Mircan mihnea (20 resultados)

Softcover. Condición: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2007. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2007. Ammareal gives back up to 15% of this item's net price to charity organizations. …

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Paperback. Condición: new. Paperback. Revisiting the classical myth of Daphne as the starting point for an investigation of trauma and metamorphosis, symbiosis and entanglementAs most famously immortalized in Ovid's Metamorphoses, the myth of Daphne and Apollo ends with the former, a river nymph of divine beauty, turning into a laurel tree after begging to be spared from Apollo's lustful chase. In this reevaluation of her story, Daphne's becoming tree--and becoming image--is reimagined as a cipher for contemporary predicaments, illuminating the perils and potentials of a profound transformation of the human. Daphne is here recast as a dynamic model for the ruptures between the "figures" and "grounds" of today's visual, social and ecological environments. Essays and artist contributions explore the integrity of bodies, their performative or prosthetic extensions and the alliances they enter into across species.Contributors include: Jacquelyn Ardam, Lauren Burrow, Justin Clemens, Amelia Groom, Eva Hayward, Caroline A. Jones, Martha Kenney, Esther Leslie, Sophie Lewis, Candice Lin, Stephanie McCarter, P. Staff. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Broschur / Softcover. 1. Aufl. texts by: Hans van Houwelingen, Mihnea Mircan, Arno van Roosmalen, John Heymans, Jonas Staal, Mark Jarzombek . (Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Englisch Gewicht in Gramm: 600.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: VG. Gray boards with black and a darker gray lettering. 99 pp. Color and BW illustrations. Parallel texts in Swedish and English. Some text in Norwegian.

Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Taschenbuch. Condición: Neu. Neuware - This anthology revisits the classical myth of Daphne as the starting point for an investigation of trauma and metamorphosis, symbiosis and entanglement. Daphne, the nymph who turned into a tree to evade the assault of the god Apollo, is a figure in, and of, crisis, here re-cast as a dynamic model for the ruptures between the 'figures' and 'grounds' of today's visual, social, and ecological environments. Commissioned essays and artist pages explore the integrity and vulnerability of bodies, their performative or prosthetic extensions, and the alliances they enter into, across species or symbolic registers. Tangling brutality and emancipation, power and refusal, self and place, Daphne's becoming tree-and becoming image-is reimagined as a cipher for contemporary predicaments, illuminating the perils and potentials of a profound transformation of the human.Mihnea Mircan is a writer and the curator of Plan B Foundation, which will open in Cluj, Romania in 2025. Helen Hughes is deputy head of the Fine Art department and a senior lecturer in art history, theory, and curatorial practice at Monash University, Melbourne.; Diese Anthologie nimmt den antiken Daphne-Mythos zum Ausgangspunkt, um sich mit Trauma, Metamorphose, Symbiose und Verstrickung auseinanderzusetzen. Die Nymphe Daphne, die sich in einen Baum verwandelt, um der gewaltsamen Nachstellung des Gottes Apollon zu entkommen - eine Figur in der Krise -, fungiert dabei als dynamisches Modell für das brüchige Verhältnis von 'Figur' und 'Grund' in der visuellen, sozialen und ökologischen Umwelt unserer Gegenwart. Die für dieses Buch entstandenen Essays und künstlerischen Beiträge drehen sich um die Unversehrtheit und Vulnerabilität von Körpern, um deren performative und prothetische Erweiterungen, schließ- lich um die Allianzen, die sie - über Speziesgrenzen hinweg und in verschiedenen symbolischen Registern - eingehen. In einem Gewirr aus Brutalität und Emanzipation, Macht und Ablehnung, Selbst und Verortung wird Daphnes Baum-Werden - und Bild-Werden - als Chiffre zeitgenössischer Dilemmata interpretiert, um Risiken und Potenziale einer tiefgreifenden Transformation des Mensch- lichen anschaulich zu machen.Mihnea Mircan ist Autor und Kurator der Plan B Foundation, die im Jahr 2025 ihre Arbeit im rumänischen Cluj aufnimmt. Helen Hughes lehrt Kunstgeschichte, Theorie und kuratorische Praxis an der Monash University in Melbourne, Australien. …

Gr.°, Broschur. 333 Seiten. Das Buch ist in einem sehr guten Zustand. 9783735607539 Sprache: Englisch Gewicht in Gramm: 1597.

Condición: New.

Condición: New.

Paperback. Condición: new. Paperback. Revisiting the classical myth of Daphne as the starting point for an investigation of trauma and metamorphosis, symbiosis and entanglementAs most famously immortalized in Ovid's Metamorphoses, the myth of Daphne and Apollo ends with the former, a river nymph of divine beauty, turning into a laurel tree after begging to be spared from Apollo's lustful chase. In this reevaluation of her story, Daphne's becoming tree--and becoming image--is reimagined as a cipher for contemporary predicaments, illuminating the perils and potentials of a profound transformation of the human. Daphne is here recast as a dynamic model for the ruptures between the "figures" and "grounds" of today's visual, social and ecological environments. Essays and artist contributions explore the integrity of bodies, their performative or prosthetic extensions and the alliances they enter into across species.Contributors include: Jacquelyn Ardam, Lauren Burrow, Justin Clemens, Amelia Groom, Eva Hayward, Caroline A. Jones, Martha Kenney, Esther Leslie, Sophie Lewis, Candice Lin, Stephanie McCarter, P. Staff. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: New.

Paperback. Condición: new. Paperback. Revisiting the classical myth of Daphne as the starting point for an investigation of trauma and metamorphosis, symbiosis and entanglementAs most famously immortalized in Ovid's Metamorphoses, the myth of Daphne and Apollo ends with the former, a river nymph of divine beauty, turning into a laurel tree after begging to be spared from Apollo's lustful chase. In this reevaluation of her story, Daphne's becoming tree--and becoming image--is reimagined as a cipher for contemporary predicaments, illuminating the perils and potentials of a profound transformation of the human. Daphne is here recast as a dynamic model for the ruptures between the "figures" and "grounds" of today's visual, social and ecological environments. Essays and artist contributions explore the integrity of bodies, their performative or prosthetic extensions and the alliances they enter into across species.Contributors include: Jacquelyn Ardam, Lauren Burrow, Justin Clemens, Amelia Groom, Eva Hayward, Caroline A. Jones, Martha Kenney, Esther Leslie, Sophie Lewis, Candice Lin, Stephanie McCarter, P. Staff. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Kartoniert / Broschiert. Condición: New. Diese Anthologie nimmt den antiken Daphne-Mythos zum Ausgangspunkt, um sich mit Trauma, Metamorphose, Symbiose und Verstrickung auseinanderzusetzen. Die Nymphe Daphne, die sich in einen Baum verwandelt, um der gewaltsamen Nachstellung des Gottes Apollon zu .

paperback. Condición: Gut. Gebraucht - Gut - ungelesen,als Mängelexemplar gekennzeichnet, mit leichten Mängeln an Schnitt oder Einband durch Lager- oder Transportschaden,Kanten etwas bestoßen. -Die Monografie des rumänischen Konzeptkünstlers Miklós Onucsán (\*1952) ist eine Betrachtung seiner künstlerischen Praxis aus vier Jahrzehnten. Der Titel des Buches ist die Schlussfolgerung zu Onucsáns Axiom aus dem Jahr 2005: 'Weiß wird durch Abnutzung dunkler und Schwarz durch Abnutzung heller. Deshalb ist Weiß für immer schwarz und Schwarz für immer weiß.' Dieser Übergang zwischen Zuständen desselben Objekts und Modalitäten seiner Interpretation sind ein Prinzip der künstlerischen Praxis Onucsáns.Das Buch therefore white is black worn away for good and black is white worn away for good vereint einordnende Essays von Sven Spieker, Magda Radu, Bogdan Ghiu, Mihnea Mircan und Madalina Bra oveanu sowie ein Interview mit dem Künstler.Christoph Kerber GmbH & Co. KG, Detmolder Straße 60, 33604 Bielefeld 336 pp. Englisch.…

Taschenbuch. Condición: Neu. A Biography of Daphne | Mihnea Mircan (u. a.) | Taschenbuch | 300 S. | Englisch | 2025 | Spector Books | EAN 9783959058070 | Verantwortliche Person für die EU: Spector Books OHG, Jan Wenzel, Harkortstr. 10, 04107 Leipzig, wenzel[at]spectorbooks[dot]com | Anbieter: preigu. …

Paperback. Condición: New. This volume examines Romania's political and social transition from communism to democracy through the lens of its contemporary art of the past 20 years. Conceived as a kind of cultural manifesto or resolution, it analyzes this period and the conception of postcommunism through the work of 26 artists and writers.…

Softcover. Condición: Sehr gut. 1. Auflage. Z : 160 Seiten/pp., 100 farbige Abbildungen - Known for their collaborative projects exploring the relations between art and economic processes, Plamen Dejanoff and Svetlana Heger made their appearance on the European scene in the mid 1990s. For several years since then, Dejanoff has developed his own complex projects, spaced out over several year.…