as issued., circular owner blindstamps to cover and one preliminary page. slight lean or fore-edge overhang. no other flaws or wear. clean. no writing or markings. no bumps or tears. strong sewn binding.; english text.; 448pp., 366 illustrations, with good size color plate section. examines the use of female nudes in the art of the period, those who may have influenced rembrandt, his contemporaries, and his influence. Size: 4to - over 9¾" - 12" tall.

Condición: New.

Softcover. Condición: As New. Leichte Kratzer / Abnutzungen / Druckstellen. Angst, verdriet, verbazing, woede, lust en liefde - vrijwel niets was in de schilderkunst van de Gouden Eeuw belangrijker dan het overtuigend in beeld brengen van menselijke emoties. Volgens zeventiende-eeuwse kenners was de schoonheid van een schilderij niet half zo belangrijk als de hartstochtend die erin te zien waren, dat was de'ziel' van het werk. Schilders als Rembrandt, Frans Hals, Maerten van Heemskerck en Cornelis van Haarlem waren meesters in eht verbeelden van uiteenlopende emoties. Kunsthistoricus Gary Schwarz toont aan de hand van een keur aan meesterwerken aan hoe schilders bepaalde gevoelens subliem konden verbeelden, maar ook hoe lastig het is om emoties zonder context op een juiste manier te interpreteren. Wetenschapsfilosoof Machiel Keestra licht vanuit de psychologie en hersenwetenschap toe waarom geschilderde emoties ons ook nu nog blijven fascineren en verwonderen.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. Hardcover. Book Condition: Near Fine. Jacket Condition: Very Good. MFA Publications, Museum of Fine Arts, Boston, 2015. 344 pages. Nice Firm Clean copy ! Size: 11.3 x 9.3 x 1.2. Art::Art History 6150L.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Published in tandem with the exhibition of the same name at the Boston Museum of Fine Arts in October 2015. Hardbound book in teal taffeta-look boards; there is a small lightly bumped area (about 1" long) at bottom center of the front board, another single light bump in the center bottom of the rear board. Otherwise all corners are sharp and all surfaces clean. Text block is likewise sharp cornered with what looks like an accidental light pencil mark on the leading edge. Lavishly illustrated. Full color DJ in mylar is bright and crisp. Chapters include "Nobles and Aspiring Nobles," "Women at Work," and "Where the Classes Meet.".

Paperback. Condición: new. Paperback. Rembrandts extraordinary paintings of female nudes Andromeda, Susanna, Diana and Her Nymphs, Danae, Bathsheba as well as his etchings of nude women, have fascinated many generations of art lovers and art historians, but they have also elicited vehement criticism. They were considered against-the-grain, anti-classical, even ugly and unpleasant. However, Rembrandt chose conventional subjects, keeping close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question the author examines Rembrandts paintings and etchings against the foil of established pictorial traditions in the Netherlands as well as Italy. Exploring Rembrandts intense dialogue with the works of predecessors and peers, the author demonstrates that, more than any other artist, it was Rembrandts purpose to incite the greatest possible empathy in the viewer. This had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study the author presents an innovative approach to Rembrandts views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of Rembrandts artistic choices.This title was shortlisted for the Charles Rufus Morey Award of the College Art Association in 2007 First detailed study of Rembrandts fascinating depictions of female nudes Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. pp. 448 250 Illus. (Col.).

Paperback. Condición: Brand New. illustrated edition. 448 pages. 10.50x9.50x1.25 inches. In Stock.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Hardcover With Complete Dj. 180 Colour Illustrations. 4to.

Condición: Fine. *Price HAS BEEN REDUCED by 10% until Monday, May 11 (weekend SALE item)* first edition in English; 368 pp., brand new! still in shrink wrap. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

cloth, dustjacket, large 8vo 318 pp., ca. 150 ills. Antwerp artists and artisans in London; Hubert Beuckelaer; Jan Wyck; floral marquetry; William III and his circle; very good condition (unused).

Condición: New. pp. 448.

Condición: New. pp. 448.

Leiden, Primavera Pers, 1986. 598 pp. 215 b./w. ills. Softcover. 8vo.

Kartoniert / Broschiert. Condición: New.

Condición: Very good.

Paperback. Condición: new. Paperback. Rembrandts extraordinary paintings of female nudes Andromeda, Susanna, Diana and Her Nymphs, Danae, Bathsheba as well as his etchings of nude women, have fascinated many generations of art lovers and art historians, but they have also elicited vehement criticism. They were considered against-the-grain, anti-classical, even ugly and unpleasant. However, Rembrandt chose conventional subjects, keeping close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists? To answer this question the author examines Rembrandts paintings and etchings against the foil of established pictorial traditions in the Netherlands as well as Italy. Exploring Rembrandts intense dialogue with the works of predecessors and peers, the author demonstrates that, more than any other artist, it was Rembrandts purpose to incite the greatest possible empathy in the viewer. This had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study the author presents an innovative approach to Rembrandts views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of Rembrandts artistic choices.This title was shortlisted for the Charles Rufus Morey Award of the College Art Association in 2007 First detailed study of Rembrandts fascinating depictions of female nudes Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. First Edition. Red covers with black lettering on the spine and front cover. First edition in this translation. Fresh covers, tight binding, clean pages and end-papers. Contains black and white illustrations. No dust-jacket. Previous owner's name, architectural historian Kerry Downes, in pencil at the front. Quantity Available: 1. Shipped Weight: under 1 kg. ISBN: 9040094438. ISBN/EAN: 9789040094439. Pictures of this item not already displayed here available upon request. Inventory No: 19023101028. All our books are sent by tracked mail.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:9040094438.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 'This book consists of a collection of six studies that originally appeared in Dutch. They shed new light on intriguing aspects of Dutch art of the 17th century, focusing on paintings and prints representing subjects which assume a conspicuous position in the art of that period and deal with beauty and seduction, love and desire, chastity and unchastity.' (From the jacket). 2 inch score to the back panel of the jacket with faint corresponding mark to back cover(see photos), very occasional underlining. 9.5 x 7". 368 pages.

Taschenbuch. Condición: Neu. Neuware - Rembrandt's extraordinary paintings of female nudes - Andromeda, Susanna, Diana and Her Nymphs, Danaë, Bathsheba - as well as his etchings of nude women, have fascinated many generations of art lovers and art historians, but they have also elicited vehement criticism. They were considered against-the-grain, anti-classical, even ugly and unpleasant. However, Rembrandt chose conventional subjects, keeping close to time-honored pictorial schemes, and was well aware of the high prestige accorded to the depiction of the naked female body. Why, then, do these works deviate so radically from the depictions of nude women by other artists To answer this question the author examines Rembrandt's paintings and etchings against the foil of established pictorial traditions in the Netherlands as well as Italy. Exploring Rembrandt's intense dialogue with the works of predecessors and peers, the author demonstrates that, more than any other artist, it was Rembrandt's purpose to incite the greatest possible empathy in the viewer. This had far-reaching consequences for the moral and erotic implications of the subjects Rembrandt chose to depict. In this richly illustrated study the author presents an innovative approach to Rembrandt's views on the art of painting, his attitude towards antiquity and Italian art of the Renaissance, his sustained rivalry with the works of other artists, his handling of the moral and erotic issues inherent in subjects with female nudes, and the nature of Rembrandt's artistic choices.This title was shortlisted for the Charles Rufus Morey Award of the College Art Association in 2007.