karin higa (41 resultados)

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardbound. Condición: Very Good. Oblong quarto, printed paper covered boards, 104 pp., b/w and color photos, biographies, selected bbliography, exhibition history Chairman's foreword by Joan Rehnborg. Director;s Foreword by Irene Y> Hikano. Essays are "Bruce and Norman Yonemoo: A Survey," Karen Higa, "Between History and the Cringe of Melodrama," Timothy Martin, "Tension in the Melting Pot," Ian Buruma,"A Treatment for 'Green Card: An American Romance' (1982)," Bruce nd Norman Yonemoto, "A Treatment for 'Made in Hollywood' (1990)," Bruce and Norman Yonemoto, "A Treatment for 'Japan in Paris in L.A.' (1997)," Bruce and Norman Yonemoto.

Soft cover. Condición: Near Fine. No Jacket. Accompanies exhibits during 2006 -2008 at Asia Society in NY, Art Museum of University of Houston, Japanese American National Museum in L.A., and Berkeley Art Museum. About 40 pages of text integrated with photos of the artists, etc provide a brief history of Asians in the US, their shifting conflicts and concerns, the Godzilla movement during 1990's. The artists and their work follows. 146 color and 7 black & white illustrations. Heavy, glossy wraps have faintest hint of scuffing. Interior pages are crisp and clean.127 pages, 9" x 9".

Softcover, 128 pages; very good condition except sticker taped around bottom of spine; no internal marks. Foreign shipping may be extra.

Paperback. 100p., 9.5x8.5 inches, profusely illus. with b&w and color photographs of Japanese American art, bookseller's rubberstamp on verso of front wrap, else very good condition. First edition, revised 1994.

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Softcover. Condición: Near Fine. [ART HISTORY]. Ed. Lane Relyea. Contributors: Karin Higa, Matthew Goulish, April Dunham, Liam Considine, Sara Greenberger Rafferty, et al. "Art Journal, Vol. 72, No. 3, Fall 2013." New York: College Art Association, 2013. English language. Softcover magazine with spine. Text with full color images. 10 x 8.25 x 0.25 in. 26 x 21 x 1 cm. 12 oz. 92 pp. Bottom of spine worn. Text clean. Smudge on TOC. Near Fine. No ISBN. No ASIN. ISSN: 0004-3249."The mission of Art Journal, founded in 1941, is to develop rigorous and shared methods by which modern and contemporary art can be understood; to engage critically with twentieth- and twenty-first-century art and art history in national and global frameworks; to encourage broad and rigorous contributions to our disciplines and to institute, in our peer review and editorial structures, an inclusive, critical, and collaborative approach to the development of new and emerging forms of thought and communities of practice; to address and redress exclusionary histories of art and art history as fields of practice and scholarship; to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels; to explore relationships among diverse forms of art practice and production as well as within the fields of art making, art history, visual studies, theory, and criticism; to give voice and publication opportunity to artists, art historians, and other writers in the arts; to be responsive to issues of the moment in and beyond the arts; and to promote dialogue and debate.".

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Paperback. 100p., 9.5x8.5 inches oblong, b&w illustrations and color plates, front wrap lightly soiled, else very good first edition in original pictorial wraps.

Hardcover. Condición: New.

Hardcover. First edition. Illustrated in black, white and color. Important reference work. Fine copy.

16 pp.; 21.5 x 14.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition brochure published in conjunction with show held January 23 - July 4, 1999. Curated by Karin Higa. Includes biographies of the artists and gallery floor plan. Very Good / Fine. Minimal rubbing of cover edges. Contents clean and unmarked.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardback. Condición: New. Higa's critical work on Asian American art history and the art of Japanese Americans imprisoned in World War II US internment camps provides a compelling view into the historical realities of racially marked identity and art-makingEdited by artist, curator, writer and editor Julie Ault, Hidden in Plain Sight brings together essential writings by the trailblazing art historian and curator Karin Higa (1966-2013). The selected essays, written between 1992 and 2011, focus on the forced evacuation of Japanese Americans in Western US states to specially constructed concentration camps, the artistic production and communities that took root within them and the individual and collective narratives of Asian American artists amid discriminatory policies, restricted political agency and racism. While exploring issues of identity and immigration, Higa recuperates significant artists and oeuvres from historical neglect and engages contemporary artists to examine how art acts as a source for and transmitter of cultural identity.This book reveals how Higa's conviction that art and lived experience are indissolubly linked was at the root of her methodological modeling of an Asian American art history. Moving between portrayals of artists' networks in the camps and Little Tokyo communities and case studies of oeuvres and biographies, Higa recovers vital art practices and hidden histories of creative struggle and efflorescence. In the process, she maps-across ethnic, geographic, and stylistic boundaries-the fertile creative milieux of individual practices and communities. Higa shows how artists of Asian descent have negotiated the divide between the United States and their ancestral homes by using their freedom as artists to define their culture more broadly.

Condición: Very good.

Hardback. Condición: New. Higa's critical work on Asian American art history and the art of Japanese Americans imprisoned in World War II US internment camps provides a compelling view into the historical realities of racially marked identity and art-makingEdited by artist, curator, writer and editor Julie Ault, Hidden in Plain Sight brings together essential writings by the trailblazing art historian and curator Karin Higa (1966-2013). The selected essays, written between 1992 and 2011, focus on the forced evacuation of Japanese Americans in Western US states to specially constructed concentration camps, the artistic production and communities that took root within them and the individual and collective narratives of Asian American artists amid discriminatory policies, restricted political agency and racism. While exploring issues of identity and immigration, Higa recuperates significant artists and oeuvres from historical neglect and engages contemporary artists to examine how art acts as a source for and transmitter of cultural identity.This book reveals how Higa's conviction that art and lived experience are indissolubly linked was at the root of her methodological modeling of an Asian American art history. Moving between portrayals of artists' networks in the camps and Little Tokyo communities and case studies of oeuvres and biographies, Higa recovers vital art practices and hidden histories of creative struggle and efflorescence. In the process, she maps-across ethnic, geographic, and stylistic boundaries-the fertile creative milieux of individual practices and communities. Higa shows how artists of Asian descent have negotiated the divide between the United States and their ancestral homes by using their freedom as artists to define their culture more broadly.

Hardcover. Condición: new. Hardcover. Higas critical work on Asian American art history and the art of Japanese Americans imprisoned in World War II US internment camps provides a compelling view into the historical realities of racially marked identity and art-makingEdited by artist, curator, writer and editor Julie Ault, Hidden in Plain Sight brings together essential writings by the trailblazing art historian and curator Karin Higa (19662013). The selected essays, written between 1992 and 2011, focus on the forced evacuation of Japanese Americans in Western US states to specially constructed concentration camps, the artistic production and communities that took root within them and the individual and collective narratives of Asian American artists amid discriminatory policies, restricted political agency and racism. While exploring issues of identity and immigration, Higa recuperates significant artists and oeuvres from historical neglect and engages contemporary artists to examine how art acts as a source for and transmitter of cultural identity.This book reveals how Higas conviction that art and lived experience are indissolubly linked was at the root of her methodological modeling of an Asian American art history. Moving between portrayals of artists networks in the camps and Little Tokyo communities and case studies of oeuvres and biographies, Higa recovers vital art practices and hidden histories of creative struggle and efflorescence. In the process, she mapsacross ethnic, geographic, and stylistic boundariesthe fertile creative milieux of individual practices and communities. Higa shows how artists of Asian descent have negotiated the divide between the United States and their ancestral homes by using their freedom as artists to define their culture more broadly. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Stiff Wrappers. Condición: Fine Condition. 256 pages. Paperback with 225 illustrations 158 in color. Revised Edition. Foreword to the revised edition by Thomas P. Campbell. Published on the occasion of the exhibition from the Fine Arts Museums of San Francisco, de Young CA 18 November 2006-28 January 2007. Checklist of the Exhibition. Chronology. Selected Bibliography. Book.

Condición: New.

First edition, revised. Horizontal 8vo, pp., 100. Illustrated with reproductions, some in color, and photographs. Published in conjunction with an exhibition, sponsored by the Museum, the WCLA Wight Art Gallery, and the UCLA Asian Studies Center. Includes reminiscens by some of the internees, as well as a description of life in the camps. Paper wraps. A nice copy.

Hardcover. Condición: Collectible: Very Good. Very Good Condition! Inscribed by author,Tight clean copy, no marks no tears. Email Notification. Satisfaction Guaranteed.

Hardcover. Condición: Brand New. Hardcover.Width: 29 cm. Height: 24cm. 104 pages. English text.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 416 pages. 9.00x6.75x1.40 inches. In Stock.

Hardcover. Condición: Near Fine. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Photographs, video and text by Bruce and Norman Yonemoto. Essays by Karin Higa, Timothy Martin and Ian Buruma. Includes an exhibition checklist, artists' biographies and a selected bibliography. Designed by Tracey Schiffman. 104 pp., with numerous four-color and black-and-white illustrations. 9-1/4 x 11-1/4 inches. Published on the occasion of an exhibition at the Japanese American National Museum, Los Angeles. Near Fine (damp stains to the first few pages, else Fine). As the title suggests, Bruce and Norman Yonemoto's work investigates the intersections between personal and cultural memory, material culture and the myths we build and preserve about ourselves and our histories. Focusing on their shared Japanese-American identity, the artists' collaborative works offer a unique glimpse into the spaces and contents of memory, matter and modern romance.

hardcover. Condición: Very Good. First Edition. No DJ. Unread. No markings in book. Binding is fine. 63pp.

Hardcover. Condición: New.