Ingres: Painting Reimagined

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9780300148831: Ingres: Painting Reimagined
Reseña del editor:

Jean-Auguste-Dominique Ingres (1780-1867) produced a body of work that strongly appealed to his contemporaries while disconcerting them. The odd qualities of his work continue to fascinate scholars, critics, and artists today. For the most part scholars have sought to make sense of that strangeness either by examining the vicissitudes of the artist's critical reputation or by appealing to his supposed intellectual and psychic limitations. Siegfried argues that this strangeness needs to be located in the complex and richly-invested nature of the work itself as well as in Ingres' very powerful, if often perverse, sense of artistic project. She shows that his major re-thinking of pictorial narrative was as central to his achievement and reputation as his distinctive rendering of the female figure in classical nudes and portraits. Creative in his choice and interpretation of classical literary, historical, and religious subjects, he was engaged in a complex process of giving visual form to narrative, which he did in new and unusual ways that involved him in a close reading of the texts on which he drew, including authors such as Homer, Virgil, Ariosto, and Dante, as well as religious narratives and stories about medieval and early modern French history that were becoming popular in the period. This book takes full account of the different and seemingly divergent aspects of Ingres' achievement. Recognizing that his work was fragmentary and contradictory, Siegfried's study sees those traits as constitutive of the imaginative power of his work and of its very real and singularly affecting complexity. The book encompasses a wide range of his activities as an artist and of the different registers in which he operated, including his obsessive research into source material, his proliferating drawing practice and his intensive working and reworking of his finished paintings. The complexities of his practice are elucidated with reference to contemporary correspondence, commission documents and critical reviews that shed light on his work and ambitions.

Reseña del editor:

Jean-Auguste-Dominique Ingres (1780--1867) produced a body of work that strongly appealed to his contemporaries while disconcerting them. Even today, the odd qualities of his work continue to fascinate scholars, critics, and artists. In this handsomely illustrated and elegantly written book, Susan L. Siegfried argues that the strangeness associated with Ingres's paintings needs to be located in the complex and richly invested nature of the work itself, as well as in the artist's very powerful--if often perverse--sense of artistic project. She shows that his major re-thinking of pictorial narrative -- in his classical literary, historical, and religious subjects -- was as central to his achievement as his distinctive rendering of the female figure in classical nudes and portraits. He was engaged in a complex process of giving visual form to narrative, which he did in new and unusual ways that involved him in a close reading of the texts on which he drew, including authors such as Homer, Virgil, Ariosto, and Dante, as well as religious narratives and stories about medieval and early modern French history.

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Susan L. Siegfried
Editorial: Yale University Press, United States (2009)
ISBN 10: 0300148836 ISBN 13: 9780300148831
Nuevos Tapa dura Cantidad: 10
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Descripción Yale University Press, United States, 2009. Hardback. Estado de conservación: New. New.. 260 x 200 mm. Language: English . Brand New Book. Jean-Auguste-Dominique Ingres (1780--1867) produced a body of work that strongly appealed to his contemporaries while disconcerting them. Even today, the odd qualities of his work continue to fascinate scholars, critics, and artists. In this handsomely illustrated and elegantly written book, Susan L. Siegfried argues that the strangeness associated with Ingres s paintings needs to be located in the complex and richly invested nature of the work itself, as well as in the artist s very powerful--if often perverse--sense of artistic project. She shows that his major re-thinking of pictorial narrative -- in his classical literary, historical, and religious subjects -- was as central to his achievement as his distinctive rendering of the female figure in classical nudes and portraits. He was engaged in a complex process of giving visual form to narrative, which he did in new and unusual ways that involved him in a close reading of the texts on which he drew, including authors such as Homer, Virgil, Ariosto, and Dante, as well as religious narratives and stories about medieval and early modern French history. Nº de ref. de la librería AAH9780300148831

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Susan L. Siegfried
Editorial: Yale University Press, United States (2009)
ISBN 10: 0300148836 ISBN 13: 9780300148831
Nuevos Tapa dura Cantidad: 10
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Descripción Yale University Press, United States, 2009. Hardback. Estado de conservación: New. New.. 260 x 200 mm. Language: English . Brand New Book. Jean-Auguste-Dominique Ingres (1780--1867) produced a body of work that strongly appealed to his contemporaries while disconcerting them. Even today, the odd qualities of his work continue to fascinate scholars, critics, and artists. In this handsomely illustrated and elegantly written book, Susan L. Siegfried argues that the strangeness associated with Ingres s paintings needs to be located in the complex and richly invested nature of the work itself, as well as in the artist s very powerful--if often perverse--sense of artistic project. She shows that his major re-thinking of pictorial narrative -- in his classical literary, historical, and religious subjects -- was as central to his achievement as his distinctive rendering of the female figure in classical nudes and portraits. He was engaged in a complex process of giving visual form to narrative, which he did in new and unusual ways that involved him in a close reading of the texts on which he drew, including authors such as Homer, Virgil, Ariosto, and Dante, as well as religious narratives and stories about medieval and early modern French history. Nº de ref. de la librería AAH9780300148831

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Susan L Siegfried
Editorial: Yale University Press (2009)
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Descripción Yale University Press, 2009. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WY-9780300148831

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Siegfried, Susan L.
Editorial: Yale Univ Pr (2009)
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Descripción Yale Univ Pr, 2009. Hardcover. Estado de conservación: Brand New. first edition edition. 320 pages. 10.25x7.75x1.50 inches. In Stock. Nº de ref. de la librería __0300148836

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Prof. Susan L. Siegfried
Editorial: Yale University Press (2009)
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Descripción Yale University Press, 2009. Hardcover. Estado de conservación: New. First Edition. Nº de ref. de la librería DADAX0300148836

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Siegfried, Susan L.
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Descripción Yale University Press, 2009. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 0300148836

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Siegfried, Susan L.
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Descripción Yale University Press, 2009. Hardcover. Estado de conservación: New. Nº de ref. de la librería P110300148836

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Descripción YALE University Press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0300148836

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Descripción 2009. Hardcover. Estado de conservación: New. 200mm x 39mm x 262mm. Hardcover. Jean-Auguste-Dominique Ingres (1780--1867) produced a body of work that strongly appealed to his contemporaries while disconcerting them. Even today, the odd qualities of his .Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 320 pages. 1.946. Nº de ref. de la librería 9780300148831

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Susan L Siegfried
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Descripción Yale University Press, 2009. Hardcover. Estado de conservación: New. 20.1 x 26.8 cm. Our orders are sent from our warehouse locally or directly from our international distributors to allow us to offer you the best possible price and delivery time. Book. Nº de ref. de la librería MM-60079380

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