Ofer eliaz (29 resultados)
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Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de AmericaThriftBooks-Dallas
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Paperback. Condición: New. How postwar film represents absent bodies via the cinematic practices of audiovisual erasure by key filmmakers.Following World War II, the world had to confront the unmournable specters of those who had been erased socially and historically. Cinematic Cryptonymies: The Absent Body in Postwar Film explo…res how cinema addressed these missing bodies through an in-depth analysis of key filmmakers from the immediate postwar moment through the present. Ofer Eliaz provides a cinematic history as well as a theoretical framework rooted in psychoanalysis that allows the reader to see and understand the absence and erasure of bodies in film as a response to historical trauma.Drawing on a psychoanalytic technique focused on what one leaves unspoken, Cinematic Cryptonymies investigates a diverse range of postwar film. The first chapter examines how Georges Franju deployed Paris as a city that hides the horrors of its past-here the vanished bodies of the victims of the Holocaust-behind its facade. Eliaz then looks at intergenerational haunting in the early horror films of Mario Bava, in which unacknowledged violence and loss is passed down across generations during the time of Italy's economic miracle. The unique use of montage in the late films of Jean-Luc Godard is the focus of the third chapter through which the viewer only receives a fragmented and partial image of struggle-an attempt to address the failure of cinema to bear witness to the horrors of the wars and mass killings of the 1990s. Eliaz ends in the 2000s by examining the transnational films of Naomi Uman, whose experimental films engage the violence and loss experienced in different forms of border crossings, including national and social borders.Centered on the question of how one can mourn losses that are so traumatic they become unspeakable, Cinematic Cryptonymies is an important contribution to conversations on postwar film, trauma and the intersection of psychoanalysis and the humanities. Scholars interested in postwar film and history, trauma and war or psychoanalytic theory will all find this volume of interest.
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Condición: New. pp. 224.
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Condición: New. 2018. Paperback. . . . . .
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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Condición: New. pp. 224.
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Paperback. Condición: Brand New. 224 pages. 8.75x6.00x0.50 inches. In Stock.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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Paperback. Condición: New. How postwar film represents absent bodies via the cinematic practices of audiovisual erasure by key filmmakers.Following World War II, the world had to confront the unmournable specters of those who had been erased socially and historically. Cinematic Cryptonymies: The Absent Body in Postwar Film explo…res how cinema addressed these missing bodies through an in-depth analysis of key filmmakers from the immediate postwar moment through the present. Ofer Eliaz provides a cinematic history as well as a theoretical framework rooted in psychoanalysis that allows the reader to see and understand the absence and erasure of bodies in film as a response to historical trauma.Drawing on a psychoanalytic technique focused on what one leaves unspoken, Cinematic Cryptonymies investigates a diverse range of postwar film. The first chapter examines how Georges Franju deployed Paris as a city that hides the horrors of its past-here the vanished bodies of the victims of the Holocaust-behind its facade. Eliaz then looks at intergenerational haunting in the early horror films of Mario Bava, in which unacknowledged violence and loss is passed down across generations during the time of Italy's economic miracle. The unique use of montage in the late films of Jean-Luc Godard is the focus of the third chapter through which the viewer only receives a fragmented and partial image of struggle-an attempt to address the failure of cinema to bear witness to the horrors of the wars and mass killings of the 1990s. Eliaz ends in the 2000s by examining the transnational films of Naomi Uman, whose experimental films engage the violence and loss experienced in different forms of border crossings, including national and social borders.Centered on the question of how one can mourn losses that are so traumatic they become unspeakable, Cinematic Cryptonymies is an important contribution to conversations on postwar film, trauma and the intersection of psychoanalysis and the humanities. Scholars interested in postwar film and history, trauma and war or psychoanalytic theory will all find this volume of interest.
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Librería: Revaluation Books, Exeter, , Reino UnidoRevaluation Books
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Hardcover. Condición: Brand New. 224 pages. 9.25x6.50x0.75 inches. In Stock.
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Paperback. Condición: Brand New. 224 pages. 8.75x6.00x0.50 inches. In Stock. This item is printed on demand.
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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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Condición: New. PRINT ON DEMAND pp. 224.
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Librería: moluna, Greven, , Alemaniamoluna
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Following World War II, the world had to confront the unmournable specters of those who had been erased socially and historically. Cinematic Cryptonymies: The Absent Body in Postwar Film explores how cinema addressed…these missing bodies through an in-depth.
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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - How postwar film represents absent bodies via the cinematic practices of audiovisual erasure by key filmmakers.Following World War II, the world had to confront the unmournable specters of those who had been erased socially and historica…lly. Cinematic Cryptonymies: The Absent Body in Postwar Film explores how cinema addressed these missing bodies through an in-depth analysis of key filmmakers from the immediate postwar moment through the present. Ofer Eliaz provides a cinematic history as well as a theoretical framework rooted in psychoanalysis that allows the reader to see and understand the absence and erasure of bodies in film as a response to historical trauma.Drawing on a psychoanalytic technique focused on what one leaves unspoken, Cinematic Cryptonymies investigates a diverse range of postwar film. The first chapter examines how Georges Franju deployed Paris as a city that hides the horrors of its past-here the vanished bodies of the victims of the Holocaust-behind its facade. Eliaz then looks at intergenerational haunting in the early horror films of Mario Bava, in which unacknowledged violence and loss is passed down across generations during the time of Italy's economic miracle. The unique use of montage in the late films of Jean-Luc Godard is the focus of the third chapter through which the viewer only receives a fragmented and partial image of struggle-an attempt to address the failure of cinema to bear witness to the horrors of the wars and mass killings of the 1990s. Eliaz ends in the 2000s by examining the transnational films of Naomi Uman, whose experimental films engage the violence and loss experienced in different forms of border crossings, including national and social borders.Centered on the question of how one can mourn losses that are so traumatic they become unspeakable, Cinematic Cryptonymies is an important contribution to conversations on postwar film, trauma and the intersection of psychoanalysis and the humanities. Scholars interested in postwar film and history, trauma and war or psychoanalytic theory will all find this volume of interest.
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Taschenbuch. Condición: Neu. Cinematic Cryptonymies | The Absent Body in Postwar Film | Ofer Eliaz | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2018 | Wayne State University Press | EAN 9780814345627 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostr…um[dot]co[dot]uk | Anbieter: preigu Print on Demand.
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Condición: New. Print on Demand pp. 240.
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Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Following World War II, the world had to confront the unmournable specters of those who had been erased socially and historically. Cinematic Cryptonymies: The Absent Body in Postwar Film explores how cinema addressed…these missing bodies through an in-depth.
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Condición: New. Print on Demand pp. 240.
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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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Buch. Condición: Neu. Cinematic Cryptonymies | The Absent Body in Postwar Film | Ofer Eliaz | Buch | Einband - fest (Hardcover) | Englisch | 2018 | Wayne State University Press | EAN 9780814345610 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on…Demand.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 123,87
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Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Following World War II, the world had to confront the unmournable specters of those who had been erased socially and historically. Cinematic Cryptonymies: The Absent Body in Postwar Film explores how cinema addressed these missing bodies throug…h an in-depth analysis of key filmmakers from the immediate postwar moment through the present. Ofer Eliaz provides a cinematic history as well as a theoretical framework rooted in psychoanalysis that allows the reader to see and understand the absence and erasure of bodies in film as a response to historical trauma.Drawing on a psychoanalytic technique focused on what one leaves unspoken, Cinematic Cryptonymies investigates a diverse range of postwar film. The first chapter examines how Georges Franju deployed Paris as a city that hides the horrors of its past - here the vanished bodies of the victims of the Holocaust - behind its facade. Eliaz then looks at intergenerational haunting in the early horror films of Mario Bava, in which unacknowledged violence and loss is passed down across generations during the time of Italy's economic miracle. The unique use of montage in the late films of Jean-Luc Godard is the focus of the third chapter, through which the viewer only receives a fragmented and partial image of struggle - an attempt to address the failure of cinema to bear witness to the horrors of the wars and mass killings of the 1990s. Eliaz ends in the 2000s by examining the transnational films of Naomi Uman, whose experimental films engage the violence and loss experienced in different forms of border crossings, including national and social borders.Centered on the question of how one can mourn losses that are so traumatic they become unspeakable, Cinematic Cryptonymies is an important contribution to conversations on postwar film, trauma, and the intersection of psychoanalysis and the humanities. Scholars interested in postwar film and history, trauma and war, or psychoanalytic theory will all find this volume of interest.
