Schibille nadine (45 resultados)

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Hardback. Condición: New. Khirbet et-Tannur is a Nabataean site dating from the second century B.C. to the fourth to sixth centuries A.D. located on a hilltop above the Wadi el-Hasa near Khirbet edh-Dharih, 70 km north of Petra along the King's Highway. In 1937, Nelson Glueck excavated Khirbet et-Tannur on behalf of the American Schools of Oriental Research and the Department of Antiquities of Transjordan, but died before completing a final report. Now, in two extensively illustrated volumes, the results of Glueck's excavations are finally published, based on previously unstudied excavation records and archaeological materials in the ASOR Nelson Glueck Archive at the Semitic Museum, Harvard University. Volume 2 offers a systematic reorganization of Glueck's original excavation records and presents detailed specialist analyses of the Khirbet et-Tannur faunal and botanical remains, metal, glass, lamps and pottery collected by Glueck in 1937 and now preserved in Semitic Museum's ASOR Nelson Glueck Archive, along with fresh examinations of the Nabataean inscriptions and altars from the site. Annual of ASOR 68.…

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Hardback. Condición: New. Khirbet et-Tannur is a Nabataean site dating from the second century B.C. to the fourth to sixth centuries A.D. located on a hilltop above the Wadi el-Hasa near Khirbet edh-Dharih, 70 km north of Petra along the King's Highway. In 1937, Nelson Glueck excavated Khirbet et-Tannur on behalf of the American Schools of Oriental Research and the Department of Antiquities of Transjordan, but died before completing a final report. Now, in two extensively illustrated volumes, the results of Glueck's excavations are finally published, based on previously unstudied excavation records and archaeological materials in the ASOR Nelson Glueck Archive at the Semitic Museum, Harvard University. Volume 1 is devoted to the architecture of the temple, the dating of its successive phases, its sculptural decoration and iconography,and to a discussion of Nabataean religion, including the evidence for its connections with the religion of Iron Age Edom and its continuation at the temple of Khirbet et-Tannur well into the Christian era, before the A.D. 363 earthquake brought an end to the site. The volume closes with observations about iconoclasm at Khirbet et-Tannur, Khirbet edh-Dharih and Petra. Annual of ASOR 67.…

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Paperback. Condición: new. Paperback. Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the notion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and non-figurative decoration of Hagia Sophia. A similar concern for the phenomenon of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium. Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplato Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Las artes del Islam II: Vidrios, marfiles, metales, cerámica y tejidos
Gómez Martínez, Susana; Azuar Ruiz, Rafael; Juan Ares, Jorge de; Schibille, Nadine; Lafuente Ibáñez, Pilar; Rafael, Lígia; Rosado Llamas, María Dolores; Saleh Hussein, Hanan
Idioma: Portugués
Editorial: Editorial Universidad de Sevilla-Secretariado de Publicaciones, 2020
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Condición: New. Idioma/Language: Español. Este libro presenta textos con objetivos y propósitos diversos que utilizan diferentes tipos de fuentes y métodos de estudio para mostrarnos cómo la sociedad de al-Andalus produjo, distribuyó, comercializó, consumió y disfrutó de cerámicas, vidrios, marfiles, metales y tejidos. No están aquí representadas todas las artes del Islam, ni podrían estarlo ya que, como decía Ibn Jaldun, "son tantas como trabajos existen en la civilización" *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla. …

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Las artes del Islam II
Gómez Martínez, Susana; Azuar Ruiz, Rafael; Juan Ares, Jorge De; Schibille, Nadine; Lafuente Ibáñez, Pilar; Rafael, Lígia; Rosado Llamas, María Dolores; Saleh Hussein, Hanan
Idioma: Portugués
Editorial: Editorial Universidad de Sevilla-Secretariado de Publicaciones, 2020
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Gebunden. Condición: New. Khirbet et-Tannur is a Nabataean site dating from the second century B.C. to the fourth to sixth centuries A.D. In 1937, Nelson Glueck excavated the site on behalf of the American Schools of Oriental Research but died before completing a report. Now, in two.

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Gebunden. Condición: New. Khirbet et-Tannur is a Nabataean site dating from the second century B.C. to the fourth to sixth centuries A.D. In 1937, Nelson Glueck excavated the site on behalf of the American Schools of Oriental Research but died before completing a report. Now, in two.

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Paperback. Condición: new. Paperback. Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the notion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and non-figurative decoration of Hagia Sophia. A similar concern for the phenomenon of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium. Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplato Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

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Einband - flex.(Paperback). Condición: New. Dr Nadine Schibille is a Lecturer in Art History at the University of Sussex, UK.Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice f.

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Taschenbuch. Condición: Neu. Neuware - Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the notion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and non-figurative decoration of Hagia Sophia. A similar concern for the phenomenon of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium.…

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Hardback. Condición: New. Khirbet et-Tannur is a Nabataean site dating from the second century B.C. to the fourth to sixth centuries A.D. located on a hilltop above the Wadi el-Hasa near Khirbet edh-Dharih, 70 km north of Petra along the King's Highway. In 1937, Nelson Glueck excavated Khirbet et-Tannur on behalf of the American Schools of Oriental Research and the Department of Antiquities of Transjordan, but died before completing a final report. Now, in two extensively illustrated volumes, the results of Glueck's excavations are finally published, based on previously unstudied excavation records and archaeological materials in the ASOR Nelson Glueck Archive at the Semitic Museum, Harvard University. Volume 2 offers a systematic reorganization of Glueck's original excavation records and presents detailed specialist analyses of the Khirbet et-Tannur faunal and botanical remains, metal, glass, lamps and pottery collected by Glueck in 1937 and now preserved in Semitic Museum's ASOR Nelson Glueck Archive, along with fresh examinations of the Nabataean inscriptions and altars from the site. Annual of ASOR 68.…

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Hardback. Condición: New. Khirbet et-Tannur is a Nabataean site dating from the second century B.C. to the fourth to sixth centuries A.D. located on a hilltop above the Wadi el-Hasa near Khirbet edh-Dharih, 70 km north of Petra along the King's Highway. In 1937, Nelson Glueck excavated Khirbet et-Tannur on behalf of the American Schools of Oriental Research and the Department of Antiquities of Transjordan, but died before completing a final report. Now, in two extensively illustrated volumes, the results of Glueck's excavations are finally published, based on previously unstudied excavation records and archaeological materials in the ASOR Nelson Glueck Archive at the Semitic Museum, Harvard University. Volume 1 is devoted to the architecture of the temple, the dating of its successive phases, its sculptural decoration and iconography,and to a discussion of Nabataean religion, including the evidence for its connections with the religion of Iron Age Edom and its continuation at the temple of Khirbet et-Tannur well into the Christian era, before the A.D. 363 earthquake brought an end to the site. The volume closes with observations about iconoclasm at Khirbet et-Tannur, Khirbet edh-Dharih and Petra. Annual of ASOR 67.…
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Paperback. Condición: Very Good. 2021 Springer paperback edition. Unread copy in very good condition. Contents: 1. The Origin of Glass and the First Glass Industries by Thilo Rehren 2. Glass in the Middle East and Western Europe at the End of the First Millennium CE, Transition from Natron to Plant Ash Soda or Forest Glasses by Bernard Gratuze, Nadine Schibille, and Ines Pactat 3. Glazed Steatite and Faience Technology at Harappa, Pakistan (> 3700-1900 BCE): Technological and Experimental Studies of Production and Variation by Jonathan Mark Kenoyer 4. Traditional Bead and Bangle Crafts in India by Alok Kumar Kanungo 5. Elemental Compositions and Glass Recipes by Laure Dussubieux 6. Isotope Analysis and Its Applications to the Study of Ancient Indian Glass by Laure Dussubieux, Christophe Cloquet, and T. O. Pryce 7. The Conservation of Glass by Stephen P. Koob 8. Typology of Glass Beads: Techniques, Shapes, Colours and Dimensions by Joanna Then-Obluska 9. Glass in Indian Archaeology, Ancient Literature, Historical Records and Colonial Accounts by Alok Kumar Kanungo 10. Situating Harinagar Hoard Finds in Pre-Iron Age Glass Crafts by Bhuvan Vikrama 11. History of Glass Ornaments in Tamil Nadu, South India: Cultural Perspectives by Veerasamy Selvakumar 12. Traditional Glass Mirror Making in Kapadvanj, Gujarat, India and an Outline of the Use by Jan Kock and Torben Sode 13. Glass Beads of Eastern India (Early Historic Period) by Sharmi Chakraborty 14. A Review of Selected Glass Bead Types from the 2007-2009 Seasons of Excavation at Pattanam, India by Shinu Anna Abraham 15. Glass Bangles in South Asia: Production, Variability and Historicity by Mudit Trivedi 16. West Asian Glass in Early Medieval India as Seen from the Excavations of Sanjan by Kurush F. Dalal and Rhea Mitra-Dalal 17. Interrelations in Glass and Glazing Technologies in Mughal Tilework by Maninder Singh Gill 18. Indian Glass Beads in Western and North Europe in Early Middle Age by Bernard Gratuze, Constantin Pion, and Torben Sode 19. Early Glass Trade Along the Maritime Silk Route (500 BCE-500 CE): An Archaeological Review by Sunil Gupta 20. Indian Glass in Southeast Asia by Laure Dussubieux 21. Indian Glass: Chronology and Distribution in Eastern Africa by Laure Dussubieux and Marilee Wood 22. Indian Glass Beads in Northeast Africa Between the First and Sixth Centuries CE by Joanna Then-Obluska.…

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