Shahd abusalama (29 resultados)

Paperback. Condición: New. This book investigates representations of Palestinian refugees in Gaza in colonial, humanitarian and Palestinian documentary films, spanning until the 1993 Oslo Agreement. Chapters examine various film sources throughout this period including British Pathé, newsreels, Quaker and UNRWA documentaries, and Palestinian opposition cinema. British Pathé is considered as a window into the wider colonial depiction of indigenous Palestinians in the British Mandate period; newsreels are examined as representations of the plight of Palestinian refugees in Gaza after Israel's proclamation and Gaza-focused humanitarian documentaries shot by the Quakers and UNRWA are compared. The final chapters trace the evolution of oppositional documentary filmmaking, from the cinema of revolution (1968-1982) to the peace deal of 1993. Through a close audio-visual and textual analysis, rooted in a historical-contextual approach, Shahd Abusalama explores the techniques used to project emancipatory representations while highlighting shifts and variations in the imagery around Gaza refugees. In exploring the historical, ideologically fuelled, representations of Gaza and its refugees in colonial and humanitarian films, and the opposition to it, this book reaffirms the continuity of Palestinian resistance, refugees' call for return, and the importance of Gaza itself to the Palestinian struggle. …

Paperback or Softback. Condición: New. Between Reality and Documentary: A Historical Representation of Gaza Refugees in Colonial, Humanitarian and Palestinian Documentary Film. Book.

Condición: NEW.

Paperback. Condición: New.

Paperback. Condición: New.

Brossura. Condición: new. Roma, 2013; br., pp. 216, ill. b/n, cm 14x21. Shahd Abusalama, giovane artista palestinese di Gaza, cura da tre anni il blog "Palestine from my eyes", in cui racconta la sua vita quotidiana, la storia della sua famiglia di rifugiati, di suo padre prigioniero, la paura e la resistenza sotto gli attacchi di Israele, le lotte dei prigionieri politici palestinesi. Una testimonianza diretta da una realtà, quella di Gaza sotto assedio, raccontata quasi sempre dall'esterno. Libro.…

Condición: new.

Paperback. Condición: Brand New. 272 pages. 9.22x6.14x1.00 inches. In Stock.

hardcover. Condición: Fine.

Paperback. Condición: New. This book investigates representations of Palestinian refugees in Gaza in colonial, humanitarian and Palestinian documentary films, spanning until the 1993 Oslo Agreement. Chapters examine various film sources throughout this period including British Pathé, newsreels, Quaker and UNRWA documentaries, and Palestinian opposition cinema. British Pathé is considered as a window into the wider colonial depiction of indigenous Palestinians in the British Mandate period; newsreels are examined as representations of the plight of Palestinian refugees in Gaza after Israel's proclamation and Gaza-focused humanitarian documentaries shot by the Quakers and UNRWA are compared. The final chapters trace the evolution of oppositional documentary filmmaking, from the cinema of revolution (1968-1982) to the peace deal of 1993. Through a close audio-visual and textual analysis, rooted in a historical-contextual approach, Shahd Abusalama explores the techniques used to project emancipatory representations while highlighting shifts and variations in the imagery around Gaza refugees. In exploring the historical, ideologically fuelled, representations of Gaza and its refugees in colonial and humanitarian films, and the opposition to it, this book reaffirms the continuity of Palestinian resistance, refugees' call for return, and the importance of Gaza itself to the Palestinian struggle. …

Condición: As New. Unread book in perfect condition.

Condición: New. In English.

hardcover. Condición: New.

Condición: New.

Condición: New.

Hardback. Condición: New. This book investigates representations of Palestinian refugees in Gaza in colonial, humanitarian and Palestinian documentary films, spanning until the 1993 Oslo Agreement. Chapters examine various film sources throughout this period including British Pathé, newsreels, Quaker and UNRWA documentaries, and Palestinian opposition cinema. British Pathé is considered as a window into the wider colonial depiction of indigenous Palestinians in the British Mandate period; newsreels are examined as representations of the plight of Palestinian refugees in Gaza after Israel's proclamation and Gaza-focused humanitarian documentaries shot by the Quakers and UNRWA are compared. The final chapters trace the evolution of oppositional documentary filmmaking, from the cinema of revolution (1968-1982) to the peace deal of 1993. Through a close audio-visual and textual analysis, rooted in a historical-contextual approach, Shahd Abusalama explores the techniques used to project emancipatory representations while highlighting shifts and variations in the imagery around Gaza refugees. In exploring the historical, ideologically fuelled, representations of Gaza and its refugees in colonial and humanitarian films, and the opposition to it, this book reaffirms the continuity of Palestinian resistance, refugees' call for return, and the importance of Gaza itself to the Palestinian struggle. …

Condición: As New. Unread book in perfect condition.

Buch. Condición: Neu. Neuware - This book investigates representations of Palestinian refugees in Gaza in colonial, humanitarian and Palestinian documentary films, spanning until the 1993 Oslo Agreement. Chapters examine various film sources throughout this period including British Pathé, newsreels, Quaker and UNRWA documentaries, and Palestinian opposition cinema. British Pathé is considered as a window into the wider colonial depiction of indigenous Palestinians in the British Mandate period; newsreels are examined as representations of the plight of Palestinian refugees in Gaza after Israel's proclamation and Gaza-focused humanitarian documentaries shot by the Quakers and UNRWA are compared. The final chapters trace the evolution of oppositional documentary filmmaking, from the cinema of revolution (1968-1982) to the peace deal of 1993. Through a close audio-visual and textual analysis, rooted in a historical-contextual approach, Shahd Abusalama explores the techniques used to project emancipatory representations while highlighting shifts and variations in the imagery around Gaza refugees. In exploring the historical, ideologically fuelled, representations of Gaza and its refugees in colonial and humanitarian films, and the opposition to it, this book reaffirms the continuity of Palestinian resistance, refugees' call for return, and the importance of Gaza itself to the Palestinian struggle. …

Hardcover. Condición: Brand New. 256 pages. 9.22x6.14x1.00 inches. In Stock.

Hardback. Condición: New. This book investigates representations of Palestinian refugees in Gaza in colonial, humanitarian and Palestinian documentary films, spanning until the 1993 Oslo Agreement. Chapters examine various film sources throughout this period including British Pathé, newsreels, Quaker and UNRWA documentaries, and Palestinian opposition cinema. British Pathé is considered as a window into the wider colonial depiction of indigenous Palestinians in the British Mandate period; newsreels are examined as representations of the plight of Palestinian refugees in Gaza after Israel's proclamation and Gaza-focused humanitarian documentaries shot by the Quakers and UNRWA are compared. The final chapters trace the evolution of oppositional documentary filmmaking, from the cinema of revolution (1968-1982) to the peace deal of 1993. Through a close audio-visual and textual analysis, rooted in a historical-contextual approach, Shahd Abusalama explores the techniques used to project emancipatory representations while highlighting shifts and variations in the imagery around Gaza refugees. In exploring the historical, ideologically fuelled, representations of Gaza and its refugees in colonial and humanitarian films, and the opposition to it, this book reaffirms the continuity of Palestinian resistance, refugees' call for return, and the importance of Gaza itself to the Palestinian struggle. …

Paperback. Condición: New.

Paperback. Condición: New.

Paperback. Condición: new. Paperback. This book investigates representations of Palestinian refugees in Gaza in colonial, humanitarian and Palestinian documentary films, spanning until the 1993 Oslo Agreement. Chapters examine various film sources throughout this period including British Pathe, newsreels, Quaker and UNRWA documentaries, and Palestinian opposition cinema. British Pathe is considered as a window into the wider colonial depiction of indigenous Palestinians in the British Mandate period; newsreels are examined as representations of the plight of Palestinian refugees in Gaza after Israels proclamation and Gaza-focused humanitarian documentaries shot by the Quakers and UNRWA are compared. The final chapters trace the evolution of oppositional documentary filmmaking, from the cinema of revolution (1968-1982) to the peace deal of 1993. Through a close audio-visual and textual analysis, rooted in a historical-contextual approach, Shahd Abusalama explores the techniques used to project emancipatory representations while highlighting shifts and variations in the imagery around Gaza refugees. In exploring the historical, ideologically fuelled, representations of Gaza and its refugees in colonial and humanitarian films, and the opposition to it, this book reaffirms the continuity of Palestinian resistance, refugees call for return, and the importance of Gaza itself to the Palestinian struggle. Examines the representation of refugees in Gaza through colonial, humanitarian and Palestinian documentary films between the final years of the British colonial era, and the Oslo Agreement of 1993. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condición: new. Paperback. This book investigates representations of Palestinian refugees in Gaza in colonial, humanitarian and Palestinian documentary films, spanning until the 1993 Oslo Agreement. Chapters examine various film sources throughout this period including British Pathe, newsreels, Quaker and UNRWA documentaries, and Palestinian opposition cinema. British Pathe is considered as a window into the wider colonial depiction of indigenous Palestinians in the British Mandate period; newsreels are examined as representations of the plight of Palestinian refugees in Gaza after Israels proclamation and Gaza-focused humanitarian documentaries shot by the Quakers and UNRWA are compared. The final chapters trace the evolution of oppositional documentary filmmaking, from the cinema of revolution (1968-1982) to the peace deal of 1993. Through a close audio-visual and textual analysis, rooted in a historical-contextual approach, Shahd Abusalama explores the techniques used to project emancipatory representations while highlighting shifts and variations in the imagery around Gaza refugees. In exploring the historical, ideologically fuelled, representations of Gaza and its refugees in colonial and humanitarian films, and the opposition to it, this book reaffirms the continuity of Palestinian resistance, refugees call for return, and the importance of Gaza itself to the Palestinian struggle. Examines the representation of refugees in Gaza through colonial, humanitarian and Palestinian documentary films between the final years of the British colonial era, and the Oslo Agreement of 1993. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book investigates representations of Palestinian refugees in Gaza in colonial, humanitarian and Palestinian documentary films, spanning until the 1993 Oslo Agreement.Chapters examine various film sources throughout this period including British Pathé, newsreels, Quaker and UNRWA documentaries, and Palestinian opposition cinema. British Pathé is considered as a window into the wider colonial depiction of indigenous Palestinians in the British Mandate period; newsreels are examined as representations of the plight of Palestinian refugees in Gaza after Israel's proclamation and Gaza-focused humanitarian documentaries shot by the Quakers and UNRWA are compared. The final chapters trace the evolution of oppositional documentary filmmaking, from the cinema of revolution (1968-1982) to the peace deal of 1993. Through a close audio-visual and textual analysis, rooted in a historical-contextual approach, Shahd Abusalama explores the techniques used to project emancipatory representations while highlighting shifts and variations in the imagery around Gaza refugees. In exploring the historical, ideologically fuelled, representations of Gaza and its refugees in colonial and humanitarian films, and the opposition to it, this book reaffirms the continuity of Palestinian resistance, refugees' call for return, and the importance of Gaza itself to the Palestinian struggle.…

Taschenbuch. Condición: Neu. Between Reality and Documentary | A Historical Representation of Gaza Refugees in Colonial, Humanitarian and Palestinian Documentary Film | Shahd Abusalama | Taschenbuch | SOAS Palestine Studies | Englisch | 2026 | I.B. Tauris | EAN 9780755653133 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

Hardcover. Condición: new. Hardcover. This book investigates representations of Palestinian refugees in Gaza in colonial, humanitarian and Palestinian documentary films, spanning until the 1993 Oslo Agreement. Chapters examine various film sources throughout this period including British Pathe, newsreels, Quaker and UNRWA documentaries, and Palestinian opposition cinema. British Pathe is considered as a window into the wider colonial depiction of indigenous Palestinians in the British Mandate period; newsreels are examined as representations of the plight of Palestinian refugees in Gaza after Israels proclamation and Gaza-focused humanitarian documentaries shot by the Quakers and UNRWA are compared. The final chapters trace the evolution of oppositional documentary filmmaking, from the cinema of revolution (1968-1982) to the peace deal of 1993. Through a close audio-visual and textual analysis, rooted in a historical-contextual approach, Shahd Abusalama explores the techniques used to project emancipatory representations while highlighting shifts and variations in the imagery around Gaza refugees. In exploring the historical, ideologically fuelled, representations of Gaza and its refugees in colonial and humanitarian films, and the opposition to it, this book reaffirms the continuity of Palestinian resistance, refugees call for return, and the importance of Gaza itself to the Palestinian struggle. Examines the representation of refugees in Gaza through colonial, humanitarian and Palestinian documentary films between the final years of the British colonial era, and the Oslo Agreement of 1993. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Hardcover. Condición: Brand New. 256 pages. 9.22x6.14x1.00 inches. In Stock. This item is printed on demand.

Hardcover. Condición: new. Hardcover. This book investigates representations of Palestinian refugees in Gaza in colonial, humanitarian and Palestinian documentary films, spanning until the 1993 Oslo Agreement. Chapters examine various film sources throughout this period including British Pathe, newsreels, Quaker and UNRWA documentaries, and Palestinian opposition cinema. British Pathe is considered as a window into the wider colonial depiction of indigenous Palestinians in the British Mandate period; newsreels are examined as representations of the plight of Palestinian refugees in Gaza after Israels proclamation and Gaza-focused humanitarian documentaries shot by the Quakers and UNRWA are compared. The final chapters trace the evolution of oppositional documentary filmmaking, from the cinema of revolution (1968-1982) to the peace deal of 1993. Through a close audio-visual and textual analysis, rooted in a historical-contextual approach, Shahd Abusalama explores the techniques used to project emancipatory representations while highlighting shifts and variations in the imagery around Gaza refugees. In exploring the historical, ideologically fuelled, representations of Gaza and its refugees in colonial and humanitarian films, and the opposition to it, this book reaffirms the continuity of Palestinian resistance, refugees call for return, and the importance of Gaza itself to the Palestinian struggle. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …