Slominski lisa (29 resultados)

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Condición: Fine. Clean Pages. No EXPEDITED OR INTERNATIONAL SHIPPING FOR THIS ITEM because of size / weight. Until further notice, USPS Priority Mail only reliable option for Hawaii. Proceeds benefit the Pima County Public Library system, which serves Tucson and southern Arizona.

hardcover. Condición: New.

hardcover. Condición: Very Good. Hardback--NO CD,DVD,ACCESS CODE--cover shows slight wear otherwise excellent condition.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: New. 2022. Hardcover. . . . . .

Condición: New.

Condición: New. pp. 400.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: new.

Condición: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Condición: New.

Hardcover. Condición: new. Hardcover. A global history of self-taught artists advocating for a nuanced understanding of modern and contemporary art often challenged by the establishment When the art world has paid attention to makers from outside the cultural establishment, including so-called outsider and self-taught artists, it has generally been within limiting categories. Yet these artists, including many women, people with disabilities, and people of color, have had a transformative influence on the history of modern art. Responding to growing interest in these artists, this book offers a nuanced history of their work and how it has been understood from the early twentieth century to the present day. Nonconformers includes work by well-known figures such as Henry Darger, Hilma af Klint, and Bill Traylor alongside many other artists who deserve widespread recognition. After reviewing how self-taught artists factored into key movements of twentieth-century art, the book shifts to highlighting the voices of contemporary practitioners through new interviews with artists William Scott, Mamadou Ciss A global history of self-taught artists advocating for a nuanced understanding of modern and contemporary art often challenged by the establishment Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condición: New. A global history of self-taught artists advocating for a nuanced understanding of modern and contemporary art often challenged by the establishment  "An essential addition to any discerning art lover's collection. . . . An informative and important companion for art aficionados, budding curators and total novices alike."-Vanity Fair London   When the art world has paid attention to makers from outside the cultural establishment, including so-called outsider and self-taught artists, it has generally been within limiting categories. Yet these artists, including many women, people with disabilities, and people of color, have had a transformative effect on the history of modern art. Responding to growing interest in these artists, this book offers a nuanced history of their work and how it has been understood from the early twentieth century to the present day.  Nonconformers includes work by Henry Darger, Hilma af Klint, and Bill Traylor alongside that of many other artists who deserve widespread recognition. The book reviews how self-taught artists influenced key movements of twentieth-century art and highlights the voices of contemporary practitioners, offering new interviews with William Scott, Mamadou Cissé, and George Widener. An international group of contributors addresses topics such as the development of the Black Folk Art movement in America and l'Art Brut in France, the creative process of self-taught artists working outside of traditional studios, and the themes of figuration, landscape, and abstraction. Global in scope and with chronological breadth, this alternative narrative is an essential introduction to the genre long known as "Outsider Art.".…

Hardcover. Condición: New. Qto., 400 pages, colour illustrated. A New copy.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 400 pages. 10.50x8.25x1.46 inches. In Stock.

Condición: New. In English.

Condición: New. pp. 400.

Hardcover. Condición: new. Hardcover. A global history of self-taught artists advocating for a nuanced understanding of modern and contemporary art often challenged by the establishment When the art world has paid attention to makers from outside the cultural establishment, including so-called outsider and self-taught artists, it has generally been within limiting categories. Yet these artists, including many women, people with disabilities, and people of color, have had a transformative influence on the history of modern art. Responding to growing interest in these artists, this book offers a nuanced history of their work and how it has been understood from the early twentieth century to the present day. Nonconformers includes work by well-known figures such as Henry Darger, Hilma af Klint, and Bill Traylor alongside many other artists who deserve widespread recognition. After reviewing how self-taught artists factored into key movements of twentieth-century art, the book shifts to highlighting the voices of contemporary practitioners through new interviews with artists William Scott, Mamadou Ciss A global history of self-taught artists advocating for a nuanced understanding of modern and contemporary art often challenged by the establishment Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: NEW.

Hardcover. Condición: new. Hardcover. A global history of self-taught artists advocating for a nuanced understanding of modern and contemporary art often challenged by the establishment When the art world has paid attention to makers from outside the cultural establishment, including so-called outsider and self-taught artists, it has generally been within limiting categories. Yet these artists, including many women, people with disabilities, and people of color, have had a transformative influence on the history of modern art. Responding to growing interest in these artists, this book offers a nuanced history of their work and how it has been understood from the early twentieth century to the present day. Nonconformers includes work by well-known figures such as Henry Darger, Hilma af Klint, and Bill Traylor alongside many other artists who deserve widespread recognition. After reviewing how self-taught artists factored into key movements of twentieth-century art, the book shifts to highlighting the voices of contemporary practitioners through new interviews with artists William Scott, Mamadou Ciss A global history of self-taught artists advocating for a nuanced understanding of modern and contemporary art often challenged by the establishment Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Gebunden. Condición: New. A global history of self-taught artists advocating for a nuanced understanding of modern and contemporary art often challenged by the establishment&Uumlber den AutorLisa Slominski is an American curator, writer, and cultural .

Buch. Condición: Neu. Neuware - A global history of self-taught artists advocating for a nuanced understanding of modern and contemporary art often challenged by the establishment 'An essential addition to any discerning art lover's collection. . . . An informative and important companion for art aficionados, budding curators and total novices alike.'--Vanity Fair London When the art world has paid attention to makers from outside the cultural establishment, including so-called outsider and self-taught artists, it has generally been within limiting categories. Yet these artists, including many women, people with disabilities, and people of color, have had a transformative effect on the history of modern art. Responding to growing interest in these artists, this book offers a nuanced history of their work and how it has been understood from the early twentieth century to the present day. Nonconformers includes work by Henry Darger, Hilma af Klint, and Bill Traylor alongside that of many other artists who deserve widespread recognition. The book reviews how self-taught artists influenced key movements of twentieth-century art and highlights the voices of contemporary practitioners, offering new interviews with William Scott, Mamadou Cissé, and George Widener. An international group of contributors addresses topics such as the development of the Black Folk Art movement in America and l'Art Brut in France, the creative process of self-taught artists working outside of traditional studios, and the themes of figuration, landscape, and abstraction. Global in scope and with chronological breadth, this alternative narrative is an essential introduction to the genre long known as 'Outsider Art.'.…

Hardback. Condición: New. A global history of self-taught artists advocating for a nuanced understanding of modern and contemporary art often challenged by the establishment  "An essential addition to any discerning art lover's collection. . . . An informative and important companion for art aficionados, budding curators and total novices alike."-Vanity Fair London   When the art world has paid attention to makers from outside the cultural establishment, including so-called outsider and self-taught artists, it has generally been within limiting categories. Yet these artists, including many women, people with disabilities, and people of color, have had a transformative effect on the history of modern art. Responding to growing interest in these artists, this book offers a nuanced history of their work and how it has been understood from the early twentieth century to the present day.  Nonconformers includes work by Henry Darger, Hilma af Klint, and Bill Traylor alongside that of many other artists who deserve widespread recognition. The book reviews how self-taught artists influenced key movements of twentieth-century art and highlights the voices of contemporary practitioners, offering new interviews with William Scott, Mamadou Cissé, and George Widener. An international group of contributors addresses topics such as the development of the Black Folk Art movement in America and l'Art Brut in France, the creative process of self-taught artists working outside of traditional studios, and the themes of figuration, landscape, and abstraction. Global in scope and with chronological breadth, this alternative narrative is an essential introduction to the genre long known as "Outsider Art.".…

Buch. Condición: Neu. Nonconformers | A New History of Self-Taught Artists | Lisa Slominski | Buch | Gebunden | Englisch | 2022 | Yale University Press | EAN 9780300260229 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.