Ml swan (29 resultados)

Hardcover. Condición: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condición: Very Good. Clean, sturdy, unmarked copy in very good condition. With dust jacket.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: New. Brand New.

Condición: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: First ] Publisher: ý Wallace-Homestead Book Co; Pub Date: 1/1/1994 Binding: hardcover Pages: 348 First edition.

Condición: New.

Hardcover. Condición: new. Hardcover. In the small towns and rural areas of early America, church-sponsored singing schools proliferated as a way of both improving congregational singing and drawing communities together. Congregants attending these schools were taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitcha method that worked well with singers having little understanding of standard musical notation. These schools eventually became major social events that drew hundreds of attendees, and today countless enthusiasts carry on the shape-note tradition.The New Harp of Columbia, originally published in Knoxville in 1867, was a shape-note tunebook used in East Tennessee singing schools. It was based on an even earlier publication, The Harp of Columbia (1848). In 1978, the University of Tennessee Press published a facsimile edition of The New Harp with an introduction by Dorothy D. Horn, Ron Petersen, and Candra Phillips that detailed the history of shape-note singing as well as the story of the tunebook itself and its original compilers, W. H. Swan and M. L. Swan. That edition went out of print in 1999. Now, for this restored edition of the tunebook, the Press has reprinted not only the full text of its 1978 facsimile edition but has included additional tunes that were part of the original 1848 Harp of Columbia. A few verses to some songs favored by contemporary singers have also been added, and a new foreword by Larry Olszewski and Bruce Wheeler brings the story of the tunebook and its users up to date.Included in the book are old psalm and hymn tunes, anthems, fuguing pieces, and folk hymnsa total of more than two hundred pieces that represent a fascinating slice of Americana. As a reviewer for the Journal of Church Music noted of the 1978 facsimile: [The book is] a worthwhile addition to any church musicians library, especially those interested in the development of American sacred music over the past two centuries. This publication marks a significant new step in preserving an important musical tradition. In the small towns and rural areas of early America, church-sponsored "singing schools" proliferated as a way of both improving congregational singing and drawing communities together. Congregants attending these schools were taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitch — a method that worked well with singers having little understanding of standard musical notation. These schools eventually became major social events that drew hundreds of attendees, and today countless enthusiasts carry on the shape-note tradition. The New Harp of Columbia, originally published in Knoxville in 1867, was a shape-note tunebook used in East Tennessee singing schools. It was based on an even earlier publication, The Harp of Columbia (1848). In 1978, the University of Tennessee Press published a facsimile edition of The New Harp with an introduction by Dorothy D. Horn, Ron Petersen, and Candra Phillips that detailed the history of shape-note singing as well as the story of the tunebook itself and its original compilers, W. H. Swan and M. L. Swan. That edition went out of print in 1999. Now, for this "restored edition" of the tunebook, the Press has reprinted not only the full text of its 1978 facsimile edition but has included additional tunes that were part of the original 1848 Harp of Columbia. A few verses to some songs favored by contemporary singers have also been added, and a new foreword by Larry Olszewski and Bruce Wheeler brings the story of the tunebook and its users up to date. Included in the book are old psalm and hymn tunes, anthems, fuguing pieces, and folk hymns — a total of more than two hundred pieces thatrepresent a fascinating slic Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: Very Good. 1994 printing with updated pricing, hardcover book with dust cover. Owner sticker on first page. Slight rubbing on surface of dust cover. Otherwise like new.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Hardcover. Condición: Brand New. facsimile edition. 256 pages. 9.00x6.25x1.00 inches. In Stock.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. 1994. Very nice first edition signed by author. Enjoy collecting! (CK). Signed by Author(s).

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Buch. Condición: Neu. Neuware - In the small towns and rural areas of early America, church-sponsored "singing schools" proliferated as a way of both improving congregational singing and drawing communities together. Congregants attending these schools were taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitcha method that worked well with singers having little understanding of standard musical notation. These schools eventually became major social events that drew hundreds of attendees, and today countless enthusiasts carry on the shape-note tradition.The New Harp of Columbia, originally published in Knoxville in 1867, was a shape-note tunebook used in East Tennessee singing schools. It was based on an even earlier publication, The Harp of Columbia (1848). In 1978, the University of Tennessee Press published a facsimile edition of The New Harp with an introduction by Dorothy D. Horn, Ron Petersen, and Candra Phillips that detailed the history of shape-note singing as well as the story of the tunebook itself and its original compilers, W. H. Swan and M. L. Swan. That edition went out of print in 1999. Now, for this "restored edition" of the tunebook, the Press has reprinted not only the full text of its 1978 facsimile edition but has included additional tunes that were part of the original 1848 Harp of Columbia. A few verses to some songs favored by contemporary singers have also been added, and a new foreword by Larry Olszewski and Bruce Wheeler brings the story of the tunebook and its users up to date.Included in the book are old psalm and hymn tunes, anthems, fuguing pieces, and folk hymnsa total of more than two hundred pieces that represent a fascinating slice of Americana. As a reviewer for the Journal of Church Music noted of the 1978 facsimile: "[The book is] a worthwhile addition to any church musician's library, especially those interested in the development of American sacred music over the past two centuries." This publication marks a significant new step in preserving an important musical tradition.…

Condición: New. Satisfaction Guaranteed or your money back.

Gebunden. Condición: New.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: new. Hardcover. In the small towns and rural areas of early America, church-sponsored singing schools proliferated as a way of both improving congregational singing and drawing communities together. Congregants attending these schools were taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitcha method that worked well with singers having little understanding of standard musical notation. These schools eventually became major social events that drew hundreds of attendees, and today countless enthusiasts carry on the shape-note tradition.The New Harp of Columbia, originally published in Knoxville in 1867, was a shape-note tunebook used in East Tennessee singing schools. It was based on an even earlier publication, The Harp of Columbia (1848). In 1978, the University of Tennessee Press published a facsimile edition of The New Harp with an introduction by Dorothy D. Horn, Ron Petersen, and Candra Phillips that detailed the history of shape-note singing as well as the story of the tunebook itself and its original compilers, W. H. Swan and M. L. Swan. That edition went out of print in 1999. Now, for this restored edition of the tunebook, the Press has reprinted not only the full text of its 1978 facsimile edition but has included additional tunes that were part of the original 1848 Harp of Columbia. A few verses to some songs favored by contemporary singers have also been added, and a new foreword by Larry Olszewski and Bruce Wheeler brings the story of the tunebook and its users up to date.Included in the book are old psalm and hymn tunes, anthems, fuguing pieces, and folk hymnsa total of more than two hundred pieces that represent a fascinating slice of Americana. As a reviewer for the Journal of Church Music noted of the 1978 facsimile: [The book is] a worthwhile addition to any church musicians library, especially those interested in the development of American sacred music over the past two centuries. This publication marks a significant new step in preserving an important musical tradition. In the small towns and rural areas of early America, church-sponsored "singing schools" proliferated as a way of both improving congregational singing and drawing communities together. Congregants attending these schools were taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitch — a method that worked well with singers having little understanding of standard musical notation. These schools eventually became major social events that drew hundreds of attendees, and today countless enthusiasts carry on the shape-note tradition. The New Harp of Columbia, originally published in Knoxville in 1867, was a shape-note tunebook used in East Tennessee singing schools. It was based on an even earlier publication, The Harp of Columbia (1848). In 1978, the University of Tennessee Press published a facsimile edition of The New Harp with an introduction by Dorothy D. Horn, Ron Petersen, and Candra Phillips that detailed the history of shape-note singing as well as the story of the tunebook itself and its original compilers, W. H. Swan and M. L. Swan. That edition went out of print in 1999. Now, for this "restored edition" of the tunebook, the Press has reprinted not only the full text of its 1978 facsimile edition but has included additional tunes that were part of the original 1848 Harp of Columbia. A few verses to some songs favored by contemporary singers have also been added, and a new foreword by Larry Olszewski and Bruce Wheeler brings the story of the tunebook and its users up to date. Included in the book are old psalm and hymn tunes, anthems, fuguing pieces, and folk hymns — a total of more than two hundred pieces thatrepresent a fas Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

hardcover. Condición: As New. 2nd printing. University of Tennessee Press, 2014. Hard cover, 2nd printing. Fine condition with no dust jacket, as issued.

Hardback. Condición: New. In the small towns and rural areas of early America, church-sponsored "singing schools" proliferated as a way of both improving congregational singing and drawing communities together. Congregants attending these schools were taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitch-a method that worked well with singers having little understanding of standard musical notation. These schools eventually became major social events that drew hundreds of attendees, and today countless enthusiasts carry on the shape-note tradition.The New Harp of Columbia, originally published in Knoxville in 1867, was a shape-note tunebook used in East Tennessee singing schools. It was based on an even earlier publication, The Harp of Columbia (1848). In 1978, the University of Tennessee Press published a facsimile edition of The New Harp with an introduction by Dorothy D. Horn, Ron Petersen, and Candra Phillips that detailed the history of shape-note singing as well as the story of the tunebook itself and its original compilers, W. H. Swan and M. L. Swan. That edition went out of print in 1999. Now, for this "restored edition" of the tunebook, the Press has reprinted not only the full text of its 1978 facsimile edition but has included additional tunes that were part of the original 1848 Harp of Columbia. A few verses to some songs favored by contemporary singers have also been added, and a new foreword by Larry Olszewski and Bruce Wheeler brings the story of the tunebook and its users up to date.Included in the book are old psalm and hymn tunes, anthems, fuguing pieces, and folk hymns-a total of more than two hundred pieces that represent a fascinating slice of Americana. As a reviewer for the Journal of Church Music noted of the 1978 facsimile: "[The book is] a worthwhile addition to any church musician's library, especially those interested in the development of American sacred music over the past two centuries." This publication marks a significant new step in preserving an important musical tradition.…

paperback. Condición: Very Good. Excellent condition! Covers have very light edgewear with glossy surfaces. Pages have no highlighting or marks and show very light use.

Condición: Sehr gut. Zustand: Sehr gut | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Couverture rigide. Condición: bon. R240110077: 1976. In-8. Cartonné. Etat d'usage, Coins frottés, Dos satisfaisant, Intérieur frais. 16 pages - nombreuses illustrations couleurs dans le texte - une horloge avec aiguilles amovibles sur le 1er plat - crayonnages à l'encre sur le 2eme plat. . . . Classification Dewey : 843.0692-Livres d'enfants. …

Condición: Assez bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.