Siegfried susan l (72 resultados)

Condición: Very Good. Estado de la sobrecubierta: 47258281. 1757586309. 9/11/2025 10:25:09 AM.

paperback. Condición: Very Good. in original shrink wrap Very Good paperback with light shelfwear - NICE! Oversized.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

paperback. Condición: Acceptable. May have crinkled pages. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. PAPERBACK.

paperback. Condición: Acceptable. Ex-library with typical library markings/labels, otherwise unmarked. Cover has light shelf wear, bumped corners. Your purchase benefits the world-wide relief efforts of Mennonite Central Committee.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: New. An exploration of the fascinating parallels and differences between Picasso's Woman with a Book and Ingres's Madame Moitessier This publication examines, in detail, two extraordinary interrelated works: Picasso's Woman with a Book (1932) and Ingres's Madame Moitessier (1844-56). Each painting is explored in depth, illuminating the parallels and differences between the artists' techniques and creative ambitions. The first essay tells the story of the twelve-year gestation of Ingres's Madame Moitessier, focusing on the role of drawings in the elaboration of the composition, and of the sitter herself in determining how she was to be presented. The second essay traces the development of Picasso's Woman with a Book, among the most celebrated likenesses of the artist's young lover, Marie-Thérèse Walter. In contrast to Ingres's work, it was painted in just a day or two. The final essay explores, through these two works, the artists' shared interest in the relationship between nude and clothed bodies, revealing the depth of Picasso's engagement with Madame Moitessier, which motivates and animates Woman with a Book. Published by National Gallery Company/Distributed by Yale University Press.…

Paperback. Condición: New. An exploration of the fascinating parallels and differences between Picasso's Woman with a Book and Ingres's Madame Moitessier This publication examines, in detail, two extraordinary interrelated works: Picasso's Woman with a Book (1932) and Ingres's Madame Moitessier (1844-56). Each painting is explored in depth, illuminating the parallels and differences between the artists' techniques and creative ambitions. The first essay tells the story of the twelve-year gestation of Ingres's Madame Moitessier, focusing on the role of drawings in the elaboration of the composition, and of the sitter herself in determining how she was to be presented. The second essay traces the development of Picasso's Woman with a Book, among the most celebrated likenesses of the artist's young lover, Marie-Thérèse Walter. In contrast to Ingres's work, it was painted in just a day or two. The final essay explores, through these two works, the artists' shared interest in the relationship between nude and clothed bodies, revealing the depth of Picasso's engagement with Madame Moitessier, which motivates and animates Woman with a Book. Published by National Gallery Company/Distributed by Yale University Press.…

paperback. Condición: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Condición: New.

Paperback. Condición: Brand New. 64 pages. 10.50x9.00x0.50 inches. In Stock.

Condición: New.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New. In English.

Condición: New.

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: Very Good. Oversized soft cover book (221 pages) beautifully illustrated with numerous color and b/w reproductions. Light rubbing/scuffing on cover - light creases on a few pages.INTERNATIONAL SHIPPING MAY REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-Art-1-Middle-L) rareviewbooks. …

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition, First Printing. Large octavo. 8.25 x 10 in. 512 pp. Occasionally illustrated with black & white and color reproductions of art. Fine in original cloth boards and fine pictorial dust jacket. Heavy edition, additional postage may apply if beyond media rate.…

4°, Softcover. Condición: Gut. 190 S. Softcover. Bei dem Buch handelt es sich um ein ehemaliges Bibliotheksexemplar mit Signatur und Stempel. L2205. Sprache: Englisch Gewicht in Gramm: 594.

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. New. Pristine, In publisher's shrinkwrap. // Shipped carefully packed in a sturdy box. Susan L. Siegfried is Professor of Art History and Women's Studies at the University of Michigan. She is the author of The Art of Louis-Léopold Boilly: Modern Life in Napoleonic France, co-author of Staging Empire: Napoleon, Ingres, and David , and co-editor of Fingering Ingres.…

SOFTCOVER. Condición: NEW. Estado de la sobrecubierta: Issued without a dustjacket. 1st Edition. Large 4to. in colour printed stiff card covers, 72pp, colour plates, illustrations in text, etc . [CONDITION: NEW unread and unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Binding sound, text unmarked. Condición: Near Fine. Near Fine. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. 1st edition. No ownership marks. Size: xiv,221pp, 170 col & b/w illus, 29.5 x 25.5 cm. No ownership marks. …

Softcover. Color illus. wraps; 190 pp.; Profusely illustrated with plates, most bw, some color. Includes biography of the artist and an index of Ingres's portrait subjects. VG- (Cover pulling away from pages; Pages intact).

Taschenbuch. Condición: Neu. Neuware - An exploration of the fascinating parallels and differences between Picasso's Woman with a Book and Ingres's Madame Moitessier This publication examines, in detail, two extraordinary interrelated works: Picasso's Woman with a Book (1932) and Ingres's Madame Moitessier (1844-56). Each painting is explored in depth, illuminating the parallels and differences between the artists' techniques and creative ambitions. The first essay tells the story of the twelve-year gestation of Ingres's Madame Moitessier, focusing on the role of drawings in the elaboration of the composition, and of the sitter herself in determining how she was to be presented. The second essay traces the development of Picasso's Woman with a Book, among the most celebrated likenesses of the artist's young lover, Marie-Thérèse Walter. In contrast to Ingres's work, it was painted in just a day or two. The final essay explores, through these two works, the artists' shared interest in the relationship between nude and clothed bodies, revealing the depth of Picasso's engagement with Madame Moitessier, which motivates and animates Woman with a Book. Published by National Gallery Company/Distributed by Yale University Press.…

Condición: Nuovo. Bross., cm 27x23, pp 71, molte tavv. e ill. a colori. - ISBN: 9781857096828.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: new. Hardcover. A fascinating consideration of the dynamic relationship between fashion, art, and the modernizing forces of the early nineteenth century Across the visual arts in France and Britain in the 1820s and 1830s a novel concept of fashionability took shape. Driven by a quest for the new and wide-ranging in taste, fashion flourished in the period's expansive print production, while the fine arts negotiated the demand for novelty by, paradoxically, reviving styles from the past. Susan L. Siegfried argues that the intersections between fashion, costume, and art in these pivotal decades embody the fractured conditions of early-nineteenth-century visual culture. The New Taste examines depictions of clothing and hairstyles in fashion plates, paintings, prints, and sculpture by artists including Jean-Auguste-Dominique Ingres, Horace Vernet, Achille Deveria, and Bertel Thorvaldsen, alongside texts on clothing and art by writers such as Honore de Balzac and Thomas Carlyle. Siegfried reveals how both the commercial and the fine arts responded to transformations in social dynamics, colonialism, print technology, textile manufacture, perceptions of the male dandy, and the role of women as consumers. Highlighting a largely overlooked period in art and fashion, this richly illustrated volume offers insights into the social, artistic, and gendered questions that troubled the shift from classicism to realism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…