Marc j perry (32 resultados)

Hardcover. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Very Good. 4. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condición: Fair. 4. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Condición: Very Good. Book in Very Good condition.

hardcover. Condición: Good. 4th Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condición: Very Good. This hardcover edition of the "Census Atlas of the United States" is in good condition. The cover is sturdy with minor wear typical of a reference book. There is no dust jacket, and the spine and binding are intact, ensuring durability for frequent use. The pages are clean and free of inscriptions or library markings. unknown (no dust jacket visible).…

paperback. Condición: Fine.

Hardcover. Condición: Used - Very Good. Open copy with light to mild wear, clean pages with tight binding, dust jacket is wrapped in complimentary Brodart protector.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: New.

Condición: New.

Condición: New. 1st edition NO-PA16APR2015-KAP.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. In English.

Hardcover. Condición: Brand New. 4th edition. 852 pages. 10.75x8.50x1.00 inches. In Stock.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Paperback. Condición: Brand New. 278 pages. 9.00x6.00x0.67 inches. In Stock.

Brossura. Condición: come nuovo. Estado de la sobrecubierta: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.…

Hardcover. Condición: Very Good. 4th Edition. EXCELLENT CONDITION!!! No markings. No highlighting. No missing pages. No worn-out pages.

Condición: New. Marc L. Miller, Richard P. Gale, Perry J. BrownThis book is about the conduct and contributions of applied social science. It represents the beginning of a new intellectual tradition in applied social science and its purpose is to foster an exchange amo.

4., aktualisierte Auflage. 4°. XXIX, 1058 Seiten. Gebundene Ausgabe. Bibliotheks-Exemplar (Bibliotheks-Etikett auf dem Buchrücken, Bibliotheks-Stempel [Ausgeschieden] verso Titelblatt). Innen ansonsten gutes, sauberes Exemplar. Kein Besitzervermerk! Keine Anstreichungen! Kein Mängelexemplar! Einband mit mittleren Gebrauchsspuren (etwas berieben, etwas bestoßen).…

Condición: New.

Condición: New. (inventory#Shelf).