rhoby andreas (50 resultados)

paperback. Condición: New. 1st.

Paperback. Condición: new. Paperback. The Studies in Byzantine Epigraphy series testifies to an ever-greater focus on inscriptions within Byzantine Studies. The present, inaugural volume includes selected papers from the two panels dedicated to Byzantine Epigraphy held at the XXIII International Congress of Byzantine Studies in Belgrade, August 2016, and the XV International Congress of Greek and Latin Epigraphy in Vienna, August/September 2017. The papers, as indeed the events for which they were initially produced, celebrate both the progress and the promise of epigraphic research within medieval and early modern scholarship as a whole. The Studies in Byzantine Epigraphy series testifies to an ever-greater focus on inscriptions within Byzantine studies Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: new.

Paperback. Condición: new. Paperback. The present book, the first collective volume entirely devoted to aspects of Byzantine epigraphy, mainly comprises papers delivered at two international meetings (Vienna 2010, Sofia 2011). The book is divided into four sections and includes among others the following contributions: after an introductory article about the history of the discipline of Byzantine epigraphy Cyril Mango tries to define the term Byzantine inscription and its limits. Vincent Debiais offers some interesting observations by comparing medieval Latin inscriptions from the West with Byzantine epigraphic traditions. The second section of the book bears the title Methods of Editing Byzantine Inscriptions: while the paper of Peter Schreiner discusses the urgent necessity of creating a new epigraphic initiative within Byzantine Studies, Walter Koch describes the Western medieval inscription projects in detail. Both Guglielmo Cavallo and Erkki Sironen discuss editorial guidelines while Charlotte Roueche stresses the advantages of creating online-corpora, and Joel Kalvesmaki describes his recently published epigraphic font Athena Ruby. The third section covers articles which report current epigraphic projects: two projects from Greece presented will be published within databases. Maria Xenaki discusses the epigraphic wealth of Cappadocia and its hardly studied graffiti. The last section is devoted to case studies articles. Their content ranges from Late Antiquity (Sencer Sahin, Mustafa Sayar) until the middle and the late Byzantine period (Ida Toth, Linda Safran). The present book, the first collective volume entirely devoted to aspects of Byzantine epigraphy, mainly comprises papers delivered at two international meetings (Vienna 2010, Sofia 2011). The book is divided into four sections and includes an introductory article about the history of the discipline of Byzantine epigraphy, a definiti Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

paperback. Condición: New. 1st.

Condición: New. 2023. Paperback. . . . . .

Condición: New. 2015. Paperback. . . . . .

Condición: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New. 2015. Paperback. . . . . . Books ship from the US and Ireland.

111 Seiten. Mit Illustrationen und graphischen Darstellungen. 8°, broschiert. Eiband mit Kleinem Knick und geringen Randblessuren, sonst einwandfrei. Sprache: Deutsch.

Condición: New. 2019. Paperback. . . . . .

Paperback. Condición: new. Paperback. The Studies in Byzantine Epigraphy series testifies to an ever-greater focus on inscriptions within Byzantine Studies. The present, inaugural volume includes selected papers from the two panels dedicated to Byzantine Epigraphy held at the XXIII International Congress of Byzantine Studies in Belgrade, August 2016, and the XV International Congress of Greek and Latin Epigraphy in Vienna, August/September 2017. The papers, as indeed the events for which they were initially produced, celebrate both the progress and the promise of epigraphic research within medieval and early modern scholarship as a whole. The Studies in Byzantine Epigraphy series testifies to an ever-greater focus on inscriptions within Byzantine studies Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. The present book, the first collective volume entirely devoted to aspects of Byzantine epigraphy, mainly comprises papers delivered at two international meetings (Vienna 2010, Sofia 2011). The book is divided into four sections and includes among others the following contributions: after an introductory article about the history of the discipline of Byzantine epigraphy Cyril Mango tries to define the term Byzantine inscription and its limits. Vincent Debiais offers some interesting observations by comparing medieval Latin inscriptions from the West with Byzantine epigraphic traditions. The second section of the book bears the title Methods of Editing Byzantine Inscriptions: while the paper of Peter Schreiner discusses the urgent necessity of creating a new epigraphic initiative within Byzantine Studies, Walter Koch describes the Western medieval inscription projects in detail. Both Guglielmo Cavallo and Erkki Sironen discuss editorial guidelines while Charlotte Roueche stresses the advantages of creating online-corpora, and Joel Kalvesmaki describes his recently published epigraphic font Athena Ruby. The third section covers articles which report current epigraphic projects: two projects from Greece presented will be published within databases. Maria Xenaki discusses the epigraphic wealth of Cappadocia and its hardly studied graffiti. The last section is devoted to case studies articles. Their content ranges from Late Antiquity (Sencer Sahin, Mustafa Sayar) until the middle and the late Byzantine period (Ida Toth, Linda Safran). The present book, the first collective volume entirely devoted to aspects of Byzantine epigraphy, mainly comprises papers delivered at two international meetings (Vienna 2010, Sofia 2011). The book is divided into four sections and includes an introductory article about the history of the discipline of Byzantine epigraphy, a definiti Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

paperback. Condición: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condición: New. &Uumlber den AutorWolfram Hoerandner, Ph.D. (1966), University of Vienna, is Emeritus Professor of Byzantine literature. He has published extensively on Byzantine literature. His main publications include Theodoros Prodromos, H.

Buch. Condición: Neu. Neuware - This book offers the first complete overview of Byzantine poetry from the 4th to the 15th century. By bringing together 22 scholars, it explores the development of poetic trends and the interaction between poetry and society throughout the Byzantine millennium; it addresses a wide range of issues concerning the writing and reading of poetry (such as style, language, metrics, function, and circulation); and it surveys a large number of texts by looking closely at their place within the social and cultural milieus of their authors. Overall, the volume aims to enhance our understanding of Byzantine poetry and shed light on its important place in Byzantine literary culture. Contributors are Eirini Afentoulidou, Gianfranco Agosti, Roderick Beaton, Floris Bernard, Carolina Cupane, Kristoffel Demoen, Ivan Drpic, Jürgen Fuchsbauer, Antonia Giannouli, Martin Hinterberger, Wolfram Hörandner, Elizabeth Jeffreys, Michael Jeffreys, Marc Lauxtermann, Ingela Nilsson, Emilie van Opstall, Andreas Rhoby, Kurt Smolak, Foteini Spingou, Maria Tomadaki, Ioannis Vassis, Nikos Zagklas.

Paperback. Condición: new. Paperback. The present volume is the written result of a workshop with the title Die kulturhistorische Bedeutung byzantinischer Epigramme [the role of Byzantine epigrams for cultural history] held at the Austrian Academy of Sciences and the University of Vienna on December 1-2, 2006. It was the purpose of this event (organised by W. Horandner and A. Rhoby) to deepen the research on the Byzantine epigram. Besides, the present volume is a parergon of the Vienna based project Byzantinische Epigramme in inschriftlicher Uberlieferung [Byzantine epigrams on objects]. The volume starts with an introduction in which a definition of the terminus epigram and an overview of the current state of research are given. The following articles deal not only with philological questions but also with the omnipresent interaction of word and image in Byzantium. Well established opinions, e.g. regarding the epigram on the staurotheke of Limburg, are questioned. Moreover, the question is discussed why several Byzantine artefacts kept in Venice and their inscriptions were copied and imitated at the beginning of the 16th century. A concluding article deals with literary and non-literary medieval Latin epigrams. At the end of the volume tables of images and a general index are provided. The present volume contains the contributions to a workshop entitled "Die kulturhistorische Bedeutung byzantinischer Epigramme" (The role of Byzantine epigrams for cultural history) that was held at the Austrian Academy of Sciences and the University of Vienna from December 1-2, 2006. This event, organised by W. Horandner and A." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback, 128+22 pp., amply illustrated, 8° (21 x 30 cm), cover slightly worn, edges slightly dusty, condition: fine Book Language/s: German, Greek.

paperback. Condición: New. 1st.

Condición: Gut. 124 Seiten, 17 s/w Abb leicht berieben und bestoßen, ansonsten tadelloser Zustand - Inhaltsverzeichnis -- Abbildungsverzeichnis und Abbildungsnachweis -- Siglenverzeichnis -- Vorwort -- Andreas RHOBY -- Thematische Einführung -- Carolina CUPANE -- Das erfundene Epigramm: Schrift und Bild im Roman -- Wolfram HÖRANDNER -- Zur Textkritik inschriftlich überlieferter Epigramme -- Karin KRAUSE -- The Staurotheke of the Empress Maria in Venice -- A Renaissance replica of a lost Byzantine Cross reliquary in the Treasury of St. Marks -- Emilie van Opstall -- Verses on paper, verses inscribed? -- A case study, with epigrams of John Geometres -- Anneliese PAUL -- Beobachtungen zu Ekfráseis in Epigrammen auf Objekten -- Lassen wir Epigramme sprechen! -- Bissera V. PENTCHEVA -- Räumliche und akustische Präsenz in byzantinischen Epigrammen -- Der Fall der Limburger Staurothek -- Efthymia PlETSCH-BRAOUNOU -- Manuel Philes und die übernatürliche Macht der Epigrammdichtung -- Andreas RHOBY -- Die auf Fresken und Mosaiken überlieferten byzantinischen Epigramme -- Einige grundsätzliche Überlegungen -- Matthew SAVAGE -- The Interrelationship of Text, Imagery and Architectural Space in Byzantium -- The Example of the Entrance Vestibule of Zica Monastery ( Serbia ) -- Kurt SMOLAK -- Nulli non sua forma placet ( Ovid, ars 1,614 = Albert von Stade, Troilus 1,360 ) -- Formale Künsteleien in literarischen und nicht literarischen Epigrammen des lateinischen Mittelalters. ISBN 9783700164951 Sprache: Deutsch Gewicht in Gramm: 428 20,8 x 0,6 x 29,2 cm, Broschiert.

Paperback, 267 pages, Size:178 x 254 mm, Illustrations:64 b/w, 47 col., Language(s):English, German, Italian. ISBN 9782503590226. Summary The present, inaugural volume includes selected papers from the two panels dedicated to Byzantine Epigraphy held at the XXIII International Congress of Byzantine Studies in Belgrade, August 2016, and the XV International Congress of Greek and Latin Epigraphy in Vienna, August/September 2017. The papers, as indeed the events for which they were initially produced, celebrate both the progress and the promise of epigraphic research within medieval and early modern scholarship as a whole. TABLE OF CONTENTS Andreas Rhoby - Ida Toth, Byzantine Epigraphy: Whence and Whither? Arkadiy Avdokhin, Space Oddity? A Praepositus Inscribing Power and Appropriating Cityscapes in Theodosian Constantinople Christoph Begass, Der Kaiser als Schutzwall. Epigraphische und topographische Untersuchungen zum Basileios-Epigramm aus Thessaloniki (AP IX 686) und zum sp tantiken Kaiserbildnis Salvatore Cosentino, Epigrafia e societ nella Sardegna bizantina (VII-XI secolo). Alcune osservazioni Estelle Ingrand-Varenne, Incorporating a Name in an Image and an Image in a Name. Comparison between Byzantine and Latin Traditions Sophia Kalopissi-Verti, Language, Identity, and Otherness in Medieval Greece: The Epigraphic Evidence Denis Kashtanov - Maksim Korobov - Vadim Ponaryadov - Andrey Vinogradov, Greek Letters as scriptura franca: Writing in Local Languages on the Northern Periphery of the Byzantine World Emmanuel Moutafov, Word and Image in the Church of the Ascension in Nesseb?r. The Role of Inscriptions for the Reconstruction of the Iconographic Programme of 1609 Giorgos Pallis, Texts and Their Audiences: some Thoughts on the addressees of Inscriptions in Middle Byzantine Churches in Greece Mustafa H. Sayar (unter Mitarbeit von Andreas Rhoby), Die Mosaikinschrift in Dara/Anastasiupolis aus dem Jahr 514 n. Chr. Anna M. Sitz, An Epigram for the Everyman? Strategies of Commemoration at a Cappadocian Tomb Christos Stavrakos - Dimitrios Liakos, Post-Byzantine Inscriptions, Traditions and Legends: Authentic or Fabricated? 0 g.

paperback. Condición: New. 1st.

Paperback, vii + 413 pages, Size:156 x 234 mm, Illustrations:1 b/w, Language: English. ISBN 9782503578866. Summary It is only in recent years that Byzantine poetry - a long-neglected aspect of Byzantine literature - has attracted the attention of philologists, literary and cultural historians. This holds true especially for the poetry written in middle and late Byzantium.Though many collections of poems are available in modern critical editions, a considerable amount of texts still remains completely unedited or accessible only in outdated and unreliable editions. Moreover, many works of this period have never been studied thoroughly with regard to their cultural impact on society. Issues of authorship and patronage, function, literary motives, generic qualities, and manuscripts still await further study. This volume aims to take a step to fill this gap. Although it includes studies on poetry from the early tenth to the fifteenth centuries, the main focus is placed on the Komnenian and Palaeologan times. It presents editions of completely unknown texts, such as a twelfth-century cycle of epigrams on John Klimax. It includes studies on various types of poetry, including didactic, occasional, and even poetry written for liturgical purposes. By analysing these works and placing them within their literary and socio-cultural context, we can draw conclusions about the cultural tastes of the Byzantines and acquire a more nuanced picture of middle and late Byzantine poetry. TABLE OF CONTENTS Nikos Zagklas & Andreas Rhoby, Introduction Part I: Studies in the Poetry of the Middle and Late Byzantine Period Section I: Forms, Perceptions & Functions Floris Bernard, Rhythm in the Byzantine Dodecasyllable: Practices and Perceptions Nikos Zagklas, Metrical Polyeideia and Generic Innovation in the Twelfth Century: The Multimetric Cycles of Occasional Poetry Section II: Authors & Texts Maria Tomadaki, The Reception of Ancient Greek Literature in the Iambic Poems of John Geometres Przemys?aw Marciniak & Katia Warcaba, Theodore Prodromos' Katomyomachia as a Byzantine Version of Mock-Heroic Epic Andreas Rhoby, The Poetry of Theodore Balsamon: Form and Function Krystina Kubina, Manuel Philes - A Begging Poet? Requests, Letters and Problems of Genre Definition Marina Bazzani, The Art of Requesting in the Poetry of Manuel Philes Section III: Hymnography & Its Contexts Theodora Antonopoulou, Imperial Hymnography? The Canons Attributed to Emperor Constantine VII Porphyrogenitus. With the critical edition of the First Canon on St John Chrysostom Dimitrios Skrekas, Translations and Paraphrases of Liturgical Poetry in Late Byzantine Thessalonica Part II: The Editio princeps of a Completely Unknown Text Renaat Meesters and Rachele Ricceri, A Twelfth-Century Cycle of Four Poems on John Klimax: Editio princeps, Translation and Commentary Renaat Meesters, A Twelfth-Century Cycle of Four Poems on John Klimax: A Brief Analysis 0 g.

Original-kartoniert. Condición: Sehr gut. 4 Original-kartoniert de (Veröffentlichungen zur Byzanzforschung. Bd. 14); Vorbesstempel; 125 pp. + Abbildungsanhang.

4°. 503 S. m. 65 Tafeln. Br. Bibl.-Ex. m. Bibliotheksschild.

Soft cover. Condición: Very Good. No Jacket. 1st Edition. 848 pp. CLXIX colored plates, 129 B/W plates. Verlag der Österreichischen Akademie der Wissenschaften, Wien 2018. First edition. Softcover. Österreichische Akademie der Wissenschaften - Philosophisch-Historische Klasse - Denkschriften, 504. Band. Veröffentilichungen zur Byzanzforschung - Byzantinische Epigramme in inschriftlicher Überlieferung Band 4. Ex. lib. of the Library of the Ghent University: usual labels, stamps and numbers. Clean and unmarked inside. A very good copy.

Paperback. Condición: new. Paperback. The present volume is the written result of a workshop with the title Die kulturhistorische Bedeutung byzantinischer Epigramme [the role of Byzantine epigrams for cultural history] held at the Austrian Academy of Sciences and the University of Vienna on December 1-2, 2006. It was the purpose of this event (organised by W. Horandner and A. Rhoby) to deepen the research on the Byzantine epigram. Besides, the present volume is a parergon of the Vienna based project Byzantinische Epigramme in inschriftlicher Uberlieferung [Byzantine epigrams on objects]. The volume starts with an introduction in which a definition of the terminus epigram and an overview of the current state of research are given. The following articles deal not only with philological questions but also with the omnipresent interaction of word and image in Byzantium. Well established opinions, e.g. regarding the epigram on the staurotheke of Limburg, are questioned. Moreover, the question is discussed why several Byzantine artefacts kept in Venice and their inscriptions were copied and imitated at the beginning of the 16th century. A concluding article deals with literary and non-literary medieval Latin epigrams. At the end of the volume tables of images and a general index are provided. The present volume contains the contributions to a workshop entitled "Die kulturhistorische Bedeutung byzantinischer Epigramme" (The role of Byzantine epigrams for cultural history) that was held at the Austrian Academy of Sciences and the University of Vienna from December 1-2, 2006. This event, organised by W. Horandner and A." Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New. 2009. Paperback. . . . . .

Condición: New.