Katherine m leo (28 resultados)

Condición: New.

Soft cover. Condición: Fine. Pb, 184pp, colour illustrations. Fine clean copy, looks as new. Art catalogue accompanying the exhibition held at the Ashmolean in 2018, focusing on American artists from the 1920s and 1930s, whose detached view on the modern world led to sober depictions of urban and industrial environments, featuring orderliness, stillness, or uneasiness and also to straight-edged abstractions. Contents: Cool Modernism in America 1915-1945; Modern, Cool and Cold; Leaving the Body - the Empty Spaces of American Modernism; Works in Focus; Exhibitions in Focus; Catalogue; Select Bibliography. Size: 4to - over 9¾" - 12" tall.…

Softcover. Condición: NF. Quarto. Softcover. Illustrated wraps. 184 pages : illustrations (chiefly color) ; 28 cm. "As some American artists began to eliminate people and remove extraneous details from their compositions, they often employed neat, orderly brushwork or close-up, unemotional photography. Artists as diverse as Patrick Henry Bruce, John Covert, Georgia O'Keeffe, Paul Strand and Arthur Dove navigated European and American avant-garde circles, picking and choosing new ideas and methods. Inspiration ranged from Cubism and machine parts to new technologies, and they found ways to bring order to the modern world through extreme simplification. For them, abstraction involved absence and presence - the evacuation of human beings but also the desire to depict something that would not otherwise be visible or to render visible unseen natural processes like the passage of time, sound waves, or weather patterns. Their artworks provide a new context for the precisionist works in the subsequent sections and point to modern ideas about what art could be" c --Publisher's description. "This catalogue looks at a current in interwar American art that is relatively unknown. The familiar story of America in the 'roaring Twenties' is that of 'The Great Gatsby', the Harlem Renaissance, and the Machine Age; while the 1930s are known as the Steinbeckian world marked by the Depression and the New Deal. This exhibition focuses on the artists who grappled with the experience of modern America with a cool, controlled detachment, almost completely eliminating people from their pictures. For some artists this treatment reflected an ambivalence and anxiety about the modern world. Factories without workers and streets without people. Factories without workers and streets without people could seem strange and empty places. George Ault (1891-1948) and Niles Spencer (1893-1952) painted eerie factories with darkened windows. Their precise, orderly painting style adds to the unsettling atmosphere of their work. In 'Manhattan Bridge Loop' (1928), Edward Hopper (1882-1967) captured the stilled, quiet mood of the city, including a solitary pedestrian. For others, this cool treatment of contemporary America was a positive more response - an expression of optimism and pride. Skyscrapers and bridges become studies in geometry; and cities are cleansed and ordered with no crowds and no chaos. Louis Lozowick's (1892-1973) prints capture the energy of the city in curving sprawls and buildings soaring into the sky; while Ralston Crawford (1906-78) and Charles Sheeler (1883-1965) depicted the architecture of industrial America - factories, grain elevators, water plants - as the country's new cathedrals, glorious in their scale and feats of engineering, yet oddly emptied of people. The detached, frozen appearance of the scenes creates an uncertain or ambiguous atmosphere.".…

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwin's Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a who's who of artists toward prominence. But Whiteman's oversized presence eclipsed Black jazz musicians while his middlebrow music prompted later generations to jettison him from jazz history. W. Anthony Sheppard's collection of essays confronts the racial implications of Whiteman's career. The contributors explore Whiteman's broad impact on popular culture, tracking his work and influence in American marketing, animated films, the Black press, Hollywood, and the music publication industry, and following him behind the scenes with arrangers, into grand concert halls, across the Atlantic, into the courtroom, and on television. Multifaceted and cutting-edge, Beyond the Bandstand explores the racial politics and artistic questions surrounding a controversial figure in popular music. Contributors: Ryan Raul Bañagale, Stephanie Doktor, John Howland, Katherine M. Leo, Sarah Caissie Provost, W. Anthony Sheppard, Catherine Tackley, Elijah Wald, and Christi Jay Wells.…

Paperback. Condición: Very Good. No jacket. Ashmolean Museum, 2018. Paperback, 4to, 184pp, illust. A good copy. 9781910807217/1.0uk . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).…

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Drawing on interdisciplinary research methods from musicological and legal scholarship, this book maps the historical terrain of forensic musicology. It examines the contributions of musical expert witnesses, their analytical techniques, and the issues they encounter assisting courts in clarifying the blurred lines of music copyright.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 202 pages. 9.50x6.33x0.48 inches. In Stock.

Taschenbuch. Condición: Neu. Neuware - En este libro queremos mostrar las maniobras de un tipo de escritura fusiforme y quizá, inesperada. Formado por un conjunto de conversaciones entre docentes, investigadorxs y estudiantes, el resultado es un texto multiforme donde las experiencias singulares y subjetivas, y las propuestas desde lo individual y lo colectivo, se ponen al servicio de la discusión sobre metodologías torcidas en el ámbito de la investigación en estudios culturales y artes visuales desde perspectivas críticas (feministas y cuir/queer/kuir). El libro no pretende ser un vademécum metodológico (¡sería una contradicción!). Al contrario, se expone al debate y busca propiciar otras contra-fabulaciones que cuestionen los dogmas de la academia desde sus entresijos. Su estructura se compone de seis gestos que dan buena cuenta de la heterogeneidad de nuestras muecas. La introducción, presentada como desmarque teórico, transparenta las costuras que sostienen la propuesta. A esta la siguen una conversación tentacular con diez extremidades, un texto escrito a cuatro manos, una tentativa al fracaso atomizada en cinco vivencias, un boomerang que va y viene entre los saltos de sus jugadorxs, y una ficción especulativa a cinco voces. La lectura puede empezar por cualquier lado. También puede terminar en cualquier momento. Esperamos que este modo de exposición logre, como los cuerpos fusiformes, desarrollar su capacidad dinámica, y que nuestra resistencia atraviese, al menos, la pulpa de la celulosa.…

Condición: New.

Paperback. Condición: New. The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwin's Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a who's who of artists toward prominence. But Whiteman's oversized presence eclipsed Black jazz musicians while his middlebrow music prompted later generations to jettison him from jazz history. W. Anthony Sheppard's collection of essays confronts the racial implications of Whiteman's career. The contributors explore Whiteman's broad impact on popular culture, tracking his work and influence in American marketing, animated films, the Black press, Hollywood, and the music publication industry, and following him behind the scenes with arrangers, into grand concert halls, across the Atlantic, into the courtroom, and on television. Multifaceted and cutting-edge, Beyond the Bandstand explores the racial politics and artistic questions surrounding a controversial figure in popular music. Contributors: Ryan Raul Bañagale, Stephanie Doktor, John Howland, Katherine M. Leo, Sarah Caissie Provost, W. Anthony Sheppard, Catherine Tackley, Elijah Wald, and Christi Jay Wells.…

Paperback. Condición: New. Drawing on interdisciplinary research methods from musicological and legal scholarship, this book maps the historical terrain of forensic musicology. It examines the contributions of musical expert witnesses, their analytical techniques, and the issues they encounter assisting courts in clarifying the blurred lines of music copyright.…

Hardcover. Condición: Good. No Jacket. 2nd Edition. xi, 356 pages : illustrations ; 29 cm ; LCCN: 41-10057 ; LC: NK2230; Dewey: 749 ; OCLC: 813523 ; "Revised, February, 1941" ; dull orange cloth with brown lettering ; no dustjacket ; Contents: Part I. The development of decoration. Introductory ; Italy ; Spain ; France ; France: after Louis XIV ; England ; England : the age of walnut ; England : the age of mahogany ; England : the age of satinwood ; The nineteenth century ; Early American ; The Federal Period and after ; The twentieth century ; Contemporary design -- Part II. The elements of decoration. Materials of decoration ; Fabrics ; Wall coverings ; Floor coverings ; Decorative objects ; Color ; Lighting ; Windows and window treatment ; Furniture and how to buy it -- Part III. The principles of decoration. Room planning and arrangement ; Rooms ; Seasonal change. ; numerous black and white plates ; drawings ; each architect, designer and photographer is indicated, and includes work by Alexander H Girard, Bassett & Vollum, Ruth Campbell Bigelow, Richard Averill Smith, F S Lincoln, Sarah Hunter Kelly, Hubert Robert, Douglas Sommerville, M Therese Bonney, Nancy McClelland, Mattie Edwards Hewitt, Arthur S Vernay, H Leo Gould, William Helburn, Katherine Park Studdiford, Paul J Woolf, Ralph Steiner, Joseph Mullen, Felix Augenfeld, Richard Garrison, Gilbert Rohde, William Lescaze, Paul Bry, William Muschenheim, Joseph Allen Stein, Calvert Coggeshall, John Funk, Richard Neutra, Alvar Aalto, Edward Stone, Dan Cooper, Roy Barley, Kurt Schelling, Frank Randt, Ida Webster, Lucille Schlimme, Margery Sill Wickware, Edna Kern, Harrie Lindeberg, Tommi Parzinger, William Lescaze, Morris Sanders, James F Eppenstein, Virginia Conner, Gottscho, Paul MacAlister, Harwell Hamilton Harris, Harold Costair, Verna Cook Solomonsky, Ethel A Reeve, Van Anda, Evans Moore, Robsjohn-Gibbings, Sylvia Holt, Paul Laszlo, Fred R Dapprich, and Drix Duryea ; great industrial and interior photography; also features 1930's and 1940's art deco, 1950's populux and madcap designs ; sunned , name on front endpaper ; foxing, spot on cover ; else G. Book. …

Paperback. Condición: new. Paperback. Drawing on interdisciplinary research methods from musicological and legal scholarship, this book maps the historical terrain of forensic musicology. It examines the contributions of musical expert witnesses, their analytical techniques, and the issues they encounter assisting courts in clarifying the blurred lines of music copyright. This book examines the role of forensic musicologists in music copyright infringement claims. It analyzes the contested nature of the legal space in relation to the sometimes contradictory opinions of expert witnesses and non-expert judges and juries. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condición: new. Paperback. Drawing on interdisciplinary research methods from musicological and legal scholarship, this book maps the historical terrain of forensic musicology. It examines the contributions of musical expert witnesses, their analytical techniques, and the issues they encounter assisting courts in clarifying the blurred lines of music copyright. This book examines the role of forensic musicologists in music copyright infringement claims. It analyzes the contested nature of the legal space in relation to the sometimes contradictory opinions of expert witnesses and non-expert judges and juries. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This book examines the role of forensic musicologists in music copyright infringement claims. It analyzes the contested nature of the legal space in relation to the sometimes contradictory opinions of expert witnesses and non-expert judges and juries.…

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book examines the role of forensic musicologists in music copyright infringement claims. It analyzes the contested nature of the legal space in relation to the sometimes contradictory opinions of expert witnesses and non-expert judges and juries.…

Taschenbuch. Condición: Neu. Forensic Musicology and the Blurred Lines of Federal Copyright History | Katherine M. Leo | Taschenbuch | Kartoniert / Broschiert | Englisch | 2022 | Lexington Books | EAN 9781793619426 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …