Philippa maddern (30 resultados)

Secondhand, Paperback. , . NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. Author: Andrew Lynch Format: Paperback Number of Pages: 222 0. Secondhand, Paperback.

Soft cover. Condición: Fine.

Paper Back. Condición: Very Good. 214 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Size: Size E: 8"-9" Tall (204-227mm).

8vo. 214pp. Original wrappers. Near fine. A paperback original.

Paper Back. Condición: Very Good. The edges have slight wear. 284 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Size: Size E: 8"-9" Tall (203-228mm).

hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good.

Hardcover. Condición: Fine. A fine copy with previous owner's name on front free endpaper. Pp. xxx, 293. EARLY EUROPEAN RESEARCH Volume 11.

Hardcover. Condición: As New. Early European Research, vol. 11. xxx, 396 pp., 25 illus. Hardcover with pictorial boards. Unread, as new. New list price: 85.00.

1st edition stiff wrappers As New octavo 284pp., notes, bibliog., index.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Book measures 22x15cm, 270pp. Bound in original publishers cloth, with gilt title lettering. Binding in fine condition. Dust jacket lightly rubbed. Jacket in very good clean condition. Internally, previous owners bookplate on paste down, otherwise pages clean, near fine. A very good clean copy. …

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

hardcover. Condición: New. 1st.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Brand New. 01 edition. 300 pages. 9.50x6.25x1.00 inches. In Stock.

Condición: New.

Hardback. Condición: New.

Hardcover. Condición: new. Hardcover. Drawing on a range of interdisciplinary approaches and innovative methodologies, this collection contributes ground-breaking new scholarship in the burgeoning field of emotions studies by examining how medieval and early modern Europeans communicated and 'performed' their emotions. Rejecting the notion that emotions are 'essential' or 'natural', this volume seeks to pay particular attention to cultural understandings of emotion by examining how they were expressed and conveyed in a wide range of historical situations. The contributors investigate the performance and reception of pre-modern emotions in a variety of contexts--in literature, art, and music, as well as through various social and religious performances--and in a variety of time periods ranging from the twelfth to the eighteenth centuries. These studies provide both case-studies of particular emotions and emotional negotiations, and examinations of how their categorisation, interpretation, and meaning has changed over time. The contributors provide new insights into the expression and performance of pre-modern emotions from a wide range of disciplinary fields, including historical studies, literature, art history, musicology, gender studies, religious studies, and philosophy. Collectively, they theorise the performativity of medieval and early modern emotions and outline a new approach that takes fuller account of the historical specificity and cultural meanings of emotions at particular points in time. This volume complements the earlier volume Understanding Emotions in Early Europe, edited by Michael Champion and Andrew Lynch (2015). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: As New. Unread book in perfect condition.

Buch. Condición: Neu. Neuware - This study explores the nature and meaning of violence in 15th-century England in order to uncover the attitudes and beliefs of the inhabitants of medieval East Anglia. It examines the way their moral code was reflected in the procedures and punishments of the courts and assesses the success of the legal system in maintaining authority and order.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Gebunden. Condición: New.

Condición: New. 2018. 1st Edition. hardcover. . . . . .

Buch. Condición: Neu. Neuware - Drawing on a range of interdisciplinary approaches and innovative methodologies, this collection contributes ground-breaking new scholarship in the burgeoning field of emotions studies by examining how medieval and early modern Europeans communicated and 'performed' their emotions. Rejecting the notion that emotions are 'essential' or 'natural', this volume seeks to pay particular attention to cultural understandings of emotion by examining how they were expressed and conveyed in a wide range of historical situations. The contributors investigate the performance and reception of pre-modern emotions in a variety of contexts--in literature, art, and music, as well as through various social and religious performances--and in a variety of time periods ranging from the twelfth to the eighteenth centuries. These studies provide both case-studies of particular emotions and emotional negotiations, and examinations of how their categorisation, interpretation, and meaning has changed over time. The contributors provide new insights into the expression and performance of pre-modern emotions from a wide range of disciplinary fields, including historical studies, literature, art history, musicology, gender studies, religious studies, and philosophy. Collectively, they theorise the performativity of medieval and early modern emotions and outline a new approach that takes fuller account of the historical specificity and cultural meanings of emotions at particular points in time. This volume complements the earlier volume Understanding Emotions in Early Europe, edited by Michael Champion and Andrew Lynch (2015). …

Hardback. Condición: New.

Condición: New. 2018. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: gut. 2018. Performing Emotions in Early Europe In deutscher Sprache. pages.

Hardcover. Condición: new. Hardcover. Drawing on a range of interdisciplinary approaches and innovative methodologies, this collection contributes ground-breaking new scholarship in the burgeoning field of emotions studies by examining how medieval and early modern Europeans communicated and 'performed' their emotions. Rejecting the notion that emotions are 'essential' or 'natural', this volume seeks to pay particular attention to cultural understandings of emotion by examining how they were expressed and conveyed in a wide range of historical situations. The contributors investigate the performance and reception of pre-modern emotions in a variety of contexts--in literature, art, and music, as well as through various social and religious performances--and in a variety of time periods ranging from the twelfth to the eighteenth centuries. These studies provide both case-studies of particular emotions and emotional negotiations, and examinations of how their categorisation, interpretation, and meaning has changed over time. The contributors provide new insights into the expression and performance of pre-modern emotions from a wide range of disciplinary fields, including historical studies, literature, art history, musicology, gender studies, religious studies, and philosophy. Collectively, they theorise the performativity of medieval and early modern emotions and outline a new approach that takes fuller account of the historical specificity and cultural meanings of emotions at particular points in time. This volume complements the earlier volume Understanding Emotions in Early Europe, edited by Michael Champion and Andrew Lynch (2015). Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

hardcover. Condición: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condición: new. Questo è un articolo print on demand.