Natalie ferris (21 resultados)

Hardcover. Condición: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condición: new. Hardcover. "This book was started as a memoir of my mother and subsequently developed into something more like a diary, covering my recollections of a post-war childhood in Worcestershire, an art-school education and subsequent obsessions. It may be read in the light, or perhaps one should say in the shadow, of its political history." So begins an irresistible sequence of reflections by Tess Jaray RA. Whether providing insights into the mind of an artist, or recounting the eccentricities of her singular childhood, 'The Blue Cupboard' is a consistently characterful, humorous and life-affirming piece of writing. Jaray is a painter and printmaker whose work is characterised by the enigmatic interaction of forms and colours. In 2010 she published a book of her collected writings, Painting: Mysteries and Confessions (RA Publications). She has also created imagery to accompany the work of W. G. Sebald. She has artworks in many public collections, including the Tate and the British Museum, and her paving designs can be seen in Centenary Square, Birmingham, St Mary's Church, Nottingham, and the forecourt of Victoria Station. AUTHOR: Tess Jaray is a printmaker and painter. She has taught at the Slade School of Fine Art, University College London. In 1995 she was made an Honorary Fellow of RIBA (Royal Institute for British Architects) for her public art projects. SELLING POINTS: Jaray gives the reader a rare and sincere glimpse into the life of an artist The Blue Cupboard moves from heartfelt personal experience - such as the escape of Jaray and her family from the oppressive climate of 1930s Europe to rural Worcestershire - to musings on the creation and experience of art Jaray writes with assurance on an intriguing variety of topics, from Samuel Beckett to printing techniques, and from Amy Winehouse to urban foxes 30 colour Entertaining and provocative in equal measure, the art of Allen Jones RA was at the forefront of the British Pop Art movement in the early 1960s. Since then, his highly erotic imagery, subversive humour and exuberant use of colour have been hugely influential, not just in the art world but across fashion, graphic design, film and music. This book explores the full range of Jones's fifty-year career, from his early art-school experiments in capturing movement, through his famous and controversial 'women as furniture' sculptures, to his continuing preoccupation with the human form. AUTHOR: Natalie Ferris is a writer and critic. She has contributed to Frieze, the Guardian and the White Review and is English Editor of the Korean architecture journal Space. Marco Livingstone is an art historian and independent curator. He has contributed to numerous books and exhibition catalogues, including David Hockney: A Bigger Picture, also published by RA Publications. Sir Norman Rosenthal was Exhibitions Secretary at the Royal Academy of Arts from 1977 to 2008. He is now an independent curator. SELLING POINTS: Allen Jones is one of the world's most controversial and celebrated pop artists He is best known for his provocative and erotic painting and sculpture, particularly his 'Women as Furniture' series Written by experts, the book includes a chapter exploring Jones's work from a feminist viewpoint 80 colour Entertaining and provocative in equal measure, Allen Jones RA was at the forefront of the British Pop Art movement in the early 1960s, alongside Royal College of Art contemporaries David Hockney RA, Derek Boshier and Peter Phillips. This book explores the range of Jones' 50-year career. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Hardcover. Condición: New. 1st Edition. The catalogue of the exhibition. Original hardcover. Illustrated throughout. A brand new copy.

Hardcover. Condición: As New. 1st Edition. This as new copy is bound in illustrated laminated boards. A dust wrapper is not called for. The text block is unmarked, tight, white, bright and square. International postal rates are calculated on a book weighing 1 Kilo, in cases where the book weighs more than 1 Kilo increased postal rates will be quoted, where the book weighs less then postage will be reduced accordingly. Entertaining and provocative in equal measure, Allen Jones RA was at the forefront of the British Pop Art movement in the early 1960s, alongside Royal College of Art contemporaries David Hockney RA, Derek Boshier and Peter Phillips. Despite, somewhat extraordinarily, being expelled from the RCA after a year, as 'an example' to similarly independent-minded students, Jones has been hugely influential, not just in the art world but across fashion, graphic design, film and music. This book explores the range of Jones's 50-year career, focusing not just on his sculptures but also on his works in watercolour, lithography and painting. While best-known for his highly sexualised imagery, particularly his 'women as furniture' series, this volume reveals an artist deeply influenced by European Modernism, whose works possess an innate sense of humour and exuberant use of colour. Alongside engaging analyses of Jones's place in the canon of twentieth-century art, this volume seeks to reappraise feminist reactions to Jones from a contemporary perspective, exploring his continuous preoccupation with androgynous and transgender forms. This book was published to coincide with the important exhibition of the artist's work in 1914. Ref QQ 1.…

Hardcover. Condición: new. Hardcover. "This book was started as a memoir of my mother and subsequently developed into something more like a diary, covering my recollections of a post-war childhood in Worcestershire, an art-school education and subsequent obsessions. It may be read in the light, or perhaps one should say in the shadow, of its political history." So begins an irresistible sequence of reflections by Tess Jaray RA. Whether providing insights into the mind of an artist, or recounting the eccentricities of her singular childhood, 'The Blue Cupboard' is a consistently characterful, humorous and life-affirming piece of writing. Jaray is a painter and printmaker whose work is characterised by the enigmatic interaction of forms and colours. In 2010 she published a book of her collected writings, Painting: Mysteries and Confessions (RA Publications). She has also created imagery to accompany the work of W. G. Sebald. She has artworks in many public collections, including the Tate and the British Museum, and her paving designs can be seen in Centenary Square, Birmingham, St Mary's Church, Nottingham, and the forecourt of Victoria Station. AUTHOR: Tess Jaray is a printmaker and painter. She has taught at the Slade School of Fine Art, University College London. In 1995 she was made an Honorary Fellow of RIBA (Royal Institute for British Architects) for her public art projects. SELLING POINTS: Jaray gives the reader a rare and sincere glimpse into the life of an artist The Blue Cupboard moves from heartfelt personal experience - such as the escape of Jaray and her family from the oppressive climate of 1930s Europe to rural Worcestershire - to musings on the creation and experience of art Jaray writes with assurance on an intriguing variety of topics, from Samuel Beckett to printing techniques, and from Amy Winehouse to urban foxes 30 colour Entertaining and provocative in equal measure, the art of Allen Jones RA was at the forefront of the British Pop Art movement in the early 1960s. Since then, his highly erotic imagery, subversive humour and exuberant use of colour have been hugely influential, not just in the art world but across fashion, graphic design, film and music. This book explores the full range of Jones's fifty-year career, from his early art-school experiments in capturing movement, through his famous and controversial 'women as furniture' sculptures, to his continuing preoccupation with the human form. AUTHOR: Natalie Ferris is a writer and critic. She has contributed to Frieze, the Guardian and the White Review and is English Editor of the Korean architecture journal Space. Marco Livingstone is an art historian and independent curator. He has contributed to numerous books and exhibition catalogues, including David Hockney: A Bigger Picture, also published by RA Publications. Sir Norman Rosenthal was Exhibitions Secretary at the Royal Academy of Arts from 1977 to 2008. He is now an independent curator. SELLING POINTS: Allen Jones is one of the world's most controversial and celebrated pop artists He is best known for his provocative and erotic painting and sculpture, particularly his 'Women as Furniture' series Written by experts, the book includes a chapter exploring Jones's work from a feminist viewpoint 80 colour Entertaining and provocative in equal measure, Allen Jones RA was at the forefront of the British Pop Art movement in the early 1960s, alongside Royal College of Art contemporaries David Hockney RA, Derek Boshier and Peter Phillips. This book explores the range of Jones' 50-year career. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condición: new. Hardcover. "This book was started as a memoir of my mother and subsequently developed into something more like a diary, covering my recollections of a post-war childhood in Worcestershire, an art-school education and subsequent obsessions. It may be read in the light, or perhaps one should say in the shadow, of its political history." So begins an irresistible sequence of reflections by Tess Jaray RA. Whether providing insights into the mind of an artist, or recounting the eccentricities of her singular childhood, 'The Blue Cupboard' is a consistently characterful, humorous and life-affirming piece of writing. Jaray is a painter and printmaker whose work is characterised by the enigmatic interaction of forms and colours. In 2010 she published a book of her collected writings, Painting: Mysteries and Confessions (RA Publications). She has also created imagery to accompany the work of W. G. Sebald. She has artworks in many public collections, including the Tate and the British Museum, and her paving designs can be seen in Centenary Square, Birmingham, St Mary's Church, Nottingham, and the forecourt of Victoria Station. AUTHOR: Tess Jaray is a printmaker and painter. She has taught at the Slade School of Fine Art, University College London. In 1995 she was made an Honorary Fellow of RIBA (Royal Institute for British Architects) for her public art projects. SELLING POINTS: Jaray gives the reader a rare and sincere glimpse into the life of an artist The Blue Cupboard moves from heartfelt personal experience - such as the escape of Jaray and her family from the oppressive climate of 1930s Europe to rural Worcestershire - to musings on the creation and experience of art Jaray writes with assurance on an intriguing variety of topics, from Samuel Beckett to printing techniques, and from Amy Winehouse to urban foxes 30 colour Entertaining and provocative in equal measure, the art of Allen Jones RA was at the forefront of the British Pop Art movement in the early 1960s. Since then, his highly erotic imagery, subversive humour and exuberant use of colour have been hugely influential, not just in the art world but across fashion, graphic design, film and music. This book explores the full range of Jones's fifty-year career, from his early art-school experiments in capturing movement, through his famous and controversial 'women as furniture' sculptures, to his continuing preoccupation with the human form. AUTHOR: Natalie Ferris is a writer and critic. She has contributed to Frieze, the Guardian and the White Review and is English Editor of the Korean architecture journal Space. Marco Livingstone is an art historian and independent curator. He has contributed to numerous books and exhibition catalogues, including David Hockney: A Bigger Picture, also published by RA Publications. Sir Norman Rosenthal was Exhibitions Secretary at the Royal Academy of Arts from 1977 to 2008. He is now an independent curator. SELLING POINTS: Allen Jones is one of the world's most controversial and celebrated pop artists He is best known for his provocative and erotic painting and sculpture, particularly his 'Women as Furniture' series Written by experts, the book includes a chapter exploring Jones's work from a feminist viewpoint 80 colour Entertaining and provocative in equal measure, Allen Jones RA was at the forefront of the British Pop Art movement in the early 1960s, alongside Royal College of Art contemporaries David Hockney RA, Derek Boshier and Peter Phillips. This book explores the range of Jones' 50-year career. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardcover. Condición: New. Estado de la sobrecubierta: New. First Edition. Dark blue hardback with gilt lettered spine, complete with original dustjacket. In new condition: firm and square with strong joints, no bumps, no rubs. Contents are crisp, tight and clean; no pen-marks. Thus a very nice copy that looks and feels unread, now offered for sale at a very reasonable price.…

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: Brand New. 226 pages. 9.25x6.25x0.75 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condición: new. Hardcover. In a catalogue note for the 1965 exhibition 'Between Poetry and Painting' at the Institute of Contemporary Arts, the poet Edwin Morgan probed the relationship between abstraction and literature: 'Abstract painting can often satisfy, but "abstract poetry" can only exist in inverted commas'. Language may be fragmented, rearranged, or distorted, abstract in so far as it is withdrawn from a particular system of knowledge, but Morgan was of the mind that to be wholly'disruptive' was to deprive a poem of its 'point' as an 'object of contemplation'. Whilst abstract art may have come to fulfil or or fortify an impression of post-war taste, abstraction in literaturecontinued to be treated with suspicion. But how does this speak to the extent to which Britain's literary culture was responsive to progress compared to its artistic culture?Abstraction in Post-War British Literature 1945-1980 traces a line of literary experimentation in post-war British literature that was prompted by the aesthetic, philosophical and theoretical demands of abstraction. Spanning the period 1945 to 1980, it observes the ways in which certainaesthetic advancements initiated new forms of literary expression to posit a new genealogy of interdisciplinary practice in Britain. At a time in which Britain became conscious of its evolving identity within anincreasingly globalised context, this study accounts for the range of Continental and Transatlantic influences in order to more accurately locate the networks at play. Exploring the contributions made by individuals, such as Herbert Read, Ian Hamilton Finlay and Christine Brooke- Rose, as well as by groups of practitioners. It brings a wide range of previously unexplored archival material into the public domain and offers a comprehensive account of the evolving status of abstraction acrosscultural, institutional, and literary contexts. Abstraction in Post-War British Literature explores the ways in which writers and thinkers responded to non-representational art in the decades following the Second World War. By offering a chronological overview of the period in Britain, it questions how abstraction came to be discovered, absorbed and reimagined in literature. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: Brand New. 226 pages. 9.25x6.25x0.75 inches. In Stock.

Buch. Condición: Neu. Neuware - In a catalogue note for the 1965 exhibition 'Between Poetry and Painting' at the Institute of Contemporary Arts, the poet Edwin Morgan probed the relationship between abstraction and literature: 'Abstract painting can often satisfy, but 'abstract poetry' can only exist in inverted commas'. Language may be fragmented, rearranged, or distorted, abstract in so far as it is withdrawn from a particular system of knowledge, but Morgan was of the mind that to be wholly 'disruptive' was to deprive a poem of its 'point' as an 'object of contemplation'. Whilst abstract art may have come to fulfil or or fortify an impression of post-war taste, abstraction in literature continued to be treated with suspicion. But how does this speak to the extent to which Britain's literary culture was responsive to progress compared to its artistic culture Abstraction in Post-War British Literature 1945-1980 traces a line of literary experimentation in post-war British literature that was prompted by the aesthetic, philosophical and theoretical demands of abstraction. Spanning the period 1945 to 1980, it observes the ways in which certain aesthetic advancements initiated new forms of literary expression to posit a new genealogy of interdisciplinary practice in Britain. At a time in which Britain became conscious of its evolving identity within an increasingly globalised context, this study accounts for the range of Continental and Transatlantic influences in order to more accurately locate the networks at play. Exploring the contributions made by individuals, such as Herbert Read, Ian Hamilton Finlay and Christine Brooke- Rose, as well as by groups of practitioners. It brings a wide range of previously unexplored archival material into the public domain and offers a comprehensive account of the evolving status of abstraction across cultural, institutional, and literary contexts.…