cornell daniell (81 resultados)

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Oversized.

Paperback. Condición: Good.

Softcover staple bound, 32 pages, very good condition; clean and crisp; no internal marks.

Paperback. Condición: Very Good. U.S. orders are shipped from N.Y. state.

Paperback. Condición: Very Good. Unmarked. Beautifully illustrated in color. Catalog for a traveling exhibition. 160p. Includes a bibliography of visual culture studies. Measures 8x10 inches.

Wraps. Condición: Near Fine. 4to, 160 pp., color plates. One corner lightly bumped, otherwise Fine.

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: New.

Soft Cover. Condición: As New. Color illustrated softcovers; 160 pps. with index, biographies of the artists. Profusely illustrated in color. AS NEW.

Hardcover. Condición: Good. Dust Jacket Included. Backyard Oasis: The Swimming Pool in Southern California Photography, 1945-1982. Atkins, Robert; Hebdige, Dick; Stallings, Tyler; Stearns, Robert; A. Watts, Jennifer. Published by Prestel USA, 2012. 256p. oversized ex-library hardcover with dust jacket with the usual library stamps/marks/card pocket, text clean/unmarked--ISBN 10: 3791351761ISBN 13: 9783791351766--20.00.

Hardcover. Condición: Very Good. No Jacket. Hardback book (168 pages)illustrated with numerous color reproductions. Light rubbing on boards. INTERNATIONAL SHIPPING MAY REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-Base2-D-2-Bottom-L) rareviewbooks.

Condición: good. Includes dustjacket.

Hardcover. Condición: Very Good. Hardcover: 11.25 x 11.38 x 1.25 in., Front and back cover: wrapped in mylar, top book corners bumped, otherwise in excellent condition; Pages: top corner of pages slightly bent, very minor towards front of book and gets more noticeable towards back of book, otherwise in very good condition; Overall very good condition.

First Edition. First edition. Softcover. 31 pages. Exhibition catalog for a show that ran May 9 through July 30, 2000. Features an introduction by Jock Reynolds and essays by Daniell Cornell and Cheryl Finley. Includes black and white illustrations of works by Lorna Simpson, Romare Bearden, Albert Chang, Hale Aspacio Woodruf, Joy Gregory, Moira Pernambuco, Carrie Mae Weems, Charles Sheeler, and Walker Evans. A near fine copy in stapled wrappers and with a laid in checklist, and promotional information sheets about and press photo by Moira Pernambuco.

Condición: Very Good.

Soft Cover. Condición: Very Good. Paperback. 160pp. Numerous colour illustrations. Slightest wear. A very decent copy. (r23).

Paperback. Condición: New.

Couverture souple. Condición: Bon. Texte en anglais / text in english ! Quelques illustrations en n&b. 20,5x21,5 cm. 31 p. Broché (agrafé). Bon état. Intérieur en bon état. in-8°.

Hardcover, white boards with b&w photograph and black lettering. 263 pages with b&w photos throughout. No dust jacket, as issued. Catalogue from the exhibition held January to April 2009 in Palm Springs, June to September in Tucson, and Fall 2010 in San Jose. With an essay by Daniell Cornell. Record # 361270.

First Edition. First edition. Exhibition brochure for a show that ran October 15, 2005 through February 12, 2006. Single sheet folded twice to create 6 pages. Text by Daniell Cornell. Includes 11 color illustrations. A close to near fine copy with a small crease to the top right corner. Scarce, with only 2 copies listed in OCLC.

Encuadernación de tapa blanda. Condición: Casi nuevo. 2000. Catálogo de la exposición celebrada en la Yale University Art Gallery (New Haven, Connecticut), en el año 2000. 31 pp. Ilustraciones en b/n. Idioma: Inglés. LIB 6E.

Paperback. Condición: new. Paperback. An expanded edition of the definitive book on Ruth Asawas fascinating life and her lasting contributions to American art. The work of American artist Ruth Asawa (19262013) is brought into brilliant focus in this definitive book, originally published to accompany the first complete retrospective of Asawas career, organized by the Fine Arts Museums of San Francisco in 2006. This new edition features an expanded collection of essays and a detailed illustrated chronology that explore Asawa's fascinating life and her lasting contributions to American art. Beginning with her earliest worksdrawings and paintings created in the 1940s while she was studying at Black Mountain Collegethis beautiful volume traces Asawas flourishing career in San Francisco and her trajectory as a pioneering modernist sculptor who is recognized internationally for her innovative wire sculptures, public commissions, and activism on behalf of public arts education. Through her lifelong experimentations with wire, especially its capacity to balance open and closed forms, Asawa invented a powerful vocabulary that contributed a unique perspective to the field of twentieth-century abstract sculpture. Working in a variety of nontraditional media, Asawa performed a series of remarkable metamorphoses, leading viewers into a deeper awareness of natural forms by revealing their structural properties. Through her art, Asawa transfigured the commonplace into metaphors for life processes themselves. The Sculpture of Ruth Asawa establishes the importance of Asawas work within a larger cultural context of artists who redefined art as a way of thinking and acting in the world, rather than as merely a stylistic practice. This updated edition includes a new introduction and more than fifty new images, as well as original essays that reflect on the impact of American political history on Asawa's artistic vision, her experience with printmaking, and her friendship with photographer Imogen Cunningham. Contributors include Susan Ehrens, Mary Emma Harris, Karin Higa, Jacqueline Hoefer, Emily K. Doman Jennings, Paul J. Karlstrom, John Kreidler, Susan Stauter, Colleen Terry, and Sally B. Woodbridge. Published in association with the Fine Arts Museums of San Francisco (FAMSF). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Paperback. Condición: New. An expanded edition of the definitive book on Ruth Asawa's fascinating life and her lasting contributions to American art. The work of American artist Ruth Asawa (1926-2013) is brought into brilliant focus in this definitive book, originally published to accompany the first complete retrospective of Asawa's career, organized by the Fine Arts Museums of San Francisco in 2006. This new edition features an expanded collection of essays and a detailed illustrated chronology that explore Asawa's fascinating life and her lasting contributions to American art. Beginning with her earliest works-drawings and paintings created in the 1940s while she was studying at Black Mountain College-this beautiful volume traces Asawa's flourishing career in San Francisco and her trajectory as a pioneering modernist sculptor who is recognized internationally for her innovative wire sculptures, public commissions, and activism on behalf of public arts education.  Through her lifelong experimentations with wire, especially its capacity to balance open and closed forms, Asawa invented a powerful vocabulary that contributed a unique perspective to the field of twentieth-century abstract sculpture. Working in a variety of nontraditional media, Asawa performed a series of remarkable metamorphoses, leading viewers into a deeper awareness of natural forms by revealing their structural properties. Through her art, Asawa transfigured the commonplace into metaphors for life processes themselves. The Sculpture of Ruth Asawa establishes the importance of Asawa's work within a larger cultural context of artists who redefined art as a way of thinking and acting in the world, rather than as merely a stylistic practice.    This updated edition includes a new introduction and more than fifty new images, as well as original essays that reflect on the impact of American political history on Asawa's artistic vision, her experience with printmaking, and her friendship with photographer Imogen Cunningham. Contributors include Susan Ehrens, Mary Emma Harris, Karin Higa, Jacqueline Hoefer, Emily K. Doman Jennings, Paul J. Karlstrom, John Kreidler, Susan Stauter, Colleen Terry, and Sally B. Woodbridge. Published in association with the Fine Arts Museums of San Francisco (FAMSF).

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, 256 pages, illustrations (some colour); 29 cm. Published on the occasion of the exhibition Backyard Oasis: The Swimming Pool in Southern California Photography, 1945-1982, Palm Springs Art Museum, Palm Springs, California, January 21 to May 27, 2012. Near fine. Gently browsed, clean inside copy. Faint droplet stain/top edge. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Profusely illustrated. *** "Southern California's pool culture is the subject of this unique and luscious collection of photographs that explore the parallel evolution of an iconic symbol and an artistic genre. Since the end of World War II, Southern California's backyard pools--those blue-green oases in an otherwise often arid landscape--have symbolized any number of American ideals: optimism, wealth, consumerism, escape, physical beauty, and the triumph of man over nature. Simultaneously, the field of photography developed as a transformative method for recording the human condition. This exhibition catalogue celebrates the nexus of these two phenomena in a one-of-a-kind collection that features more than two hundred works by more than forty postwar artists and photographers. It presents works by photographers and artists including Bill Anderson, John Baldessari, Ruth Bernhard, David Hockney, Herb Ritts, Ed Ruscha, Julius Shulman, and Larry Sultan. Thematically grouped into topics ranging from the rise of celebrity culture, suburbia and dystopia, avant-garde architectural landscape design, and the cult of the body, these images offer a rich study of the cultural connotations of the swimming pool. Six insightful essays provide a comprehensive overview of the development of the swimming pool and its attendant aesthetic and social culture. / Daniell Cornell is Senior Curator and Deputy Director of Art at the Palm Springs Art Museum, Palm Springs, California. I256 pages with 256 illustrations, 93 in colour." - Publisher. *** CONTENTS: Introduction: Swimming in the American dream, by Daniell Cornell; Exposed desires: poolside reflections on celebrity, by Daniell Cornell; Swimming alone: the backyard pool in Cold War California, by Jennifer A. Watts; Designing nature: the pool in the garden, by Robert Stearns; From beefcake to skatecake: shifting depictions of masculinity and the backyard swimming pool in southern California, by Tyler Stallings; My beach boyhood: a personal history of southern California in the 1960s, by Robert Atkins; Hole: swimming . . . floating . . . sinking . . . drowning, by Dick Hebdige. Size: 4to. Collectible.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:9780520250451.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. Dust jacket has a one inch tear at the back bottom left corner. Tear has been repaired. Book pages are clean with no marks.