Rushton sarah (20 resultados)

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condición: Very Good. First Edition Thus. 44 pp all colour illustrated some folding, spiral bound in card covers, languages used English Irish Dutch Urdu and Bengali. Clean sound book, minor wear. Adrienne Craddock, Matty de Vries, Sue Smith, Laura Knight (ilustrador).

Hardcover. Condición: Very Good. 1st Edition. Ryan Gander: In a Language You Don't Understand; Edited by Ryan Gander and Sara de Bondt. Published on the occasion of the Mary Aurory Sorry exhibition, April 2002. Hardcover, no dust jacket as issued. 208 pages. Text in English and French. Very good condition: clean, crisp, and with no internal marks.…

Hardcover. Condición: Sehr gut. Hardbound. 15,5x21,5cm. Non pag. Excellent copy.

Condición: new.

hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condición: new. Hardcover. In the 1990s, hundreds of men and women from all over Britain recorded their memories of cinemagoing during the 1930sa decade when going to the pictures was everybodys favourite spare time activity. From these carefully gathered and systematically recorded testimonies, cinema memory emerges as a distinctive expression of cultural memory, a discovery that continues to inspire new studies of the remembered cinema experience.This collection presents current research on cinema memory across a range of historical and national contexts, including Australia, Britain, Italy, Japan and Turkey. It features reflections on how best to record and preserve cinemagoing memories and make them accessible, with a particular focus on issues around digital archiving and research websites. Brings together reflections on cinemagoing from Australia, Belgium, Italy, Japan, Turkey, the United Kingdom and elsewhere. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condición: New. In the 1990s, hundreds of men and women from all over Britain recorded their memories of cinemagoing during the 1930s-a decade when 'going to the pictures' was everybody's favourite spare time activity. From these carefully gathered and systematically recorded testimonies, 'cinema memory' emerges as a distinctive expression of cultural memory, a discovery that continues to inspire new studies of the remembered cinema experience.This collection presents current research on cinema memory across a range of historical and national contexts, including Australia, Britain, Italy, Japan and Turkey. It features reflections on how best to record and preserve cinemagoing memories and make them accessible, with a particular focus on issues around digital archiving and research websites. …

Condición: New. 2026. hardcover. . . . . .

Condición: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Buch. Condición: Neu. Neuware - In the 1990s, hundreds of men and women from all over Britain recorded their memories of cinemagoing during the 1930s--a decade when 'going to the pictures' was everybody's favourite spare time activity. From these carefully gathered and systematically recorded testimonies, 'cinema memory' emerges as a distinctive expression of cultural memory, a discovery that continues to inspire new studies of the remembered cinema experience. This collection presents current research on cinema memory across a range of historical and national contexts, including Australia, Britain, Italy, Japan and Turkey. It features reflections on how best to record and preserve cinemagoing memories and make them accessible, with a particular focus on issues around digital archiving and research websites.…

Hardcover. Condición: Brand New. 240 pages. 6.14x2.00x9.21 inches. In Stock.

Hardback. Condición: New. In the 1990s, hundreds of men and women from all over Britain recorded their memories of cinemagoing during the 1930s-a decade when 'going to the pictures' was everybody's favourite spare time activity. From these carefully gathered and systematically recorded testimonies, 'cinema memory' emerges as a distinctive expression of cultural memory, a discovery that continues to inspire new studies of the remembered cinema experience.This collection presents current research on cinema memory across a range of historical and national contexts, including Australia, Britain, Italy, Japan and Turkey. It features reflections on how best to record and preserve cinemagoing memories and make them accessible, with a particular focus on issues around digital archiving and research websites. …

Hardcover. Condición: new. Hardcover. In the 1990s, hundreds of men and women from all over Britain recorded their memories of cinemagoing during the 1930sa decade when going to the pictures was everybodys favourite spare time activity. From these carefully gathered and systematically recorded testimonies, cinema memory emerges as a distinctive expression of cultural memory, a discovery that continues to inspire new studies of the remembered cinema experience.This collection presents current research on cinema memory across a range of historical and national contexts, including Australia, Britain, Italy, Japan and Turkey. It features reflections on how best to record and preserve cinemagoing memories and make them accessible, with a particular focus on issues around digital archiving and research websites. Brings together reflections on cinemagoing from Australia, Belgium, Italy, Japan, Turkey, the United Kingdom and elsewhere. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Ca.…

95 pp.; 20.5 x 29 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; May 1975 issue featuring collaborative contributions. Essays "For Thomas Hobbes - I," by Terry Atkinson, Michael Baldwin, Joseph Kosuth, Lynn Lemaster, Philip Pilkington; "A Review of Styles," by David Rushton and Paul Wood; "'To Begin With, While I am Clearly a Marxist Sympathizer.,'" by Sandra Harrison; "Pedagogical Sketchbook (AL)," by Charles Harrison; "Brainstorming - New York," by Ian Burn and Mel Ramsden; "Art and Language," by Terry Atkinson, Michael Baldwin, Harold Hurrell, Lynn Lemaster; "Community Work," by Terry Atkinson, Lynn Lemaster, Philip Pilkington; "Rambling: To Partial Correspondents," by Michael Baldwin, Ian Burn, Joseph Kosuth, David Rushton; "Vulgar and Popular Opinions," by Philip Pilkington; "Little Grey Rabbit Goes to the Sea," by Michael Baldwin, Philip Pilkington; "Overview: The Paradox of the Heap of Stones," by PHILIP Pilkington; "Slogan Adaptation," by Charles Harrison, Harold Hurrell; "'Mr. Lin Yutang Refers to 'Fair Play'.?'" by Michael Baldwin, Sarah Charlesworth, Charles Harrison, Harold Hurrell, Lynn Lemaster; "Strategy is Political: Dear M.," by Ian Burn, Andrew Menard, Mel Ramsden; "My Amazed Admiration (.of the Subtle Complexity Reached by Western Capitalism)," by Sandra Harrison";Utopian Prayers and Infantile Marxism," by Charles Harrison, Sandra Harrison, Philip Pilkington, David Rushton, Mel Ramsden, Paul Wood; "Accidental Synopsis," by Michael Baldwin, Harold Hurrell "On the Embarassing Dangers of Banishing 12-Tone Music," by Charles Harrison, Sandra Harrison. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 76. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 237. Good. Covers show considerable wear including stains, scuffing and .5 cm nicks on spine. Contents clean and unmarked.…

20th Century Fox, 1965. Dossier de presse agrafé de 16 pages au format 30 x 21 cm présenté comme la Gazette Aéronautique, édition souvenir speciale 1910. Couvertures illustrées. Rare dossier de presse pour le film anglais : Ces merveilleux fous volants dans leurs drôles de machines ( Those Magnificent Men in their Flying Machines, or How I Flew from London to Paris in 25 Hours and 11 Minutes ), réalisé en 1965 par Ken Annakin. Présentation de tous les acteurs. Synopsis accompagné de la fiche technique et de nombreuses et superbes photographies en noir et en couleurs ainsi qu'une double page d'illustrations en couleurs de Ronald Searle. On trouve dans les rôles principaux : Stuart Whitman, Sarah Miles, James Fox, Robert Morley, Alberto Sordi, Terry-Thomas, Jean-Pierre Cassel, Gert Fröbe, William Rushton, Karl Michael Vogler, Sam Wanamaker, Eric Sykes, Benny Hill, Tony Hancock, Davy Kaye, Flora Robson, Irina Demick, Red Skelton, Yujiro Ishihara, Maurice Denham, John Le Mesurier, Jeremy Lloyd, etc. Superbe état de fraicheur, proche du neuf. Tirage limité réservé aux journalistes, diffuseurs et salles de cinéma. De toute rareté.…

Hardcover. Condición: Brand New. 240 pages. 6.14x2.00x9.21 inches. In Stock. This item is printed on demand.

Hardcover. Condición: new. Hardcover. In the 1990s, hundreds of men and women from all over Britain recorded their memories of cinemagoing during the 1930sa decade when going to the pictures was everybodys favourite spare time activity. From these carefully gathered and systematically recorded testimonies, cinema memory emerges as a distinctive expression of cultural memory, a discovery that continues to inspire new studies of the remembered cinema experience.This collection presents current research on cinema memory across a range of historical and national contexts, including Australia, Britain, Italy, Japan and Turkey. It features reflections on how best to record and preserve cinemagoing memories and make them accessible, with a particular focus on issues around digital archiving and research websites. Brings together reflections on cinemagoing from Australia, Belgium, Italy, Japan, Turkey, the United Kingdom and elsewhere. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…