Mcewan scott (28 resultados)

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Special Edition. First Memorial edition, First printing. Not price clipped. NOT REMAINDER marked. NOT ex library. Not Book Club. Dust jacket in protective cover. Shipped in a box. Number line starting with a (1). Fine/Fine.

Paperback. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: Good. In good clean condition. Inscribed by the author. Memories and anecdotes of a Mi'kmaw from Bear River Nova Scotia. Illustrated with photos and line drawings. Scarce book. Scott, Stephen (ilustrador).

Hardcover. Condición: Fine. A fine copy with previous owner's name on front free endpaper. Pp. xxx, 293. EARLY EUROPEAN RESEARCH Volume 11.

Hardcover. Condición: As New. Early European Research, vol. 11. xxx, 396 pp., 25 illus. Hardcover with pictorial boards. Unread, as new. New list price: 85.00.

Softcover. Condición: Fine. No Dust Jacket. First Edition; First Printing. Screenplay specially produced for nominating purposes for the Golden Globes. Fine in black printed wrappers. A Clint Eastwood film. Jason Hall was nominated for an Oscar for his screenplay. (G) ; 5 1/2" X 8 1/2"; 117 pages.

hardcover. Condición: New. 1st.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Brand New. 01 edition. 300 pages. 9.50x6.25x1.00 inches. In Stock.

Condición: New.

Hardback. Condición: New.

Hardcover. Condición: new. Hardcover. Drawing on a range of interdisciplinary approaches and innovative methodologies, this collection contributes ground-breaking new scholarship in the burgeoning field of emotions studies by examining how medieval and early modern Europeans communicated and 'performed' their emotions. Rejecting the notion that emotions are 'essential' or 'natural', this volume seeks to pay particular attention to cultural understandings of emotion by examining how they were expressed and conveyed in a wide range of historical situations. The contributors investigate the performance and reception of pre-modern emotions in a variety of contexts--in literature, art, and music, as well as through various social and religious performances--and in a variety of time periods ranging from the twelfth to the eighteenth centuries. These studies provide both case-studies of particular emotions and emotional negotiations, and examinations of how their categorisation, interpretation, and meaning has changed over time. The contributors provide new insights into the expression and performance of pre-modern emotions from a wide range of disciplinary fields, including historical studies, literature, art history, musicology, gender studies, religious studies, and philosophy. Collectively, they theorise the performativity of medieval and early modern emotions and outline a new approach that takes fuller account of the historical specificity and cultural meanings of emotions at particular points in time. This volume complements the earlier volume Understanding Emotions in Early Europe, edited by Michael Champion and Andrew Lynch (2015). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Gebunden. Condición: New.

Condición: New. 2018. 1st Edition. hardcover. . . . . .

Buch. Condición: Neu. Neuware - Drawing on a range of interdisciplinary approaches and innovative methodologies, this collection contributes ground-breaking new scholarship in the burgeoning field of emotions studies by examining how medieval and early modern Europeans communicated and 'performed' their emotions. Rejecting the notion that emotions are 'essential' or 'natural', this volume seeks to pay particular attention to cultural understandings of emotion by examining how they were expressed and conveyed in a wide range of historical situations. The contributors investigate the performance and reception of pre-modern emotions in a variety of contexts--in literature, art, and music, as well as through various social and religious performances--and in a variety of time periods ranging from the twelfth to the eighteenth centuries. These studies provide both case-studies of particular emotions and emotional negotiations, and examinations of how their categorisation, interpretation, and meaning has changed over time. The contributors provide new insights into the expression and performance of pre-modern emotions from a wide range of disciplinary fields, including historical studies, literature, art history, musicology, gender studies, religious studies, and philosophy. Collectively, they theorise the performativity of medieval and early modern emotions and outline a new approach that takes fuller account of the historical specificity and cultural meanings of emotions at particular points in time. This volume complements the earlier volume Understanding Emotions in Early Europe, edited by Michael Champion and Andrew Lynch (2015). …

Hardback. Condición: New.

Condición: New. 2018. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: gut. 2018. Performing Emotions in Early Europe In deutscher Sprache. pages.

Hardcover. Condición: new. Hardcover. Drawing on a range of interdisciplinary approaches and innovative methodologies, this collection contributes ground-breaking new scholarship in the burgeoning field of emotions studies by examining how medieval and early modern Europeans communicated and 'performed' their emotions. Rejecting the notion that emotions are 'essential' or 'natural', this volume seeks to pay particular attention to cultural understandings of emotion by examining how they were expressed and conveyed in a wide range of historical situations. The contributors investigate the performance and reception of pre-modern emotions in a variety of contexts--in literature, art, and music, as well as through various social and religious performances--and in a variety of time periods ranging from the twelfth to the eighteenth centuries. These studies provide both case-studies of particular emotions and emotional negotiations, and examinations of how their categorisation, interpretation, and meaning has changed over time. The contributors provide new insights into the expression and performance of pre-modern emotions from a wide range of disciplinary fields, including historical studies, literature, art history, musicology, gender studies, religious studies, and philosophy. Collectively, they theorise the performativity of medieval and early modern emotions and outline a new approach that takes fuller account of the historical specificity and cultural meanings of emotions at particular points in time. This volume complements the earlier volume Understanding Emotions in Early Europe, edited by Michael Champion and Andrew Lynch (2015). Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: Brand New. 206 pages. 8.50x5.50x0.52 inches. In Stock. This item is printed on demand.

Paperback. Condición: Brand New. 198 pages. 8.50x5.50x0.50 inches. In Stock. This item is printed on demand.

Softcover. Condición: Fine. No Dust Jacket. First Edition; First Printing. Screenplay specially produced for nominating purposes for the Golden Globes. Fine in black printed wrappers. A Clint Eastwood film. Jason Hall was nominated for an Oscar for his screenplay. ; 5 1/2" X 8 1/2"; 117 pages.

Hardcover. Condición: gut. 2008. KOMPLETT:1-100 Auf Anregung und Wunsch vieler Leser versammelt dieser Band alle 100 Patentexte der Süddeutschen Zeitung Bilbliothek, die zwischen dem 20. März 2004 und dem 26. März 2008 zur Vorstellung der 100 großen Romane des 20. Jahrhunderts im Feuilleton der Süddeutschen Zeitung erschienen sind. Außerdem wurde der Beitrag von Heinz Schlaffer zum Auftakt der Süddeutschen Zeitung Bibliothek und derjenige von Thomas Steinfeld zum Start der zweiten Staffel aufgenommen. Inhalt: Milan Kundera - Die unerträgliche Leichtigkeit des Seins Umberto Eco - Der Name der Rose Günter Grass - Katz und Maus Francis Scott Fitzgerald - Der große Gatsby Thomas Bernhard - Der Untergeher Paul Auster - Stadt aus Glas Elias Canetti - Die Stimmen von Marrakesch Edward M. Forster - Wiedersehen in Howards End Martin Walser - Ehen in Philippsburg John Irving - Das Hotel New Hampshire Juan Carlos Onetti - Das kurze Leben Arthur Schnitzler - Traumnovelle Peter Handke - Die Angst des Tormanns beim Elfmeter James Joyce - Ein Porträt des Künstlers als junger Mann Marguerite Yourcenar - Der Fangschuss Patricia Highsmith - Der talentierte Mr. Ripley Jorge Semprún - Was für ein schöner Sonntag! Uwe Johnson - Mutmaßungen über Jakob Harry Mulisch - Das Attentat Joseph Conrad - Herz der Finsternis Julio Cortázar - Der Verfolger Claude Simon - Die Akazie Michael Ondaatje - Der englische Patient Georges Simenon - Der Mann, der den Zügen nachsah William Faulkner - Die Freistatt Rainer Maria Rilke - Die Aufzeichnungen des Malte Laurids Brigge Wolfgang Koeppen - Das Treibhaus Siegfried Lenz - Deutschstunde Graham Greene - Der dritte Mann Eduard von Keyserling - Wellen Ian McEwan - Der Zementgarten Max Frisch - Mein Name sei Gantenbein Cees Nooteboom Allerseelen William Somerset Maugham - Der Magier Carson McCullers - Das Herz ist ein einsamer Jäger Franz Kafka Amerika Bruce Chatwin - Traumpfade Botho Strauß - Paare, Passanten Marcel Proust - Eine Liebe Swanns John Steinbeck - Tortilla Flat Andrzej Szczypiorski - Die schöne Frau Seidenman Friedrich Dürrenmatt - Der Richter und sein Henker Julien Green - Leviathan Oscar Wilde - Das Bildnis des Dorian Gray Jurek Becker - Bronsteins Kinder Hermann Hesse - Unterm Rad Peter Høeg - Fräulein Smillas Gespür für Schnee Primo Levi - Das periodische System Marguerite Duras - Der Liebhaber Italo Calvino - Wenn ein Reisender in einer Winternacht Truman Capote Frühstück bei Tiffany Orhan Pamuk: Rot ist mein Name Margriet de Moor: Der Virtuose Virginia Woolf: Mrs Dalloway (Verfilmung) Ingo Schulze: 33 Augenblicke des Glücks Louis Begley: Lügen in Zeiten des Krieges Stefan Zweig: Maria Stuart Urs Widmer: Der Geliebte der Mutter Christa Wolf: Kassandra Nadine Gordimer: Niemand, der mit mir geht Carlo Levi: Christus kam nur bis Eboli Brigitte Kronauer: Berittener Bogenschütze Andrzej Stasiuk: Die Welt hinter Dukla Kurt Tucholsky: Schloss Gripsholm. Eine Sommergeschichte Colette: Mitsou Nuruddin Farah: Maps Joan Aiken: Du bist ich. Die Geschichte einer Täuschung Lars Gustafsson: Der Tod eines Bienenzüchters Ivo Andric: Die Brücke über die Drina Hartmut Lange: Das Konzert Amos Oz: Ein anderer Ort Ilse Aichinger: Die größere Hoffnung Joseph Heller: Catch 22 Anna Seghers: Transit Per Olov Enquist: Das Buch von Blanche und Marie Bohumil Hrabal: Ich dachte an die goldenen Zeiten Anthony Burgess: Die Uhrwerk-Orange Jaan Kross: Der Verrückte des Zaren Marlene Streeruwitz: Verführungen Juan Goytisolo: Landschaften nach der Schlacht Isaac Bashevis Singer: Feinde, die Geschichte einer Liebe Ricarda Huch: Der Fall Deruga Javier Marías: Alle Seelen Christoph Ransmayr: Die Schrecken des Eises und der Finsternis Wolfgang Hildesheimer: Marbot. Eine Biografie Patrick Modiano: Eine Jugend Muriel Spark: Memento Mori Lion Feuchtwanger: Narrenweisheit Philip Roth: Täuschung Monika Maron: Stille Zeile Sechs William Maxwell: Zeit der Nähe Franz Werfel: Eine blassblaue Frauenschrift Winfried G. Sebald: Austerlitz Wolfgang Hilbig: "Ich" Penelope Fitzgerald: Die blaue Blume Robert Walser: Jakob von Gunten Ingeborg Bachmann: Malina Arno Schmidt: Das steinerne Herz Leo Perutz: Der schwedische Reiter Mario Vargas Llosa: Lob der Stiefmutter 8°, Original Pappeinbände mit illustr. Original Umschlägen 2008 Literatur Süddeutsche Zeitung Große Romane des 20. Jahrhunderts Süddeutsche Zeitung - Bibliothek: Grosse Romane des 20. Jahrhunderts KOMPLLETT (Bd. 01 - 100) von Süddeutsche Zeitung (Hrsg.) (Autor) SZ - Bibliothek: Große Romane des 20. Jahrhunderts Hundert große Romane des 20. Jahrhunderts. In deutscher Sprache. pages.…