michael colvin (64 resultados)

Condición: like_new. Shows very minimal signs of wear and previous use. Can include notes highlighting. A portion of your purchase benefits nonprofits! - Note: Edition & format may differ from what is shown in stock photo & item details. May not include supplementary material such as toys, access code, dvds, etc.

paperback. Condición: Very Good. Larkin, Michael Wee Skribbles Ilustrador. YES - We Believe.: 3 (The Scottish Independence Trilogy) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Condición: Fine. Larkin, Michael Ilustrador.

Condición: Very Good. C. Colvin Ilustrador. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Larkin, Michael Ilustrador. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condición: Very Good. C. Colvin Ilustrador. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

paperback. Condición: Very Good. Larkin, Michael Wee Skribbles Ilustrador. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condición: Aceptable. : La Naturaleza de la Catástrofe es una antología de ciencia ficción editada por Francisco Arellano en 1978. Este libro reúne relatos de diversos autores, incluyendo a Michael Moorcock, Langdon Jones, Brian W. Aldiss, Norman Spinrad, Alex Krislov, Mal Dean, M. John Harrison, James Sallis, Maxim Jakubowski y R. Glyn Jones. Los relatos exploran temas relacionados con la ciencia ficción y la especulación, ofreciendo una visión diversa y energética de la literatura contemporánea. El libro está traducido al español por Elías Sarhan y forma parte de la Colección Delirio. EAN: 9788485145102 Tipo: Libros Categoría: Ciencia Ficción Título: La naturaleza de la catástrofe Autor: Michael Moorcock| James Colvin| Alex Krislov| Maxim Jakubowski| Brian W. Aldiss| M. John Harrison| James Sallis| Langdon Jones| Norman Spinrad Editorial: Francisco Arellano. Idioma: es Páginas: 285 Formato: tapa blanda.

Hardcover. Condición: As New. No Jacket. C. Colvin Ilustrador. 18 x 11 cm; Impeccable little book beautifully illustrated by Claire Colvin and signed by the author.

Condición: New.

Soft cover. Condición: Good. 1st Edition. Paperback first edition, 1966. This book is in good condition - pages tanning; remains of two price stickers on front; edge wear with very small tear on the back cover at bottom right. Photographs available on request.

Pamphlet. [6p.], 8.5x11 inch sheets stapled at upper left, small rust stain on front wrap else very good condition. Group letter demanding readmission to the SWP by Bay Area members who had been expelled for disployalty. Their crime was to remain in the audience during a state convention when two speakers proposed cooperation with Socialist Action; as loyal members they should have publicly denounced the collaborationists on the spot. Reproductions of two expulsion letters, and the disloyalty charges filed by Thabo Ntweng, are included. From the period of the SWP's self-inflicted frontal lobotomy.

Soft cover. Condición: Very Good/ Fine. Painted Cover Ilustrador. First Edition By This Publisher. 157 pages. Contents: Introduction / Michael Moorcock -- In passage of the Sun / George Collyn -- Multi-value motorway / Brian W. Aldiss -- The great clock / Langdon Jones -- The post-mortem people / Peter Tate -- The disaster story / Charles Platt -- The heat death of the universe / Pamela Zoline -- Coranda / Keith Roberts -- The soft world sequence / George MacBeth -- Kazoo / James Sallis -- Integrity / P.F. Woods -- The mountain / James Colvin. >> Sticker residue to front cover.; minor cover scuffing. Size: 12mo - over 6¾" - 7¾" Tall. Book.

Paperback. Condición: Brand New. 328 pages. 8.50x5.50x0.74 inches. In Stock.

Soft cover. Condición: Very Good +. Painted Cover Ilustrador. First Edition By This Publisher. 157 pages. >> Indent to front cover. Size: 12mo - over 6¾" - 7¾" Tall. Book.

tapa blanda. Condición: Bien. null (82-32"19"(082.2)) Francisco Arellano. Madrid. 1978. 19 cm. 286 p. il. Encuadernación en tapa blanda de editorial. Colección 'Colección Delirio'. Michael Moorcock, et al. ; Traducido del inglés por Elías Sarhan. Novelas de ciencia ficción. S. XX. Moorcock, Michael. 1939- . ISBN: 8485145100, 9788485145102 (=3530020=) VS164.

Paperback. Condición: New.

Condición: New.

Condición: New.

Condición: new.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: New. No Jacket. 1st Edition. 2016.Hardcover.New.158 pages.Ships from Japan.Usually ships in 1-2 working days.

Soft cover. Condición: Very Good. 1st Edition. Paperback Original (pbo). Drug novel (dedicated to William Burroughs) written under a pseudonym. Very scarce. VG; overall cover wear/rubbing.

Hardback. Condición: New. A compelling account of the role of Fado and the fadista in Portuguese film and the wider culture.Colvin studies the evolution of Fado music as the soundtrack to the Portuguese talkie. He analyzes the most successful Portuguese films of the first two decades of the Estado Novo era, showing how directors used the national songto promote the values of the young Regime regarding the poor inhabitants of Lisbon's popular neighborhoods. He considers the aesthetic, technological, and social advances that accompany the progress of the Estado Novo---Futurism;the development of sound film; the inception of national radio broadcast; access to the automobile; and urban renewal---within a historical context that considers Portugal's global profile at the time of António de Oliveira Salazar's rise to power and the inauguration of António Ferro's Secretariado da Propaganda Nacional; Portugal's role as a secret ally of the Falange during the Spanish Civil War; Lisbon's role as a neutral refuge during World War II; and the Portuguese colonial empire as an anachronism in the post-World War II years. Colvin argues that Portuguese directors have exploited the growing popularity of the Fado and Lisbon's fadistas to dissuade citizens from alien values that promote individual ambitions and the notion of an easy life of poverty in the capital. As the public image of the Fado evolves, the fadista's role in film becomes more prominent and eventually the fadista is the protagonist and the Fado the principal concern of national film. The author exposes the irony that as the social profile of the Lisbon fadista improves with the international fame of singer Amália Rodrigues, Portuguese film perpetuates and validates the outdated characterization of the fadista as a social pariah that Leitão de Barros proposed in the first Portuguese talkie, A Severa (1931). Michael Colvin is Associate Professor of HispanicStudies at Marymount Manhattan College.

Gebunden. Condición: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: new. Hardcover. A compelling account of the role of Fado and the fadista in Portuguese film and the wider culture.Colvin studies the evolution of Fado music as the soundtrack to the Portuguese talkie. He analyzes the most successful Portuguese films of the first two decades of the Estado Novo era, showing how directors used the national songto promote the values of the young Regime regarding the poor inhabitants of Lisbon's popular neighborhoods. He considers the aesthetic, technological, and social advances that accompany the progress of the Estado Novo---Futurism;the development of sound film; the inception of national radio broadcast; access to the automobile; and urban renewal---within a historical context that considers Portugal's global profile at the time of Antonio de Oliveira Salazar's rise to power and the inauguration of Antonio Ferro's Secretariado da Propaganda Nacional; Portugal's role as a secret ally of the Falange during the Spanish Civil War; Lisbon's role as a neutral refuge during World War II; and the Portuguese colonial empire as an anachronism in the post-World War II years.Colvin argues that Portuguese directors have exploited the growing popularity of the Fado and Lisbon's fadistas to dissuade citizens from alien values that promote individual ambitions and the notion of an easy life of poverty in the capital. As the public image of the Fado evolves, the fadista's role in film becomes more prominent and eventually the fadista is the protagonist and the Fado the principal concern of national film. The author exposes the irony that as the social profile of the Lisbon fadista improves with the international fame of singer Amalia Rodrigues, Portuguese film perpetuates and validates the outdated characterization of the fadista as a social pariah that Leitao de Barros proposed in the first Portuguese talkie, A Severa (1931).Michael Colvin is Associate Professor of HispanicStudies at Marymount Manhattan College. A compelling account of the role of Fado and the fadista in Portuguese film and the wider culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. 2016. Hardcover. . . . . .

Hardback. Condición: New. A compelling account of the role of Fado and the fadista in Portuguese film and the wider culture.Colvin studies the evolution of Fado music as the soundtrack to the Portuguese talkie. He analyzes the most successful Portuguese films of the first two decades of the Estado Novo era, showing how directors used the national songto promote the values of the young Regime regarding the poor inhabitants of Lisbon's popular neighborhoods. He considers the aesthetic, technological, and social advances that accompany the progress of the Estado Novo---Futurism;the development of sound film; the inception of national radio broadcast; access to the automobile; and urban renewal---within a historical context that considers Portugal's global profile at the time of António de Oliveira Salazar's rise to power and the inauguration of António Ferro's Secretariado da Propaganda Nacional; Portugal's role as a secret ally of the Falange during the Spanish Civil War; Lisbon's role as a neutral refuge during World War II; and the Portuguese colonial empire as an anachronism in the post-World War II years. Colvin argues that Portuguese directors have exploited the growing popularity of the Fado and Lisbon's fadistas to dissuade citizens from alien values that promote individual ambitions and the notion of an easy life of poverty in the capital. As the public image of the Fado evolves, the fadista's role in film becomes more prominent and eventually the fadista is the protagonist and the Fado the principal concern of national film. The author exposes the irony that as the social profile of the Lisbon fadista improves with the international fame of singer Amália Rodrigues, Portuguese film perpetuates and validates the outdated characterization of the fadista as a social pariah that Leitão de Barros proposed in the first Portuguese talkie, A Severa (1931). Michael Colvin is Associate Professor of HispanicStudies at Marymount Manhattan College.

Hardcover. Condición: New.