Maurice dufrene (58 resultados)

Condición: New.

Condición: New. Brand New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. Over 300 spectacular pendants, combs, buckles, rings, bracelets, brooches, umbrella handles, penknives, buttons, clasps, and scissors in detailed photographs reprinted from rare, turn-of-the-century folios. The Art Nouveau movement that flourished at the turn of the 20th century had profound influence on the decorative arts, including jewelry. The style's sweeping, rhythmic curves and use of stylized floral and animal forms lent themselves well to adaptations in precious stones and rare metals. Lalique, Mucha, and Tiffany were perhaps the most famous designers of Art Nouveau jewelry, but there were many lesser-known artists of superior abilities, among them Maurice Dufrene (born 1876), who created the present work. Dufrene later adopted a simpler style, becoming a leading decorative artist of considerable influence. He was frequently represented in the Salon d'Automne and played a major role in planning the Pris Exposition Universelle of 1937. The work features over 300 spectacular Dufrene pieces: pendants, combs, buckles, rings, bracelets, brooches, umbrella handles, penknives, buttons, clasps, and scissors in detailed photographs reprinted from rare, turn-of-the-century folios. The elegant, royalty-free illustrations are exquisitely detailed with flower, foliage, and butterfly motifs, and are readily adaptable to any design use. Over 300 spectacular pendants, combs, buckles, rings, bracelets, brooches, umbrella handles, penknives, buttons, clasps, and scissors in detailed photographs reprinted from rare, turn-of-the-century folios. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. In English.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. dover ed edition. 48 pages. 11.00x9.50x0.25 inches. In Stock.

Taschenbuch. Condición: Neu. Neuware - This stunning collection of authentic Art Nouveau jewelry designs by influential French designer Maurice Dufrene captures the essence of the style at the height of its popularity. Reprinted from a rare turn-of-the-century portfolio, 24 plates depict over 300 spectacular pendants, combs, buckles, rings, bracelets, brooches, umbrella handles, and even pen knives, buttons, clasps, and scissors.…

Paperback. Condición: new. Paperback. Over 300 spectacular pendants, combs, buckles, rings, bracelets, brooches, umbrella handles, penknives, buttons, clasps, and scissors in detailed photographs reprinted from rare, turn-of-the-century folios. The Art Nouveau movement that flourished at the turn of the 20th century had profound influence on the decorative arts, including jewelry. The style's sweeping, rhythmic curves and use of stylized floral and animal forms lent themselves well to adaptations in precious stones and rare metals. Lalique, Mucha, and Tiffany were perhaps the most famous designers of Art Nouveau jewelry, but there were many lesser-known artists of superior abilities, among them Maurice Dufrene (born 1876), who created the present work. Dufrene later adopted a simpler style, becoming a leading decorative artist of considerable influence. He was frequently represented in the Salon d'Automne and played a major role in planning the Pris Exposition Universelle of 1937. The work features over 300 spectacular Dufrene pieces: pendants, combs, buckles, rings, bracelets, brooches, umbrella handles, penknives, buttons, clasps, and scissors in detailed photographs reprinted from rare, turn-of-the-century folios. The elegant, royalty-free illustrations are exquisitely detailed with flower, foliage, and butterfly motifs, and are readily adaptable to any design use. Over 300 spectacular pendants, combs, buckles, rings, bracelets, brooches, umbrella handles, penknives, buttons, clasps, and scissors in detailed photographs reprinted from rare, turn-of-the-century folios. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: new. Paperback. Over 300 spectacular pendants, combs, buckles, rings, bracelets, brooches, umbrella handles, penknives, buttons, clasps, and scissors in detailed photographs reprinted from rare, turn-of-the-century folios. The Art Nouveau movement that flourished at the turn of the 20th century had profound influence on the decorative arts, including jewelry. The style's sweeping, rhythmic curves and use of stylized floral and animal forms lent themselves well to adaptations in precious stones and rare metals. Lalique, Mucha, and Tiffany were perhaps the most famous designers of Art Nouveau jewelry, but there were many lesser-known artists of superior abilities, among them Maurice Dufrene (born 1876), who created the present work. Dufrene later adopted a simpler style, becoming a leading decorative artist of considerable influence. He was frequently represented in the Salon d'Automne and played a major role in planning the Pris Exposition Universelle of 1937. The work features over 300 spectacular Dufrene pieces: pendants, combs, buckles, rings, bracelets, brooches, umbrella handles, penknives, buttons, clasps, and scissors in detailed photographs reprinted from rare, turn-of-the-century folios. The elegant, royalty-free illustrations are exquisitely detailed with flower, foliage, and butterfly motifs, and are readily adaptable to any design use. Over 300 spectacular pendants, combs, buckles, rings, bracelets, brooches, umbrella handles, penknives, buttons, clasps, and scissors in detailed photographs reprinted from rare, turn-of-the-century folios. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condición: New. KlappentextrnrnThis stunning collection of authentic Art Nouveau jewelry designs by influential French designer Maurice Dufrene captures the essence of the style at the height of its popularity. Reprinted from a rare turn-of-the-century portfoli.

Couverture Souple illustrée. Condición: Bon. 24 planches illustratives.

HARD BACK. Condición: Very Good. Estado de la sobrecubierta: Minor Shelfwear. 212pp. 96 b&w plates. Reproduction of the plates from the original 1926 publication, showing the spectacular contemporary French interiors as shown at The 1925 Exhibition.Heavy item, may attract additional postage.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Book is in very good condition. 223pp with 110 b/w plates. Dust jacket in good conditoin with a tear and some shelf edge wear. Beautiful book.

hardcover. Condición: Very Good. First edition hardback with dustjacket. DJ is slightly rubbed to edges and tanned to spine. Also a 2cm closed tear to rear top edge. Internally clean. Very good / good + condition.

Print. Condición: Very Good. This antique lithograph is toned with light wear along the edges but in very good condition. Size: 11" x 8.5".

Print. Condición: Good+. This antique lithograph is toned with light wear and soil spot in margin but in good+ condition. Size: 11" x 8.5".

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Hardcover. Condición: New. This classic work reproduces duotone plates from original volumes first published in 1926 to illustrate the rooms furnished for the 1925 Paris Exposition des Arts D,coratifs which launched the Art Deco movement. The rooms display a treasure trove of original features, including carpets, lighting, wall hangings and classic quality furniture of the period. Among the interiors illustrated are grand reception rooms, bedrooms and boudoirs, artists studios, dining rooms, hallways and a kitchen. Alastair Duncan's scholarly introduction and the detailed documentary captions, which identify the designers, architects and decorators, provide a unique insight into the decorative style of this important period. The book is an essential acquisition for all modern designers, decorators, home furnishers and collectors. …

Hardcover . Condición: Very Good. No Jacket. First Edition. 3 volumes, Folio, hardcovers, First, Second and Third series, measuring 18 x 13 inches, 46 x 31 cms, each section with title, contents etc in the original grey/blue hardcover folders complete with ties, splendid condition, VERY HEAVY, extra carriage required and estimate of such provided .…

Portfolio. Condición: Good. ex-library copy with usual markings. portfolio of 48 loose plates, with wraps and introduction.

soft cover. Condición: fine. first edition. Grand in-quarto broché, couverture rouge carmin imprimée. Cette revue ne se présente jamais en raison de sa grande fragilité dans un tel état excellent de conservation. L'Art vivant est une revue artistique publiée bimensuellement à partir de 1925. La parution est mensuelle de 1931 à 1934 et irrégulière de 1935 à 1939, éditée par Les Nouvelles littéraires et associée aux éditions Larousse. Le premier numéro est publié le 1er janvier 1925. Les titres et sous-titres alors indiqués sont Revue bimensuelle des amateurs et des artistes. L'art vivant. Arts décoratifs et appliqués. Peinture. Le livre. Sculpture. Les arts de la femme. Les directeurs fondateurs sont Jacques Guenne (qui dirige la revue jusqu'à sa disparition en 1939) et Maurice Martin du Gard. Le rédacteur en chef est Florent Fels jusqu'en septembre 1930. La revue a accueilli, notamment, dans ses colonnes Georges Charensol et Georges Rivière. Elle disparaît en juillet 1939 après 234 numéros. - - - - - - Large paperback quarto, printed carmine red cover. This journal never comes due to its great fragility in such an excellent state of preservation. L'Art vivant is an artistic magazine published bimonthly from 1925. The publication is monthly from 1931 to 1934 and irregular from 1935 to 1939, published by Les Nouvelles littéraires and associated with Larousse editions. The first issue was published on January 1, 1925. The titles and subtitles then indicated are Bimonthly magazine for amateurs and artists. Living art. Decorative and applied arts. Paint. The book. Sculpture. The arts of women. The founding directors are Jacques Guenne (who directed the journal until its disappearance in 1939) and Maurice Martin du Gard. The editor-in-chief is Florent Fels until September 1930. The review has welcomed, in particular, in its columns Georges Charensol and Georges Rivière. It disappeared in July 1939 after 234 issues. - - - - - Gran libro en rústica en cuarto, tapa impresa en rojo carmín. Esta revista nunca llega por su gran fragilidad en tan excelente estado de conservación. L'Art vivant es una revista artística publicada bimensualmente desde 1925. La publicación es mensual desde 1931 hasta 1934 e irregular desde 1935 hasta 1939, editada por Les Nouvelles littéraires y asociada a las ediciones Larousse. El primer número se publicó el 1 de enero de 1925. Los títulos y subtítulos que se indican a continuación son Revista bimestral para aficionados y artistas. Arte vivo. Artes decorativas y aplicadas. Pintar. El libro. Escultura. Las artes de la mujer. Los directores fundadores son Jacques Guenne (quien dirigió la revista hasta su desaparición en 1939) y Maurice Martin du Gard. El redactor jefe es Florent Fels hasta septiembre de 1930. La revista ha acogido, en particular, en sus columnas a Georges Charensol y Georges Rivière. Desapareció en julio de 1939 tras 234 números. - - - - Großes Taschenbuch im Quarto-Format, bedruckter karminroter Einband. Dieses Journal kommt aufgrund seiner großen Fragilität nie in einem so hervorragenden Erhaltungszustand. L'Art vivant ist eine Kunstzeitschrift, die ab 1925 alle zwei Monate erscheint. Die Veröffentlichung erscheint monatlich von 1931 bis 1934 und unregelmäßig von 1935 bis 1939. Sie wird von Les Nouvelles littéraires herausgegeben und ist mit den Larousse-Ausgaben verbunden. Die erste Ausgabe erschien am 1. Januar 1925. Die damals angegebenen Titel und Untertitel lauten Zweimonatliche Zeitschrift für Amateure und Künstler. Lebendige Kunst. Dekorative und angewandte Kunst. Malen. Das Buch. Skulptur. Die Künste der Frauen. Die Gründungsdirektoren sind Jacques Guenne (der die Zeitschrift bis zu ihrem Verschwinden im Jahr 1939 leitete) und Maurice Martin du Gard. Chefredakteur war bis September 1930 Florent Fels. Die Rezension begrüßte in ihren Kolumnen insbesondere Georges Charensol und Georges Rivière. Es verschwand im Juli 1939 nach 234 Ausgaben.…

Poèmes religieux. Avant-propos de Léon-Paul FARGUE. Dessins d'Emile BOUNEAU. Exemplaire n° 8 / 200 sur Arches blanc avec envoi de l'auteur. Couverture illustrée recouverte d'un papier cristal comportant le titre de l'ouvrage. Dernier cahier non coupé. Petit manque de papier sur une page, sinon bel exemplaire. Langue: 1. . 17 X 25 cm.. sans date, (ilustrador). jpg.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Size: folio. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Antiquarian & Rare; Art & Design. Inventory No: 79107.

Portfolio. Condición: Very Good. 4pp. 32 b&w plates.

Portfolio. Condición: Very Good. 4pp. 32 b&w plates.

Paris : Jean-Jacques Pauvert, 1964. Un volume 19,2x27cm broché de 160 pages abondamment illustrées. Bon état. Passionnante revue littéraire et artistique animée par le verbicruciste Michel Laclos, dont certains numéros, comme celui-ci, sont depuis longtgemps des références. Livres.

Couverture souple. Condición: Bon. La Louvière, Editions de Montbliart, mai 1964. Comité de rédaction : André Balthazar et Pol Bury. Plaquette agrafée, 21,3 x 17,6 cm, 48 p. Edition originale. Imprimé en typographie une couleur sur papier blanc et jaune. Nombreuses illustrations en noir et blanc. Couverture légèrement passée, sinon bon exemplaire. …