Kenny kath (16 resultados)

Paperback or Softback. Condición: New. Staging a Revolution. Book.

Condición: New.

Paperback. Condición: new. Paperback. In January 1972, five women took to the stage of Carlton's Pram Factory to preview their women's play Betty Can Jump.Claire Dobbin, Helen Garner, Evelyn Krape, Jude Kuring and Yvonne Marini mocked the ocker character beloved by Pram Factory playwrights, and performed monologues about men, sex, and how they felt "as a woman". Directed by Kerry Dwyer and produced by the Carlton Women's Liberation group, the play's frank revelations stunned audiences and shocked the Pram Factory world.Set against a backdrop of moratorium marches, inner-city cafes and share houses, and the rising tide of sexual liberation and countercultural movements, Kath Kenny uses interviews and archival material to tell the story of Betty Can Jump. On the 50th anniversary of this ground-breaking play, she considers its ongoing impact on Australian culture, and asks why the great cultural renaissance of women's liberation has been largely forgotten. She sets out her stake in this story, as a theatre reviewer today and as a child born into the revolutionary early 1970s. And she asks why feminism keeps getting stuck in mother-daughter battles, rethinking her own experience as a young feminist who clashed with Garner over the publication of The First Stone. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. In English.

Paperback. Condición: Brand New. 286 pages. 5.83x0.64x8.27 inches. In Stock.

Paperback trade, very good condition, black & white photos, minor edgewear, some pencil annotation few pages (including comments last page). 269 pp. Kath Kenny relates the story of five women who, in January 1972, took to the stage of Carlton's Pram Factory to preview their women's play 'Betty Can Jump'. This book is set against a backdrop of moratorium marches, inner-city cafes and share houses, and the rising tide of sexual liberation and countercultural movements. The author uses interviews and archival material to tell the story of 'Betty Can Jump'. It is the 50th anniversary of this groundbreaking play. She considers its ongoing impact on Australian culture, and mentions the fact that the cultural renaissance of women's liberation has recently been largely forgotten.…

Paperback. Condición: new. Paperback. In January 1972, five women took to the stage of Carlton's Pram Factory to preview their women's play Betty Can Jump.Claire Dobbin, Helen Garner, Evelyn Krape, Jude Kuring and Yvonne Marini mocked the ocker character beloved by Pram Factory playwrights, and performed monologues about men, sex, and how they felt "as a woman". Directed by Kerry Dwyer and produced by the Carlton Women's Liberation group, the play's frank revelations stunned audiences and shocked the Pram Factory world.Set against a backdrop of moratorium marches, inner-city cafes and share houses, and the rising tide of sexual liberation and countercultural movements, Kath Kenny uses interviews and archival material to tell the story of Betty Can Jump. On the 50th anniversary of this ground-breaking play, she considers its ongoing impact on Australian culture, and asks why the great cultural renaissance of women's liberation has been largely forgotten. She sets out her stake in this story, as a theatre reviewer today and as a child born into the revolutionary early 1970s. And she asks why feminism keeps getting stuck in mother-daughter battles, rethinking her own experience as a young feminist who clashed with Garner over the publication of The First Stone. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condición: Neu. Neuware - 'Women's liberation, consciousness raising and collective processes. From the front line of feminism in Australian theatre, a reminder of how much we owe these remarkable women.' Wendy HarmerIn January 1972, five women took to the stage of Carlton's Pram Factory to preview their women's play Betty Can Jump. Claire Dobbin, Helen Garner, Evelyn Krape, Jude Kuring and Yvonne Marini mocked the ocker character beloved by Pram Factory playwrights, and performed monologues about men, sex, and how they felt 'as a woman'. Directed by Kerry Dwyer and produced by the Carlton Women's Liberation group, the play's frank revelations stunned audiences and shocked the Pram Factory world. Set against a backdrop of moratorium marches, inner-city cafes and share houses, and the rising tide of sexual liberation and countercultural movements, Kath Kenny uses interviews and archival material to tell the story of Betty Can Jump. On the 50th anniversary of this ground-breaking play, she considers its ongoing impact on Australian culture, and asks why the great cultural renaissance of women's liberation has been largely forgotten. She sets out her stake in this story, as a theatre reviewer today and as a child born into the revolutionary early 1970s. And she asks why feminism keeps getting stuck in mother-daughter battles, rethinking her own experience as a young feminist who clashed with Garner over the publication of The First Stone.…

Paperback. Condición: New.

Condición: New. Print on Demand 282 pages.

Condición: New. Print on Demand 282 pages First edition.

Condición: New. PRINT ON DEMAND 282 pages.

Paperback. Condición: new. Paperback. In January 1972, five women took to the stage of Carlton's Pram Factory to preview their women's play Betty Can Jump.Claire Dobbin, Helen Garner, Evelyn Krape, Jude Kuring and Yvonne Marini mocked the ocker character beloved by Pram Factory playwrights, and performed monologues about men, sex, and how they felt "as a woman". Directed by Kerry Dwyer and produced by the Carlton Women's Liberation group, the play's frank revelations stunned audiences and shocked the Pram Factory world.Set against a backdrop of moratorium marches, inner-city cafes and share houses, and the rising tide of sexual liberation and countercultural movements, Kath Kenny uses interviews and archival material to tell the story of Betty Can Jump. On the 50th anniversary of this ground-breaking play, she considers its ongoing impact on Australian culture, and asks why the great cultural renaissance of women's liberation has been largely forgotten. She sets out her stake in this story, as a theatre reviewer today and as a child born into the revolutionary early 1970s. And she asks why feminism keeps getting stuck in mother-daughter battles, rethinking her own experience as a young feminist who clashed with Garner over the publication of The First Stone. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…