Dagli inizi degli anni Sessanta, corroborati dall’euforia del boom economico, in Italia si assiste a una presa di coscienza pop in tutte le direzioni, con un’attenzione all’immagine, al cinema, ai nuovi media, ai protagonisti e alle bellezze monumentali e paesaggistiche della storia nazionale, nonché al Futurismo, prima avanguardia storica del Novecento. Il volume indaga, per la prima volta in modo organico, lo sviluppo della Pop Art e della Beat Generation in Italia, interpreti del sentire comune di quegli anni. Una panoramica di ampio respiro che prende in considerazione dalla pittura alla scultura, dalla letteratura alla musica, contestualizzandole nel tessuto sociale dell’epoca. Le opere presentate in queste pagine pongono in evidenza l’unicità propositiva e la statura assoluta della Pop Art italiana in Europa, nonché le differenze sostanziali e l’autonomia degli artisti italiani da quelli americani. Dai precursori di tale sensibilità – quali Enrico Baj, Titina Maselli, Pino Pascali e Mimmo Rotella – si osserva la saldatura tra le esperienze del Gruppo di Piazza del Popolo a Roma, con Mario Schifano figura trainante e quelle degli artisti che gravitano intorno alla Galleria Marconi di Milano, senza dimenticare le esperienze offerte da Torino, Bologna, Firenze Napoli. Un particolare approfondimento è dedicato alla letteratura beat italiana, misconosciuta fino a oggi, a cui si conferisce per la prima volta un’identità nazionale grazie alla riscoperta dell’Antigruppo siciliano guidato da Nat Scammacca: il miglior poeta beat italiano, come dichiarerà Lawrence Ferlinghetti, figura di riferimento ed editore della Beat generation americana.
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Texts by: Roberto Floreani, Gaspare Luigi Marcone, Alessandro Manca
The volume investigates, for the first time in an organic way, the development of Pop Art and the Beat Generation in Italy, in a wide-ranging overview that takes into consideration all expressive forms, from painting to sculpture, from video to photography, from music to literature, contextualizing them in the society of the time.
Between 1962 and 1965, in Italy, we witnessed a Pop awareness in all the arts, which interpreted the political and cultural changes of the period and the requests coming from the squares, universities and factories.
The works presented in these pages highlight the proactive uniqueness and absolute stature of Italian Pop Art in Europe, as well as the substantial differences and autonomy of Italian artists compared to American ones.
From the precursors of this sensitivity such as Enrico Baj, Pino Pascali, Michelangelo Pistoletto and Mimmo Rotella, we observe the connection between the experiences of the Piazza del Popolo Group in Rome, with Mario Schifano the authentic protagonist, and those of the neighboring artists at the Marconi Gallery in Milan, without forgetting the experiences offered by Turin, Bologna, Florence and Naples. A particular in-depth study is dedicated to Italian Beat literature, which enjoyed good diffusion starting from the Seventies, as well as to the musical context.
Exhibition: Vicenza, Basilica Palladiana, March, 2 - June, 30, 2024
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Paperback. Condición: New. This book investigates the development of Pop Art and the Beat Generation in Italy, in a wide-ranging overview that takes into consideration all expressive forms, from painting to sculpture, from video to photography, from music to literature, contextualising them in the society of the time.Between 1962 and 1965, in Italy, we witnessed a Pop awareness in all the arts, which interpreted the political and cultural changes of the period and the requests coming from the squares, universities and factories.The works presented in these pages highlight the proactive uniqueness and absolute stature of Italian Pop Art in Europe, as well as the substantial differences and autonomy of Italian artists compared to American ones.From the precursors of this sensitivity such as Enrico Baj, Pino Pascali, Michelangelo Pistoletto and Mimmo Rotella, we observe the connection between the experiences of the Piazza del Popolo Group in Rome, with Mario Schifano the authentic protagonist, and those of the neighbouring artists at the Marconi Gallery in Milan, without forgetting the experiences offered by Turin, Bologna, Florence and Naples. A particular in-depth study is dedicated to Italian Beat literature, which enjoyed good diffusion starting from the Seventies, as well as to the musical context.Published to accompany an exhibition at Basilica Palladiana, Vincenza, March, 2 - June, 30, 2024.Text in English and Italian. Nº de ref. del artículo: LU-9788836657445
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Brossura. Condición: new. Vicenza, Basilica Palladiana, 2 marzo - 28 luglio 2024. A cura di Roberto Floreani. Testo Italiano e Inglese. Cinisello Balsamo, 2024; br., pp. 192, 150 ill. col., cm 24x28. Il volume indaga, per la prima volta in modo organico, lo sviluppo della Pop Art e della Beat Generation in Italia, in una panoramica di ampio respiro che prende in considerazione tutte le forme espressive, dalla pittura alla scultura, dal video alla fotografia, dalla musica alla letteratura, contestualizzandole nella società dell'epoca. Tra il 1962 e il 1965 si assiste infatti, in Italia, a una presa di coscienza Pop in tutte le arti, che si fa interprete dei mutamenti politici e culturali del periodo e delle istanze provenienti dalle piazze, dalle università e dalle fabbriche. Le opere presentate in queste pagine pongono in evidenza l'unicità propositiva e la statura assoluta della Pop Art italiana in Europa, nonché le differenze sostanziali e l'autonomia degli artisti italiani rispetto a quelli americani. Dai precursori di tale sensibilità quali Enrico Baj, Pino Pascali, Michelangelo Pistoletto e Mimmo Rotella, si osserva la saldatura tra le esperienze del Gruppo di Piazza del Popolo a Roma, con Mario Schifano autentico protagonista, e quelle degli artisti limitrofi alla Galleria Marconi di Milano, senza dimenticare le esperienze offerte da Torino, Bologna, Firenze e Napoli. Un particolare approfondimento è dedicato alla letteratura Beat italiana, che conobbe una buona diffusione a partire dagli anni Settanta, nonché al contesto musicale. Una panoramica dunque di ampio respiro, sintetizzata dallo slogan "liberi di sognare", che ben corrisponde al sentimento di fondo di quel particolare periodo storico tra il 1960 e il 1979. testi di: Roberto Floreani, Gaspare Luigi Marcone, Alessandro Manca. Libro. Nº de ref. del artículo: 4048383
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Librería: Libreria già Nardecchia s.r.l., Rome, RM, Italia
Condición: NEW. Cinisello Balsamo: Silvana Editoriale, 2024 9788836657445 809 192 p. : 165 ill. col. b/n, indice, bibliografia ; 28 cm. This book shines a light, for the first time in a systematic way, on the development of Pop Art and the Beat generation in Italy, interpreters of the common feeling of those years. A wide-ranging overview that looks at various forms of art, from painting to sculpture, from literature to music, contextualizing them within the social fabric of the time. Since the beginning of the 1960s, endorsed by the euphoria of the economic boom, there has in fact been a heightened Pop awareness in Italy in every sphere, with a particular focus on the image, cinema, new media, the key players, and the architecture and landscape marvels of our country, as well as on Futurism, the first historical avant-garde of the 20th century. This common feeling will act as the touchstone of the political and cultural changes of the period as well as of the demands arising from the streets, squares, universities, and factories, whose people were all significantly involved in the changes of '68. The artworks presented in these pages highlight the uniqueness and absolute hegemony of Italian Pop Art in Europe, as well as the substantial differences, and consequent independence, of Italian artists from their American counterparts. Starting with the precursors of this common feeling the likes of Enrico Baj, Titina Maselli, Pino Pascali, and Mimmo Rotella we observe the formative artistic elements shared by Gruppo di Piazza del Popolo in Rome, with Mario Schifano as a leading figure, and those of the. This book shines a light, for the first time in a systematic way, on the development of Pop Art and the Beat generation in Italy, interpreters of the common feeling of those years. A wide-ranging overview that looks at various forms of art, from painting to sculpture, from literature to music, contextualizing them within the social fabric of the time. Since the beginning of the 1960s, endorsed by the euphoria of the economic boom, there has in fact been a heightened Pop awareness in Italy in every sphere, with a particular focus on the image, cinema, new media, the key players, and the architecture and landscape marvels of our country, as well as on Futurism, the first historical avant-garde of the 20th century. This common feeling will act as the touchstone of the political and cultural changes of the period as well as of the demands arising from the streets, squares, universities, and factories, whose people were all significantly involved in the changes of '68. The artworks presented in these pages highlight the uniqueness and absolute hegemony of Italian Pop Art in Europe, as well as the substantial differences, and consequent independence, of Italian artists from their American counterparts. Starting with the precursors of this common feeling the likes of Enrico Baj, Titina Maselli, Pino Pascali, and Mimmo Rotella we observe the formative artistic elements shared by Gruppo di Piazza del Popolo in Rome, with Mario Schifano as a leading figure, and those of the. Floreani,Roberto. Nº de ref. del artículo: D0114070576
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