Roberto floreani (47 resultados)

Condición: As New. Unread book in perfect condition.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. This book investigates the development of Pop Art and the Beat Generation in Italy, in a wide-ranging overview that takes into consideration all expressive forms, from painting to sculpture, from video to photography, from music to literature, contextualising them in the society of the time.Between 1962 and 1965, in Italy, we witnessed a Pop awareness in all the arts, which interpreted the political and cultural changes of the period and the requests coming from the squares, universities and factories.The works presented in these pages highlight the proactive uniqueness and absolute stature of Italian Pop Art in Europe, as well as the substantial differences and autonomy of Italian artists compared to American ones.From the precursors of this sensitivity such as Enrico Baj, Pino Pascali, Michelangelo Pistoletto and Mimmo Rotella, we observe the connection between the experiences of the Piazza del Popolo Group in Rome, with Mario Schifano the authentic protagonist, and those of the neighbouring artists at the Marconi Gallery in Milan, without forgetting the experiences offered by Turin, Bologna, Florence and Naples. A particular in-depth study is dedicated to Italian Beat literature, which enjoyed good diffusion starting from the Seventies, as well as to the musical context.Published to accompany an exhibition at Basilica Palladiana, Vincenza, March, 2 - June, 30, 2024.Text in English and Italian.…

Paperback. Condición: new. Paperback. This book investigates the development of Pop Art and the Beat Generation in Italy, in a wide-ranging overview that takes into consideration all expressive forms, from painting to sculpture, from video to photography, from music to literature, contextualising them in the society of the time.Between 1962 and 1965, in Italy, we witnessed a Pop awareness in all the arts, which interpreted the political and cultural changes of the period and the requests coming from the squares, universities and factories.The works presented in these pages highlight the proactive uniqueness and absolute stature of Italian Pop Art in Europe, as well as the substantial differences and autonomy of Italian artists compared to American ones.From the precursors of this sensitivity such as Enrico Baj, Pino Pascali, Michelangelo Pistoletto and Mimmo Rotella, we observe the connection between the experiences of the Piazza del Popolo Group in Rome, with Mario Schifano the authentic protagonist, and those of the neighbouring artists at the Marconi Gallery in Milan, without forgetting the experiences offered by Turin, Bologna, Florence and Naples. A particular in-depth study is dedicated to Italian Beat literature, which enjoyed good diffusion starting from the Seventies, as well as to the musical context.Published to accompany an exhibition at Basilica Palladiana, Vincenza, March, 2 - June, 30, 2024.Text in English and Italian. This book investigates the development of Pop Art and the Beat Generation in Italy, in a wide-ranging overview that takes into consideration all expressive forms, from painting to sculpture, from video to photography, from music to literature, contextualising them in the society of the time. Text in English and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. In English.

Usato - Come Nuovo. Condición: Italiano. In-4 (Cm 30 x 24,5), pp. 143, cartonato editoriale illustrato. Illustrazioni bianco nero e colori nel testo. Autografo non leggibile (probabilmente dell'autore) alla sguardia anteriore. COME NUOVO.

Softcover exhibition catalog, 30 pages, in Italian and English; as new condition; no internal marks.

Softcover exhibition catalog, 78 pages, in Italian and English; very good condition; no internal marks.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 192 pages. 11.00x9.50x11.06 inches. In Stock.

Brossura. Condición: new. Vicenza, Basilica Palladiana, 2 marzo - 28 luglio 2024. A cura di Roberto Floreani. Testo Italiano e Inglese. Cinisello Balsamo, 2024; br., pp. 192, 150 ill. col., cm 24x28. Il volume indaga, per la prima volta in modo organico, lo sviluppo della Pop Art e della Beat Generation in Italia, in una panoramica di ampio respiro che prende in considerazione tutte le forme espressive, dalla pittura alla scultura, dal video alla fotografia, dalla musica alla letteratura, contestualizzandole nella società dell'epoca. Tra il 1962 e il 1965 si assiste infatti, in Italia, a una presa di coscienza Pop in tutte le arti, che si fa interprete dei mutamenti politici e culturali del periodo e delle istanze provenienti dalle piazze, dalle università e dalle fabbriche. Le opere presentate in queste pagine pongono in evidenza l'unicità propositiva e la statura assoluta della Pop Art italiana in Europa, nonché le differenze sostanziali e l'autonomia degli artisti italiani rispetto a quelli americani. Dai precursori di tale sensibilità quali Enrico Baj, Pino Pascali, Michelangelo Pistoletto e Mimmo Rotella, si osserva la saldatura tra le esperienze del Gruppo di Piazza del Popolo a Roma, con Mario Schifano autentico protagonista, e quelle degli artisti limitrofi alla Galleria Marconi di Milano, senza dimenticare le esperienze offerte da Torino, Bologna, Firenze e Napoli. Un particolare approfondimento è dedicato alla letteratura Beat italiana, che conobbe una buona diffusione a partire dagli anni Settanta, nonché al contesto musicale. Una panoramica dunque di ampio respiro, sintetizzata dallo slogan "liberi di sognare", che ben corrisponde al sentimento di fondo di quel particolare periodo storico tra il 1960 e il 1979. testi di: Roberto Floreani, Gaspare Luigi Marcone, Alessandro Manca. Libro.…

Brossura. Condición: new. Roma, Galleria Russo, 11 febbraio - 10 marzo 2012.Milano, Galleria Russo, 21 marzo - 21 aprile 2012.ASSO DI QUADRI, GALLERIA RUSSO, 21 marzo - 21 aprile 2012.A cura di Di Capua M.Testo Italiano e Inglese.Roma, 2012; br., pp. 120, ill., 70 tavv. col., cm 22x22. Floreani all'astrattismo storico aggiunge la sua passione per il passato, per fonti remote: la nostra attualità è retrospettiva per vocazione esistenziale e atemporale per destino. Roberto gestisce alla grande la sua origine veneziana, liquida, tutto passaggi, mutazioni, velature, trasparenze, mescolandola a una durezza quasi minerale, rocciosa. La luce e la pietra: stanno nei titoli delle sue opere. Libro.…

Brossura. Condición: fine. Milano, 1994; br., pp. 102, ill. b/n e col., tavv. b/n e col. Libro.

Condición: NEW.

Condición: NEW.

Softcover exhibition catalog, 101 pages, in Italian and English; as new condition; no internal marks. Priority and foreign shipping may be extra for this book.

Softcover exhibition catalog, 104 pages, in Italian with 1 essay in English; as new condition, no internal marks.

Softcover exhibition catalog, 104 pages, in Italian and 1 essay in English; as new condition; no internal marks. Priority and foreign shipping may be extra for this book.

Softcover exhibition catalog, 96 pages, in Italian; as new condition, no internal marks.

Condición: Good. Catalogo d'ArteRoberto FloreaniLa cruna dell'agoGalleria Cinquetti 1995in lingua italiana e inglese testo di Vittoria Coenillustrazioni a colori e b.n.in buono stato (gr. 300) e258. Book.

paperback. Condición: Fine. Catalogo di mostra, 11 maggio - 30 giugno 1996. Testo in italiano, inglese e giapponese di Demetrio Paparoni. Con 23 ill. a colori. Attività espositiva, sintesi bibliografica . 8vo. pp. 76. . Ottimo (Fine). . . . Book.

Condición: new.

Condición: buono. Storia e Critica Critica Fine arts History and Criticism Criticism bross. edit. ill. con bandelle, dedica d'appartenenza - prima edizione - illustrazioni in b.n. nel testo OTTIME CONDIZIONI.

leg. bross. Condición: Ottimo (Fine). ill. a colori e in bianco e nero in quarto leg. bross. pp. 142 Ottimo (Fine) Ottimo es. Book.

Condición: NEW. Cinisello Balsamo: Silvana Editoriale, 2024 9788836657445 809 192 p. : 165 ill. col. b/n, indice, bibliografia ; 28 cm. This book shines a light, for the first time in a systematic way, on the development of Pop Art and the Beat generation in Italy, interpreters of the common feeling of those years. A wide-ranging overview that looks at various forms of art, from painting to sculpture, from literature to music, contextualizing them within the social fabric of the time. Since the beginning of the 1960s, endorsed by the euphoria of the economic boom, there has in fact been a heightened Pop awareness in Italy in every sphere, with a particular focus on the image, cinema, new media, the key players, and the architecture and landscape marvels of our country, as well as on Futurism, the first historical avant-garde of the 20th century. This common feeling will act as the touchstone of the political and cultural changes of the period as well as of the demands arising from the streets, squares, universities, and factories, whose people were all significantly involved in the changes of '68. The artworks presented in these pages highlight the uniqueness and absolute hegemony of Italian Pop Art in Europe, as well as the substantial differences, and consequent independence, of Italian artists from their American counterparts. Starting with the precursors of this common feeling the likes of Enrico Baj, Titina Maselli, Pino Pascali, and Mimmo Rotella we observe the formative artistic elements shared by Gruppo di Piazza del Popolo in Rome, with Mario Schifano as a leading figure, and those of the. This book shines a light, for the first time in a systematic way, on the development of Pop Art and the Beat generation in Italy, interpreters of the common feeling of those years. A wide-ranging overview that looks at various forms of art, from painting to sculpture, from literature to music, contextualizing them within the social fabric of the time. Since the beginning of the 1960s, endorsed by the euphoria of the economic boom, there has in fact been a heightened Pop awareness in Italy in every sphere, with a particular focus on the image, cinema, new media, the key players, and the architecture and landscape marvels of our country, as well as on Futurism, the first historical avant-garde of the 20th century. This common feeling will act as the touchstone of the political and cultural changes of the period as well as of the demands arising from the streets, squares, universities, and factories, whose people were all significantly involved in the changes of '68. The artworks presented in these pages highlight the uniqueness and absolute hegemony of Italian Pop Art in Europe, as well as the substantial differences, and consequent independence, of Italian artists from their American counterparts. Starting with the precursors of this common feeling the likes of Enrico Baj, Titina Maselli, Pino Pascali, and Mimmo Rotella we observe the formative artistic elements shared by Gruppo di Piazza del Popolo in Rome, with Mario Schifano as a leading figure, and those of the. Floreani,Roberto.…

Condición: NEW.