Dagli inizi degli anni Sessanta, corroborati dall’euforia del boom economico, in Italia si assiste a una presa di coscienza pop in tutte le direzioni, con un’attenzione all’immagine, al cinema, ai nuovi media, ai protagonisti e alle bellezze monumentali e paesaggistiche della storia nazionale, nonché al Futurismo, prima avanguardia storica del Novecento. Il volume indaga, per la prima volta in modo organico, lo sviluppo della Pop Art e della Beat Generation in Italia, interpreti del sentire comune di quegli anni. Una panoramica di ampio respiro che prende in considerazione dalla pittura alla scultura, dalla letteratura alla musica, contestualizzandole nel tessuto sociale dell’epoca. Le opere presentate in queste pagine pongono in evidenza l’unicità propositiva e la statura assoluta della Pop Art italiana in Europa, nonché le differenze sostanziali e l’autonomia degli artisti italiani da quelli americani. Dai precursori di tale sensibilità – quali Enrico Baj, Titina Maselli, Pino Pascali e Mimmo Rotella – si osserva la saldatura tra le esperienze del Gruppo di Piazza del Popolo a Roma, con Mario Schifano figura trainante e quelle degli artisti che gravitano intorno alla Galleria Marconi di Milano, senza dimenticare le esperienze offerte da Torino, Bologna, Firenze Napoli. Un particolare approfondimento è dedicato alla letteratura beat italiana, misconosciuta fino a oggi, a cui si conferisce per la prima volta un’identità nazionale grazie alla riscoperta dell’Antigruppo siciliano guidato da Nat Scammacca: il miglior poeta beat italiano, come dichiarerà Lawrence Ferlinghetti, figura di riferimento ed editore della Beat generation americana.
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Texts by: Roberto Floreani, Gaspare Luigi Marcone, Alessandro Manca
The volume investigates, for the first time in an organic way, the development of Pop Art and the Beat Generation in Italy, in a wide-ranging overview that takes into consideration all expressive forms, from painting to sculpture, from video to photography, from music to literature, contextualizing them in the society of the time.
Between 1962 and 1965, in Italy, we witnessed a Pop awareness in all the arts, which interpreted the political and cultural changes of the period and the requests coming from the squares, universities and factories.
The works presented in these pages highlight the proactive uniqueness and absolute stature of Italian Pop Art in Europe, as well as the substantial differences and autonomy of Italian artists compared to American ones.
From the precursors of this sensitivity such as Enrico Baj, Pino Pascali, Michelangelo Pistoletto and Mimmo Rotella, we observe the connection between the experiences of the Piazza del Popolo Group in Rome, with Mario Schifano the authentic protagonist, and those of the neighboring artists at the Marconi Gallery in Milan, without forgetting the experiences offered by Turin, Bologna, Florence and Naples. A particular in-depth study is dedicated to Italian Beat literature, which enjoyed good diffusion starting from the Seventies, as well as to the musical context.
Exhibition: Vicenza, Basilica Palladiana, March, 2 - June, 30, 2024
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Paperback. Condición: New. This book investigates the development of Pop Art and the Beat Generation in Italy, in a wide-ranging overview that takes into consideration all expressive forms, from painting to sculpture, from video to photography, from music to literature, contextualising them in the society of the time.Between 1962 and 1965, in Italy, we witnessed a Pop awareness in all the arts, which interpreted the political and cultural changes of the period and the requests coming from the squares, universities and factories.The works presented in these pages highlight the proactive uniqueness and absolute stature of Italian Pop Art in Europe, as well as the substantial differences and autonomy of Italian artists compared to American ones.From the precursors of this sensitivity such as Enrico Baj, Pino Pascali, Michelangelo Pistoletto and Mimmo Rotella, we observe the connection between the experiences of the Piazza del Popolo Group in Rome, with Mario Schifano the authentic protagonist, and those of the neighbouring artists at the Marconi Gallery in Milan, without forgetting the experiences offered by Turin, Bologna, Florence and Naples. A particular in-depth study is dedicated to Italian Beat literature, which enjoyed good diffusion starting from the Seventies, as well as to the musical context.Published to accompany an exhibition at Basilica Palladiana, Vincenza, March, 2 - June, 30, 2024.Text in English and Italian. Nº de ref. del artículo: LU-9788836657445
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Paperback. Condición: new. Paperback. This book investigates the development of Pop Art and the Beat Generation in Italy, in a wide-ranging overview that takes into consideration all expressive forms, from painting to sculpture, from video to photography, from music to literature, contextualising them in the society of the time.Between 1962 and 1965, in Italy, we witnessed a Pop awareness in all the arts, which interpreted the political and cultural changes of the period and the requests coming from the squares, universities and factories.The works presented in these pages highlight the proactive uniqueness and absolute stature of Italian Pop Art in Europe, as well as the substantial differences and autonomy of Italian artists compared to American ones.From the precursors of this sensitivity such as Enrico Baj, Pino Pascali, Michelangelo Pistoletto and Mimmo Rotella, we observe the connection between the experiences of the Piazza del Popolo Group in Rome, with Mario Schifano the authentic protagonist, and those of the neighbouring artists at the Marconi Gallery in Milan, without forgetting the experiences offered by Turin, Bologna, Florence and Naples. A particular in-depth study is dedicated to Italian Beat literature, which enjoyed good diffusion starting from the Seventies, as well as to the musical context.Published to accompany an exhibition at Basilica Palladiana, Vincenza, March, 2 - June, 30, 2024.Text in English and Italian. This book investigates the development of Pop Art and the Beat Generation in Italy, in a wide-ranging overview that takes into consideration all expressive forms, from painting to sculpture, from video to photography, from music to literature, contextualising them in the society of the time. Text in English and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9788836657445
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