marilyn nance (20 resultados)

Paperback. Condición: Good. bumped/creased, some shelfwear/edgewear, may have remainder mark or previous owner's name - still NICE! Oversized.

First Edition. First edition. Softcover. 64 pages. Features an introductory essay by Featherstone Includes 5 portfolios of black and white photographs and 2 in color from these photographers: Shelby Lee Adams, Debbie Fleming Caffery, Doug Dubois, Roland Freeman, Birney Imes, Stephen Marc and Marilyn Nancen. A fine copy in wrappers.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. 64p., 9x11 inches, biographical sketches, illustrated with b&w and color plates from photos, very good in original wraps. Untitled 48. Several of the photographers document urban and rural African American communities.

Soft cover. Condición: Fine. 1st Edition. First edition, first printing. Soft cover. Printed stiff wrappers; no dust jacket as issued. Edited and with a preface by David Featherstone. Photographs by Shelby Lee Adams, Debbie Fleming Caffery, Doug Dubois, Roland L. Freeman, Birney Imes, Stephen Marc and Marilyn Nance. Includes brief biographies of the artists. 64 pp., with 35 black-and-white plates and 14 four-color plates. 11 x 9 inches. Fine.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Fine Condition. First Edition. Fine copy Size: Octavo (8vo). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Photography; ISBN: 0994700997. ISBN/EAN: 9780994700995. Inventory No: 048832.

Hardcover. Condición: new. Hardcover. A focused study on a singular African American photographer, through an archival encounter with her documentation of the landmark FESTAC77 festivalFrom January 15 to February 12, 1977, more than 15,000 artists, intellectuals and performers from 55 nations worldwide gathered in Lagos, Nigeria, for the Second World Black and African Festival of Arts and Culture, also known as FESTAC77. Taking place in the heyday of Nigerias oil wealth and following the African continents potent decade of decolonization, FESTAC77 was the peak of Pan-Africanist expression. Among the musicians, writers, artists and cultural leaders in attendance were Ellsworth Ausby, Milford Graves, Fela Anikulapo Kuti, Samella Lewis, Audre Lorde, Winnie Owens, Miriam Makeba, Valerie Maynard, Queen Mother Moore and Sun Ra.While serving as the photographer for the US contingent of the North American delegation, Brooklyn-based photographer Marilyn Nance made more than 1,500 images throughout the course of the festivalone of the most comprehensive photographic accounts of FESTAC77. Drawing from Nances extensive archive, most of which has never before been published, Last Day in Lagos chronicles the exuberant intensity and sociopolitical significance of this extraordinary event.Over the course of five decades, Marilyn Nance (born 1953) has produced images of unique moments in the cultural history of the US and the African Diaspora. Nance is a two-time finalist for the W. Eugene Smith Award in Humanistic Photography. Her work is in the collections of the Brooklyn Museum of Art, the Art Institute of Chicago, the Museum of Modern Art, the Smithsonian American Art Museum, the Schomburg Center for Research in Black Culture, the Virginia Museum of Fine Arts and the Library of Congress, and has been published in The World History of Photography, History of Women in Photography and The Black Photographers Annual. She lives in New York. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Unbound. Condición: Near Fine. Postcard. Measuring 8¼" x 9. Light wear, near fine. Mailer from The Studio Museum of Harlem promoting the exhibition, "America: Another Perspective," featuring works by Dennis Callwood, Joan Eda, Earlie Hudnall, Jr, Mickey Mathis, Marilyn Nance, Skip Norman, Jeanne Moutoussamy-Ashe, John Pinderhughes, Lorna Simpson, Clarissa Sligh, Jeffery Smith, Carrie M. Weems and Daniel Williams. The exhibit ran from March 11, to April 4th, 1986.

Condición: New.

Hardcover. Condición: New. Special order direct from the distributor.

Hardcover. Condición: Brand New. 280 pages. 7.75x6.00x1.00 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Softcover. Condición: Fine. First edition. Quarto. 84pp. Illustrated from photographs. Printed wrappers. Slightly bumped at tip of one corner, else a fine copy. Nice catalogue for a joint exhibition of seven photographers, including Roland L. Freeman, Marilyn Nance, Shelby Lee Adams, Debbie Fleming Caffery, Doug Dubois, Birney Imes, and Stephen Marc. Nance, also known as Soulsista, is a photographer, storyteller, new-media artist and educator. She has won numerous awards for photography of African spiritual culture in America. Her work has been exhibited at New York's Museum of Modern Art and is in the permanent collections of the Smithsonian American Art Museum, the Library of Congress, Schomburg Center for Research in Black Culture, the Brooklyn Museum, and the Museum of Fine Arts Houston. Her work has also been featured in publications including *Life,* *The New York Times,* *Essence,* *The Village Voice,* and more.

Hardcover. Condición: Brand New. 280 pages. 7.75x6.00x1.00 inches. In Stock.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condición: new. Hardcover. A focused study on a singular African American photographer, through an archival encounter with her documentation of the landmark FESTAC77 festivalFrom January 15 to February 12, 1977, more than 15,000 artists, intellectuals and performers from 55 nations worldwide gathered in Lagos, Nigeria, for the Second World Black and African Festival of Arts and Culture, also known as FESTAC77. Taking place in the heyday of Nigerias oil wealth and following the African continents potent decade of decolonization, FESTAC77 was the peak of Pan-Africanist expression. Among the musicians, writers, artists and cultural leaders in attendance were Ellsworth Ausby, Milford Graves, Fela Anikulapo Kuti, Samella Lewis, Audre Lorde, Winnie Owens, Miriam Makeba, Valerie Maynard, Queen Mother Moore and Sun Ra.While serving as the photographer for the US contingent of the North American delegation, Brooklyn-based photographer Marilyn Nance made more than 1,500 images throughout the course of the festivalone of the most comprehensive photographic accounts of FESTAC77. Drawing from Nances extensive archive, most of which has never before been published, Last Day in Lagos chronicles the exuberant intensity and sociopolitical significance of this extraordinary event.Over the course of five decades, Marilyn Nance (born 1953) has produced images of unique moments in the cultural history of the US and the African Diaspora. Nance is a two-time finalist for the W. Eugene Smith Award in Humanistic Photography. Her work is in the collections of the Brooklyn Museum of Art, the Art Institute of Chicago, the Museum of Modern Art, the Smithsonian American Art Museum, the Schomburg Center for Research in Black Culture, the Virginia Museum of Fine Arts and the Library of Congress, and has been published in The World History of Photography, History of Women in Photography and The Black Photographers Annual. She lives in New York. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New.

Hardcover. Condición: new. Hardcover. A focused study on a singular African American photographer, through an archival encounter with her documentation of the landmark FESTAC77 festivalFrom January 15 to February 12, 1977, more than 15,000 artists, intellectuals and performers from 55 nations worldwide gathered in Lagos, Nigeria, for the Second World Black and African Festival of Arts and Culture, also known as FESTAC77. Taking place in the heyday of Nigerias oil wealth and following the African continents potent decade of decolonization, FESTAC77 was the peak of Pan-Africanist expression. Among the musicians, writers, artists and cultural leaders in attendance were Ellsworth Ausby, Milford Graves, Fela Anikulapo Kuti, Samella Lewis, Audre Lorde, Winnie Owens, Miriam Makeba, Valerie Maynard, Queen Mother Moore and Sun Ra.While serving as the photographer for the US contingent of the North American delegation, Brooklyn-based photographer Marilyn Nance made more than 1,500 images throughout the course of the festivalone of the most comprehensive photographic accounts of FESTAC77. Drawing from Nances extensive archive, most of which has never before been published, Last Day in Lagos chronicles the exuberant intensity and sociopolitical significance of this extraordinary event.Over the course of five decades, Marilyn Nance (born 1953) has produced images of unique moments in the cultural history of the US and the African Diaspora. Nance is a two-time finalist for the W. Eugene Smith Award in Humanistic Photography. Her work is in the collections of the Brooklyn Museum of Art, the Art Institute of Chicago, the Museum of Modern Art, the Smithsonian American Art Museum, the Schomburg Center for Research in Black Culture, the Virginia Museum of Fine Arts and the Library of Congress, and has been published in The World History of Photography, History of Women in Photography and The Black Photographers Annual. She lives in New York. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.