Mckay kenneth m (22 resultados)

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. First Edition. Writing on front flyleaf. There is edge wear with chipping of the spine ends of the DJ. The DJ is rubbed with mild soiling and some scratching on the back. There is a tear at the bottom spine end.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Publisher's gray cloth with black spine lettering, octavo, pp. xiv, 287. Dust jacket light shelf rubs and nicks from pre-mylar days but ensconced now in a new sheet of removable archival Brodart.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st. Beige cloth boards, cream coloured jacket, this copy signed on green ffep by previous owner Peter Hinchcliffe who was literature professor at St. Jerome's and the founder of Waterloo's significant literary magazine The New Quarterly.…

HC. 287pp ISBN 0802026583 According to Tennyson, "Poetry is like shot-silk with many glancing colours." Taking this statement as a key to Tennyson's art and meaning, the author explores in detail the maturation of the poet. Rooted in close analyses of individual poems, this is a study of the development and character of Tennyson's liberal artistic imagination; it allows a new understanding of the character of the Victorian period as well. very good+ w/very good+ dustjacket (hardcover).…

Hardcover. Condición: Fine / Fine dj. 287pp.

Hardcover. Condición: Almost Like New. Estado de la sobrecubierta: Very Good. First Printing. Book is a clean tight unmarked copy. Dust jacket is slightly scuffed with small tear on bottom edge area of spine.

First Edition. Near fine cloth copy in a very good if slightly dust-toned and stained dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; xiv, 287 pages ; 24 cm. Notes; Includes bibliographical references (pages 261-282). Subjects; Tennyson, Alfred Tennyson Baron 1809-1892 Criticism and interpretation. Tennyson, Alfred Tennyson Baron 1809-1892. Poetry English, Irish, Scottish, Welsh. Literary Criticism General. Poetry in English Tennyson, Alfred Tennyson, Baron, 1809-1892. 1 Kg. …

First Edition. Near fine cloth copy in a very good if slightly dust-toned and stained dust-wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; xiv, 287 pages ; 24 cm. Notes; Includes bibliographical references (pages 261-282). Subjects; Tennyson, Alfred Tennyson Baron 1809-1892 Criticism and interpretation. Tennyson, Alfred Tennyson Baron 1809-1892. Poetry English, Irish, Scottish, Welsh. Literary Criticism General. Poetry in English Tennyson, Alfred Tennyson, Baron, 1809-1892. 1 Kg. …

Condición: Very Good. From the Library of John Russell Taylor.

Condición: New. pp. 287.

Condición: New. pp. 287.

Soft cover. Condición: Very Good. "An Essay in Historical Recovery of Jack Hooke NE -19-39-25 WPM" 155 pp. Wraps have light rubbing and edgewear.

Condición: New. pp. 287.

Condición: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

[0-9689656-1-X] 2006, 1st printing. (Trade paperback) Fine. 155pp. Photographs, illustrations, tables, appendices. Biography of Jack Hooke. Locale: Birch River--Manitoba; Manitoba; Prairie Provinces; Western Canada. (Manitoba, Drury School #1671--Manitoba, Education--Manitoba, Schools--Manitoba, Teachers--Manitoba). …

Wrappers. Condición: Very Good. First Edition. The science congress, 1947; Trusteeship and New Zealand's Pacific dependencies, by Ernest Beaglehole; The Canberra proposals for a South Pacific Commission, by C. G. R. McKay; Aborigine and Maori, by R. M. S. Taylor; The development of Maori culture since the advent of the Pakeha, by J. M. McEwen; Tuamotuan bird names, by Kenneth P. Emory; Rarotonga today, by T. R. A. Davis; Peru-Tahiti raft voyage, by G. S. Roydhouse; Sir Apirana Ngata: public address in Washingto; Book notices; Treasurer's report on annual accounts for the year ending 31st March 1947.…

Condición: New. Satisfaction Guaranteed or your money back.

Taschenbuch. Condición: Neu. Many Glancing Colours | An Essay in Reading Tennyson, 1809-1850 | Kenneth M McKay | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1988 | University of Toronto Press | EAN 9781487578749 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.…

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -'Poetry,' wrote Tennyson 'is like shot-silk with many glancing colours.' Taking this statement as a key to Tennyson's art and meaning, Kenneth McKay explores in detail the maturing poems from Tennyson's earliest efforts as a boy under his father's eye at Somersby, through 'Timbuctoo' and 'The Lover's Tale,' through the great poems published between 1830 and 1847, to their culmination in 'In Memoriam,' that complex, various, and subtle expression of Tennyson's achieved maturity. Rooted in close analyses of individual poems, Many Glancing Colours becomes a study of the development and character of Tennyson's liberal artistic imagination. Though closely aligned with Coleridge's idea of 'multeity in unity,' Tennyson's sense of poetry as shot-silk is different, MacKay suggests, chiefly by its resistance to and subversion of a faith in the efficacy of the rational, ordering consciousness. Tennyson rejected Coleridge's Germany idealism, recognizing in the words of Arthur Hallam, that 'Pain is the deepest thing we have in our nature, and union through pain has always seemed more real and more holy than any other.' With this, he saw, again with Hallam, that 'the Godhead of the Son has not been a fixed, invariable thing from the beginning: he is more God now than he was once; and will be perfectly united to God hereafter.' From this position, McKay argues, Tennyson wrote his great poems between 1830 and 1850, apprehending reality in a body of work which is distinct in a voice, technique, and imaginative grasp. First in 'Mariana' (1830) and then in the major poems which follow, Tennyson projects a world in which meaning and love come only as one submits, beyond any hope for or presumption of knowledge, to suffering and ignorance as the very condition of both vision and life. A poetry of shot-silk, in its intelligence, range, variety, and ambiguity, became Tennyson's natural instrument, one fundamental to his liberal artistic imagination and a study of which makes for a new understanding of the development and character of the Victorian period generally. 304 pp. Englisch.…

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - 'Poetry,' wrote Tennyson 'is like shot-silk with many glancing colours.' Taking this statement as a key to Tennyson's art and meaning, Kenneth McKay explores in detail the maturing poems from Tennyson's earliest efforts as a boy under his father's eye at Somersby, through 'Timbuctoo' and 'The Lover's Tale,' through the great poems published between 1830 and 1847, to their culmination in 'In Memoriam,' that complex, various, and subtle expression of Tennyson's achieved maturity. Rooted in close analyses of individual poems, Many Glancing Colours becomes a study of the development and character of Tennyson's liberal artistic imagination. Though closely aligned with Coleridge's idea of 'multeity in unity,' Tennyson's sense of poetry as shot-silk is different, MacKay suggests, chiefly by its resistance to and subversion of a faith in the efficacy of the rational, ordering consciousness. Tennyson rejected Coleridge's Germany idealism, recognizing in the words of Arthur Hallam, that 'Pain is the deepest thing we have in our nature, and union through pain has always seemed more real and more holy than any other.' With this, he saw, again with Hallam, that 'the Godhead of the Son has not been a fixed, invariable thing from the beginning: he is more God now than he was once; and will be perfectly united to God hereafter.' From this position, McKay argues, Tennyson wrote his great poems between 1830 and 1850, apprehending reality in a body of work which is distinct in a voice, technique, and imaginative grasp. First in 'Mariana' (1830) and then in the major poems which follow, Tennyson projects a world in which meaning and love come only as one submits, beyond any hope for or presumption of knowledge, to suffering and ignorance as the very condition of both vision and life. A poetry of shot-silk, in its intelligence, range, variety, and ambiguity, became Tennyson's natural instrument, one fundamental to his liberal artistic imagination and a study of which makes for a new understanding of the development and character of the Victorian period generally.…