Mcclean shilo t t (31 resultados)

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condición: Very Good. Very Good. Gently used with NO markings in text; binding is tight. Pasadena's finest independent new and used bookstore since 1992.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Not ex-library.

Paperback. Condición: Very Good. 303 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark bottom fore-edge. (one small dot).

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780262134651.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. How digital visual effects in film can be used to support storytelling: a guide for scriptwriters and students. Num Pages: 320 pages, 19 illus. BIC Classification: APFX; UGN. Category: (P) Professional & Vocational. Dimension: 228 x 177 x 15. Weight in Grams: 518. . 2008. Illustrated. paperback. . . . . …

Condición: New.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Condición: New. How digital visual effects in film can be used to support storytelling: a guide for scriptwriters and students. Num Pages: 320 pages, 19 illus. BIC Classification: APFX; UGN. Category: (P) Professional & Vocational. Dimension: 228 x 177 x 15. Weight in Grams: 518. . 2008. Illustrated. paperback. . . . . Books ship from the US and Ireland. …

Paperback. Condición: Brand New. 320 pages. 8.75x6.75x0.75 inches. In Stock.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condición: New. Print on Demand pp. 320.

Condición: New. Print on Demand pp. 320.

Condición: New. PRINT ON DEMAND pp. 320.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Kartoniert / Broschiert. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Shilo T. McClean is a consultant in storybuilding and digital visual effects. She has worked as a writer, producer, director, and script editor.How digital visual effects in film can be used to support storytelling: a guide for scriptwriters and stud.…

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - How digital visual effects in film can be used to support storytelling: a guide for scriptwriters and students.Computer-generated effects are often blamed for bad Hollywood movies. Yet when a critic complains that 'technology swamps storytelling' (in a review of Van Helsing, calling it 'an example of everything that is wrong with Hollywood computer-generated effects movies'), it says more about the weakness of the story than the strength of the technology. In Digital Storytelling, Shilo McClean shows how digital visual effects can be a tool of storytelling in film, adding narrative power as do sound, color, and 'experimental' camera anglesother innovative film technologies that were once criticized for being distractions from the story. It is time, she says, to rethink the function of digital visual effects.Effects artists saycontrary to the criticsthat effects always derive from story. Digital effects are a part of production, not post-production; they are becoming part of the story development process. Digital Storytelling is grounded in filmmaking, the scriptwriting process in particular. McClean considers crucial questions about digital visual effectswhether they undermine classical storytelling structure, if they always call attention to themselves, whether their use is limited to certain genresand looks at contemporary films (including a chapter-long analysis of Steven Spielberg's use of computer-generated effects) and contemporary film theory to find the answers. McClean argues that to consider digital visual effects as simply contributing the 'wow' factor underestimates them. They are, she writes, the legitimate inheritors of film storycraft.…