robert longhi (25 resultados)

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condición: Good.

Hardcover. Condición: Good.

Hardcover. Condición: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. First edition copy. . Very Good dust jacket.

Condición: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Condición: new.

Condición: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Reprint ] Publisher: Ten Speed Press Pub Date: 3/1/1998 Binding: Hardcover Pages: 184 Reprint edition.

Condición: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. Author's signature on front end page. Binding is tight. This could have light cosmetic flaws, but remains in good condition. Dust jacket condition is Good. This copy is the First Printing of the published work. Secure packaging for safe delivery.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Soft cover. Condición: Good. Limited Edition. Limited Edition. 1000 numbered copies issued in Italian, 700 in English, 300 in Spanish. This one is an English edition, number 158. The covers are not in terrific condition. The pages, however, are in very good condition. Much of the paper on the spine is missing. There is also some pencil drawing on the rear cover. The covers have French flaps. The front cover is detached. There are 65 plates. They are all in quite decent condition. The last one has a crease just above its bottom corner. There are no markings or attachments of the book. There is only one instance of writing, a penciled sentence on one page. The works are by the following artists: Francisco Bayeu, Vincenzo Carducci, St. Bruno, Francisco De Goya, El Greco, Vincente Lopez, Eugenio Lucas, Juan Bautista Mazo, Luis Menendez, Bartolome Esteban Murillo, Pedro Orrente, Jusepe Ribera, Alonso Sanchez Coello, Diego Velazquez, and Francisco Zurbaran.

Soft cover. Condición: Very Good. 1st Edition. US1ST.EDITION.1ST.PRINTING.VG+ SOFTWRAPS ORIGINAL.

Soft cover. Condición: Near Fine. 1st Edition. US1ST.EDITION.1ST.PRINTING.NEAR FIEN SOFTWRAPS ORIGINAL Language: eng Language: eng 0.0 Language: eng Language: eng.

Soft cover. Condición: Very Good. 1st Edition. US1ST.EDITION.1ST.PRINTING.AT LEAST VG SOFTWRAPS ORIGINAL.67 Language: eng Language: eng 0.0 Language: eng Language: eng.

Soft cover. Condición: As New. 1st Edition. Paperback. 8 1/2 x 5 1/2 inches. 192 pages AS NEW. Not read. All corners pointed. Binding firm, without stress creasing and square. Without tears, creases, bumps or chips. Not marked and very bright and clean. All books carefully wrapped and sent boxed.

Condición: New. Satisfaction Guaranteed or your money back.

Hardcover. Condición: Brand New. 184 pages. 10.75x8.75x1.00 inches. In Stock.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: As New. Estado de la sobrecubierta: Fine. Limited Edition. [1st edition, 1st printing] ; Limited edition No. 4832 of 5000 (as stated on colophon) ; 301 p. (some folded) : chiefly color illustrations, maps, plans ; 30 cm. ; ISBN: 8821601269; 9788821601262 ; LC: NA9072.M55; Dewey: 711.5 ; OCLC: 23695425 ; text in Italian and English. ; Issued in Montedison-designed slipcase. ; black silk, with hand-laid paper ; photographic plate paste-down on front cover ; decorative black endpapers ; signed card of Montedison Director General Carlo Maria Columbo, laid in ; publisher Franco Maria Ricci initialled quality control card, laid in ; Design, Franco Maria Ricci, Laura Casalis; Grafica, Silvia Fois; Fotolito : Fotoincisioni Bassoli, Fotolito Storti, Milano; Stampa, Grafiche Milani ; Gruppo Ferruzzi ; "Edison was established in 1884 in Milan as a power utility. In 1966, Edison merged with Montecatini, to create Montedison"-wikipedia ; 'In 1801, Antolini was hired during the short-lived Repubblica Cisalpina to complete a massive plan for the center of Milan, a project later taken over by Napoleon and called the Foro Bonaparte. The city was designated the capital of Napoleonic Italy in 1805, and the Foro Bonaparte was part of a larger redevelopment project that consisted of cutting wide roads through the medieval center and constructing monumental government buildings and shopping areas that linked together the major neighborhoods of the city. The Foro was to be located in the area around the Castello Sforzesco.and Napoleon ordered the outer walls of the Castello to be updated with an ordered classical arrangement and a temple facade plan. Encircling this area Antolini designed 12.buildings to include a theater, museum, bathhouse and stock exchange.the plan was scaled down due to its high cost by Luigi Canonica in 1802."--Allison Lee Palmer ; Contents (English) : The publisher to the reader -- The Foro Bonaparte, a Jacobin utopia in Milan -- The first plans for the Foro Bonaparte (1801) -- La Bastiglia di Milano, un audace impresario, L'amico Sommariva -- The drawings of the Foro Bonaparte -- Designing the city : The 1801 Economic and Political Plan -- An architect for the Republic amid Doric and Freemasonry -- A man from the Romagna at the court of Pope Pius VI, The Doric comes to Faenza, The advantages of Freemasonry -- The Marengo column, A discussion with the First Consul, The schemings of the Commission -- Contrasting Pistocchi, Rectangle versus circle, A project in progress -- Enter the military, The astute Canonica, A question of money -- From project to model, The Description of the Foro Bonaparte -- Opposition to Antolini, the Letter from Citizen X to a friend -- Barabino, Canonical, Rossi : plans for the modification of the Foro Bonaparte -- Milan, Archivo Storico Civico Fin-de-siecle projects -- From utopia to bourgeoisie, Fin-de-siecle in Foro Bonaparte ; color tipped-in plates, 18 fold-out plates, several in full color ; artwork by Felice Giani, Giuseppe Camporesi, Domenico Lucchi, Hubert Robert, Feliz Albites, Alessandro Emanuele Marvuglia, Domenico Santi, Giovanni Lazarini, Fernando Bonsignore, Jacques-Louis David, Giacomo Pinchetti, Franz Hogenberg, Giovanni Battista Clarici, Arcangelo Lavelli, Adele Chavassieu d'Houdebert, Domenico Aspari, Vincenzo Magnani, Vincenzo Berenzi, Paolo Bargigli, Andrea Appiani, Luigi Rados, Giuseppe Pistocchi, Giuseppe Longhi, A.-G.-L. Boucher-Desnoyers, Luigi Canonica, Francisco Rosaspina, Luigi Cagnola, Gaspare Gallinari, Gaetano Berettini, Alois Schmid, Cesare Beruto, Pietro Gadda, Giuseppe Pirovano, Enrico Combi, Giovanni Giachi, A, Bellani, Romeo Botelli, and Luigi Montini ; a beautifully produced publication ; " (This volume is part of a special edition reserved for Montedison, and was printed in an edition of 5000 numbered copies under the direction of Franco Maria Ricci, Milan, in October 1989. The typeface used is Bodoni. The handmade paper was laid by Cartiere Miliani di Fabriano) ; fading spots to slipcase spine, else AS NEW/FINE. Book.