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Condición: New.

Hardback or Cased Book. Condición: New. Louis de Niverville: Pentimenti. Book.

Condición: New.

Softcover spiral bound exhibition catalog, 38 pages, very good condition, no internal marks, clean and crisp, with color tipped-in reproductions.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: new. Hardcover. PUBLISHERS WEEKLY NOTABLE BOOK, FALL 2025Louis de Niverville (19332019) was a painter and collagist. His experimental and thought-provoking art, often mislabelled as "surrealist," defied simple categorization.The ninth of thirteen children, young Louis was sent to a sanatorium in Ottawa for treatment of spinal tuberculosis at age six. He remained there for four and a half years. This long-term confinement would become a major influence on his art. Hired as an illustrator by the CBC in the late 1950s, de Niverville quickly immersed himself in the burgeoning Toronto art scene. His work relied heavily on his dreams and daydreams, and explored aspects of the individual, culture and nature, and often featured surreal "inside-outside" spaces. At a time when Abstract Expressionism and its offshoots were dominant in the international art world, Louis's early exhibitions in Toronto quickly seized the attention of respected art critics, and de Niverville was flagged as an artist to watch.This reputation plus a number of private commissions, including large-scale murals for Pearson International Airport and Spadina subway station, both in Toronto, helped thrust de Niverville to the forefront of the Toronto scene in the 1960s and 1970s.Edited by Thomas Miller-de Niverville's partner of many decades and an artist in his own right-and international art dealer Philip Ottenbrite, Louis de Niverville: Pentimenti includes texts from renowned art critics and curators Tobi Bruce, Ihor Holubizky, and E.C. Woodley, which trace de Niverville's rise in the Toronto scene, and which also provide critical art historical context to the depth and breadth of his unique practice. Heather Bell's biographical piece on de Niverville's childhood illuminates a practice seemingly born of childhood trauma and whimsy. Featuring more than 140 art reproductions and archival images, this is an in-depth examination of an artist who, in his unique portrayals of the individual, encouraged the exploration of the universal. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New. PUBLISHERS WEEKLY NOTABLE BOOK, FALL 2025Louis de Niverville (1933-2019) was a painter and collagist. His experimental and thought-provoking art, often mislabelled as "surrealist," defied simple categorization.The ninth of thirteen children, young Louis was sent to a sanatorium in Ottawa for treatment of spinal tuberculosis at age six. He remained there for four and a half years. This long-term confinement would become a major influence on his art. Hired as an illustrator by the CBC in the late 1950s, de Niverville quickly immersed himself in the burgeoning Toronto art scene. His work relied heavily on his dreams and daydreams, and explored aspects of the individual, culture and nature, and often featured surreal "inside-outside" spaces. At a time when Abstract Expressionism and its offshoots were dominant in the international art world, Louis's early exhibitions in Toronto quickly seized the attention of respected art critics, and de Niverville was flagged as an artist to watch.This reputation plus a number of private commissions, including large-scale murals for Pearson International Airport and Spadina subway station, both in Toronto, helped thrust de Niverville to the forefront of the Toronto scene in the 1960s and 1970s.Edited by Thomas Miller-de Niverville's partner of many decades and an artist in his own right-and international art dealer Philip Ottenbrite, Louis de Niverville: Pentimenti includes texts from renowned art critics and curators Tobi Bruce, Ihor Holubizky, and E.C. Woodley, which trace de Niverville's rise in the Toronto scene, and which also provide critical art historical context to the depth and breadth of his unique practice. Heather Bell's biographical piece on de Niverville's childhood illuminates a practice seemingly born of childhood trauma and whimsy. Featuring more than 140 art reproductions and archival images, this is an in-depth examination of an artist who, in his unique portrayals of the individual, encouraged the exploration of the universal.

Condición: New. Special order direct from the distributor.

Condición: New.

Soft cover. Condición: Near Fine. Exhibition catalog. Lightly sunned.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: As New. Unread book in perfect condition.

Condición: New. Special order item direct from the distributor.

Hardback. Condición: New. PUBLISHERS WEEKLY NOTABLE BOOK, FALL 2025Louis de Niverville (1933-2019) was a painter and collagist. His experimental and thought-provoking art, often mislabelled as "surrealist," defied simple categorization.The ninth of thirteen children, young Louis was sent to a sanatorium in Ottawa for treatment of spinal tuberculosis at age six. He remained there for four and a half years. This long-term confinement would become a major influence on his art. Hired as an illustrator by the CBC in the late 1950s, de Niverville quickly immersed himself in the burgeoning Toronto art scene. His work relied heavily on his dreams and daydreams, and explored aspects of the individual, culture and nature, and often featured surreal "inside-outside" spaces. At a time when Abstract Expressionism and its offshoots were dominant in the international art world, Louis's early exhibitions in Toronto quickly seized the attention of respected art critics, and de Niverville was flagged as an artist to watch.This reputation plus a number of private commissions, including large-scale murals for Pearson International Airport and Spadina subway station, both in Toronto, helped thrust de Niverville to the forefront of the Toronto scene in the 1960s and 1970s.Edited by Thomas Miller-de Niverville's partner of many decades and an artist in his own right-and international art dealer Philip Ottenbrite, Louis de Niverville: Pentimenti includes texts from renowned art critics and curators Tobi Bruce, Ihor Holubizky, and E.C. Woodley, which trace de Niverville's rise in the Toronto scene, and which also provide critical art historical context to the depth and breadth of his unique practice. Heather Bell's biographical piece on de Niverville's childhood illuminates a practice seemingly born of childhood trauma and whimsy. Featuring more than 140 art reproductions and archival images, this is an in-depth examination of an artist who, in his unique portrayals of the individual, encouraged the exploration of the universal.

Softcover. Blue softcover with black lettering. Unpaginated. Mainly color illustrations. Catalogue of an exhibition from September 25- October 26, 1991 at the Philippe Daverio Gallery. VG- light wear and fading to cover.

Hardcover. Condición: Brand New. 256 pages. Bengali language. 11.00x10.00x1.00 inches. In Stock.

Hardcover. Condición: Brand New. 256 pages. Bengali language. 11.00x10.00x1.00 inches. In Stock.

Hardback. Condición: New. PUBLISHERS WEEKLY NOTABLE BOOK, FALL 2025Louis de Niverville (1933-2019) was a painter and collagist. His experimental and thought-provoking art, often mislabelled as "surrealist," defied simple categorization.The ninth of thirteen children, young Louis was sent to a sanatorium in Ottawa for treatment of spinal tuberculosis at age six. He remained there for four and a half years. This long-term confinement would become a major influence on his art. Hired as an illustrator by the CBC in the late 1950s, de Niverville quickly immersed himself in the burgeoning Toronto art scene. His work relied heavily on his dreams and daydreams, and explored aspects of the individual, culture and nature, and often featured surreal "inside-outside" spaces. At a time when Abstract Expressionism and its offshoots were dominant in the international art world, Louis's early exhibitions in Toronto quickly seized the attention of respected art critics, and de Niverville was flagged as an artist to watch.This reputation plus a number of private commissions, including large-scale murals for Pearson International Airport and Spadina subway station, both in Toronto, helped thrust de Niverville to the forefront of the Toronto scene in the 1960s and 1970s.Edited by Thomas Miller-de Niverville's partner of many decades and an artist in his own right-and international art dealer Philip Ottenbrite, Louis de Niverville: Pentimenti includes texts from renowned art critics and curators Tobi Bruce, Ihor Holubizky, and E.C. Woodley, which trace de Niverville's rise in the Toronto scene, and which also provide critical art historical context to the depth and breadth of his unique practice. Heather Bell's biographical piece on de Niverville's childhood illuminates a practice seemingly born of childhood trauma and whimsy. Featuring more than 140 art reproductions and archival images, this is an in-depth examination of an artist who, in his unique portrayals of the individual, encouraged the exploration of the universal.

Hardcover. Condición: new. Hardcover. PUBLISHERS WEEKLY NOTABLE BOOK, FALL 2025Louis de Niverville (19332019) was a painter and collagist. His experimental and thought-provoking art, often mislabelled as "surrealist," defied simple categorization.The ninth of thirteen children, young Louis was sent to a sanatorium in Ottawa for treatment of spinal tuberculosis at age six. He remained there for four and a half years. This long-term confinement would become a major influence on his art. Hired as an illustrator by the CBC in the late 1950s, de Niverville quickly immersed himself in the burgeoning Toronto art scene. His work relied heavily on his dreams and daydreams, and explored aspects of the individual, culture and nature, and often featured surreal "inside-outside" spaces. At a time when Abstract Expressionism and its offshoots were dominant in the international art world, Louis's early exhibitions in Toronto quickly seized the attention of respected art critics, and de Niverville was flagged as an artist to watch.This reputation plus a number of private commissions, including large-scale murals for Pearson International Airport and Spadina subway station, both in Toronto, helped thrust de Niverville to the forefront of the Toronto scene in the 1960s and 1970s.Edited by Thomas Miller-de Niverville's partner of many decades and an artist in his own right-and international art dealer Philip Ottenbrite, Louis de Niverville: Pentimenti includes texts from renowned art critics and curators Tobi Bruce, Ihor Holubizky, and E.C. Woodley, which trace de Niverville's rise in the Toronto scene, and which also provide critical art historical context to the depth and breadth of his unique practice. Heather Bell's biographical piece on de Niverville's childhood illuminates a practice seemingly born of childhood trauma and whimsy. Featuring more than 140 art reproductions and archival images, this is an in-depth examination of an artist who, in his unique portrayals of the individual, encouraged the exploration of the universal. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condición: new. Hardcover. PUBLISHERS WEEKLY NOTABLE BOOK, FALL 2025Louis de Niverville (19332019) was a painter and collagist. His experimental and thought-provoking art, often mislabelled as "surrealist," defied simple categorization.The ninth of thirteen children, young Louis was sent to a sanatorium in Ottawa for treatment of spinal tuberculosis at age six. He remained there for four and a half years. This long-term confinement would become a major influence on his art. Hired as an illustrator by the CBC in the late 1950s, de Niverville quickly immersed himself in the burgeoning Toronto art scene. His work relied heavily on his dreams and daydreams, and explored aspects of the individual, culture and nature, and often featured surreal "inside-outside" spaces. At a time when Abstract Expressionism and its offshoots were dominant in the international art world, Louis's early exhibitions in Toronto quickly seized the attention of respected art critics, and de Niverville was flagged as an artist to watch.This reputation plus a number of private commissions, including large-scale murals for Pearson International Airport and Spadina subway station, both in Toronto, helped thrust de Niverville to the forefront of the Toronto scene in the 1960s and 1970s.Edited by Thomas Miller-de Niverville's partner of many decades and an artist in his own right-and international art dealer Philip Ottenbrite, Louis de Niverville: Pentimenti includes texts from renowned art critics and curators Tobi Bruce, Ihor Holubizky, and E.C. Woodley, which trace de Niverville's rise in the Toronto scene, and which also provide critical art historical context to the depth and breadth of his unique practice. Heather Bell's biographical piece on de Niverville's childhood illuminates a practice seemingly born of childhood trauma and whimsy. Featuring more than 140 art reproductions and archival images, this is an in-depth examination of an artist who, in his unique portrayals of the individual, encouraged the exploration of the universal. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condición: Neu. Neuware - PUBLISHERS WEEKLY NOTABLE BOOK, FALL 2025Louis de Niverville (19332019) was a painter and collagist. His experimental and thought-provoking art, often mislabelled as "surrealist," defied simple categorization.The ninth of thirteen children, young Louis was sent to a sanatorium in Ottawa for treatment of spinal tuberculosis at age six. He remained there for four and a half years. This long-term confinement would become a major influence on his art. Hired as an illustrator by the CBC in the late 1950s, de Niverville quickly immersed himself in the burgeoning Toronto art scene. His work relied heavily on his dreams and daydreams, and explored aspects of the individual, culture and nature, and often featured surreal "inside-outside" spaces. At a time when Abstract Expressionism and its offshoots were dominant in the international art world, Louis's early exhibitions in Toronto quickly seized the attention of respected art critics, and de Niverville was flagged as an artist to watch.This reputation plus a number of private commissions, including large-scale murals for Pearson International Airport and Spadina subway station, both in Toronto, helped thrust de Niverville to the forefront of the Toronto scene in the 1960s and 1970s.Edited by Thomas Millerde Niverville's partner of many decades and an artist in his own rightand international art dealer Philip Ottenbrite, Louis de Niverville: Pentimenti includes texts from renowned art critics and curators Tobi Bruce, Ihor Holubizky, and E.C. Woodley, which trace de Niverville's rise in the Toronto scene, and which also provide critical art historical context to the depth and breadth of his unique practice. Heather Bell's biographical piece on de Niverville's childhood illuminates a practice seemingly born of childhood trauma and whimsy. Featuring more than 140 art reproductions and archival images, this is an in-depth examination of an artist who, in his unique portrayals of the individual, encouraged the exploration of the universal.

Hardback. Condición: New. PUBLISHERS WEEKLY NOTABLE BOOK, FALL 2025Louis de Niverville (1933-2019) was a painter and collagist. His experimental and thought-provoking art, often mislabelled as "surrealist," defied simple categorization.The ninth of thirteen children, young Louis was sent to a sanatorium in Ottawa for treatment of spinal tuberculosis at age six. He remained there for four and a half years. This long-term confinement would become a major influence on his art. Hired as an illustrator by the CBC in the late 1950s, de Niverville quickly immersed himself in the burgeoning Toronto art scene. His work relied heavily on his dreams and daydreams, and explored aspects of the individual, culture and nature, and often featured surreal "inside-outside" spaces. At a time when Abstract Expressionism and its offshoots were dominant in the international art world, Louis's early exhibitions in Toronto quickly seized the attention of respected art critics, and de Niverville was flagged as an artist to watch.This reputation plus a number of private commissions, including large-scale murals for Pearson International Airport and Spadina subway station, both in Toronto, helped thrust de Niverville to the forefront of the Toronto scene in the 1960s and 1970s.Edited by Thomas Miller-de Niverville's partner of many decades and an artist in his own right-and international art dealer Philip Ottenbrite, Louis de Niverville: Pentimenti includes texts from renowned art critics and curators Tobi Bruce, Ihor Holubizky, and E.C. Woodley, which trace de Niverville's rise in the Toronto scene, and which also provide critical art historical context to the depth and breadth of his unique practice. Heather Bell's biographical piece on de Niverville's childhood illuminates a practice seemingly born of childhood trauma and whimsy. Featuring more than 140 art reproductions and archival images, this is an in-depth examination of an artist who, in his unique portrayals of the individual, encouraged the exploration of the universal.

SOFTCOVER. Condición: Fine. 1st Edition. Octavo size (8vo) in spiral bound thick card boards, unpaginated, approx. 40pp, tipped-in colour plates, etc . [CONDITION: A well preserved FINE very clean and tight unmarked copy (slight sunning tocover margins) ] . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condición: DISCRETO USATO. INGLESE Stato discreto, sovraccoperta originale illustrata in carta patinata, su recto di Marino Marini, Young Girl, 1939, bordo poco consunto, lievi bruniture, macchiette, coperta in cartoncino goffrato semimorbido, tagli e margini delle pagine lievemente ambrati, pagine, in carta patinata, ben conservate. Testo: Paolo Baldacci, Ronny Cohen. 27 illustrazioni in b. e n., XXXII tavole con illustrazioni a colori. Numero Pagine 130.