Miriam haddu (85 resultados)

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: new. Paperback. Riven with unresolved traumas and appropriated by successive governments, the past haunts spaces in Mexican film and visual culture. These events, without consensus or a singular/unifying narrative, act like spectres haunting the present. To comprehend how they manifest, Legacies of the Past considers how filmmakers and visual artists have found ways of understanding these haunted spaces. With case studies of films like El atentado (2010), Flor en Otomi (2012) and the photography of Dulce Pinzon, this collection analyses the audio-visual representations of several heightened events in Mexican history. The conbtributors explorations, imaginings and counter-imaginings bring the past to the foreground, creating new narratives and proposing new histories in order to show the significance of storytelling and narrative for a shared understanding of ourselves. This collection analyses the audio-visual representations of several heightened events in Mexican history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. Riven with unresolved traumas and appropriated by successive governments, the past haunts spaces in Mexican film and visual culture. These events, without consensus or a singular/unifying narrative, act like spectres haunting the present. To comprehend how they manifest, Legacies of the Past considers how filmmakers and visual artists have found ways of understanding these haunted spaces. With case studies of films like El atentado (2010), Flor en Otomi (2012) and the photography of Dulce Pinzon, this collection analyses the audio-visual representations of several heightened events in Mexican history. The contributors' explorations, imaginings and counter-imaginings bring the past to the foreground, creating new narratives and proposing new histories in order to show the significance of storytelling and narrative for a shared understanding of ourselves. …

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: New. Riven with unresolved traumas and appropriated by successive governments, the past haunts spaces in Mexican film and visual culture. These events, without consensus or a singular/unifying narrative, act like spectres haunting the present. To comprehend how they manifest, Legacies of the Past considers how filmmakers and visual artists have found ways of understanding these haunted spaces. With case studies of films like El atentado (2010), Flor en Otomi (2012) and the photography of Dulce Pinzon, this collection analyses the audio-visual representations of several heightened events in Mexican history. The contributors' explorations, imaginings and counter-imaginings bring the past to the foreground, creating new narratives and proposing new histories in order to show the significance of storytelling and narrative for a shared understanding of ourselves. …

Hardcover. Condición: Very Good. No Jacket. 2007 hardcover published without jacket/minor wear on the cover/clean & unmarked. 253 p.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: new.

Condición: New. 2022. Paperback. . . . . .

Condición: New. 1st edition NO-PA16APR2015-KAP.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Paperback. Condición: New.

Condición: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New.

Hardcover. Condición: New. No Dust Jacket. New hardcover with printed boards, no dust jacket, in original shrink wrapping. LW. New.

Condición: New.

Hardcover. Condición: Very Good. Very good hardcover. Unread stock. Little mark on the side of the page block. Used.

Paperback. Condición: Brand New. reprint edition. 186 pages. 9.00x6.00x0.75 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New. xi, 257 pages : illustrations ; 25 cm. Contents: Part I. Latin American perspectives -- Part II. Revolution and its specters -- Part III. Crossing borders, crossing genres -- Part IV. Performance and reflexivity in the contemporary documentary -- Part V. Questions of reference.…

Condición: As New. Unread book in perfect condition.

Condición: New. This collection brings together leading international scholars and filmmakers focusing on Latin American cinema. Themes discussed include subjectivity, history, memory, representations of reality, cinema's relation to the public sphere, and issues of production, distribution and marketing. Editor(s): Page, J.; Haddu, Miriam. Series: Studies of the Americas. Num Pages: 270 pages, 17 black & white illustrations, biography. BIC Classification: APF; JFC; JP. Category: (G) General (US: Trade). Dimension: 229 x 152 x 14. Weight in Grams: 401. . 2009. Paperback. . . . .…

Condición: New. This collection brings together leading international scholars and filmmakers focusing on Latin American cinema. Themes discussed include subjectivity, history, memory, representations of reality, cinema's relation to the public sphere, and issues of production, distribution and marketing. Editor(s): Haddu, Miriam; Page, Joanna. Series: Studies of the Americas. Num Pages: 270 pages, 17 black & white illustrations, biography. BIC Classification: APFA. Category: (P) Professional & Vocational. Dimension: 243 x 162 x 19. Weight in Grams: 500. . 2009. 2009th Edition. hardcover. . . . .…

Taschenbuch. Condición: Neu. Neuware - Riven with unresolved traumas and appropriated by successive governments, the past haunts spaces in Mexican film and visual culture. These events, without consensus or a singular/unifying narrative, act like spectres haunting the present. To comprehend how they manifest, Legacies of the Past considers how filmmakers and visual artists have found ways of understanding these haunted spaces. With case studies of films like El atentado (2010), Flor en Otomí (2012) and the photography of Dulce Pinzón, this collection analyses the audio-visual representations of several heightened events in Mexican history. The conbtributors' explorations, imaginings and counter-imaginings bring the past to the foreground, creating new narratives and proposing new histories in order to show the significance of storytelling and narrative for a shared understanding of ourselves.…

Paperback. Condición: New. Riven with unresolved traumas and appropriated by successive governments, the past haunts spaces in Mexican film and visual culture. These events, without consensus or a singular/unifying narrative, act like spectres haunting the present. To comprehend how they manifest, Legacies of the Past considers how filmmakers and visual artists have found ways of understanding these haunted spaces. With case studies of films like El atentado (2010), Flor en Otomi (2012) and the photography of Dulce Pinzon, this collection analyses the audio-visual representations of several heightened events in Mexican history. The contributors' explorations, imaginings and counter-imaginings bring the past to the foreground, creating new narratives and proposing new histories in order to show the significance of storytelling and narrative for a shared understanding of ourselves. …