john halle (56 resultados)

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. Johns Hopkins University Press, 1989. First edition, first printing. Hardbound. Drawings by Jens Gregersen. Fine in dust jacket. A nice, unread copy. Sale.

HC. drawings by Jens Gregersen Ilustrador. 140pp ISBN 080183869X very good+ w/very good+ dustjacket (hardcover).

DVD. Condición: Used - Good.

DVD. Condición: Used - Good.

dvd. Condición: Used - Like New. wrapped in plastic. security seal intact.

dvd. Condición: Used - Good.

, 0252002075. Condición: Very Good. . . . . 8vo, hardcover. No dj. Vg condition. Covers and contents clean, unworn, no marking or writing. Binding square and tight. 331 pp.

191 pp.; 19.5 x 19.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with "The Pop Project," a series of shows presented by the Institute for Contemporary Art at The Clocktower Gallery, New York, from October 22, 1987 - June 12, 1988. The four part series of shows included: "This is Tomorrow Today: curated by Brian Wallis; "Public Image: Homeless Projects by Krzysztof Wodiczko," and "Dennis Adams," curated by Tom Finkelpearl; "Present Tensions: 25 Years of Irreverence in Architecture," curated by Patricia Phillips and Glenn Weis and "Nostalgia as Resistance," curated by Thomas Lawson. Texts by Edward Leffingwell, Brian Wallis, Thomas Lawson, Lawrence Alloway, Graham Whitham, Judith Barry, Kenneth Frampton, Alison and Peter Smithson, Richard Hamilton, Reyner Banham, Eugenie Tsai, Dick Hebdige, Leo Castelli, John Coplans, Betsey Johnson, Roy Lichtenstein, Claes Oldenburg, Tom Finkelpearl, Patricia Phillips, Glenn Weiss, Howard Halle, and Alanna Heiss. Includes a bibliography and index. Very Good. Light yellowing of covers and rubbing of cover edges. 7.2 cm. pricing sticker on verso. Contents clean and unmarked.

Hardcover. Condición: Very Good. Bound in publisher's green cloth. Hardcover. No dust jacket. Shelf wear. Front end page excised. Small scuff mark to rear board. Pages unmarked. Poems of note include: When I Have Fears That I May Cease To Be, Hymn to Science, I Tremble to Think, Alcoholic Goblins, and The Epicure. xiii, 210 p., 26 cm.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. In conceiving his architectural masterpiece - the Goetheanum in Dornach, Switzerland - Rudolf Steiner designed a large wooden model featuring three main figures to be placed in a central position inside the building. Known as the Representative of Humanity, this sculpture shows a central, free-standing Christ holding a balance between the beings of Lucifer and Ahriman, who represent polar tendencies of expansion and contraction. On New Year's Eve 1922, the Goetheanum was destroyed by fire, but the model - still in a process of creation and therefore housed in an external studio ­- escaped the flames. With numerous full colour photos and illustrations, The Representative of Humanity offers a vivid introduction to this monumental, world-historic artwork. We can follow its evolution through photographic documentation of the many models created in its development: from six smaller versions to a full-size, plasticine construction. This latter model offers an impressive insight into the artists' detailed intentions, having been repeatedly revised by Rudolf Steiner. It demonstrates the continual spiritual movement evident in the whole series of small models, and the metamorphic processes which developed over an eight-year period. The authors offer indications regarding the realm and content out of which the work arose, the environment in which it is situated, and the artists who created it: Rudolf Steiner and the trained sculptress Edith Maryon. They also examine the intentions behind a work of art that addresses the destiny of the whole of mankind.

Paperback. Condición: New. In conceiving his architectural masterpiece - the Goetheanum in Dornach, Switzerland - Rudolf Steiner designed a large wooden model featuring three main figures to be placed in a central position inside the building. Known as the Representative of Humanity, this sculpture shows a central, free-standing Christ holding a balance between the beings of Lucifer and Ahriman, who represent polar tendencies of expansion and contraction. On New Year's Eve 1922, the Goetheanum was destroyed by fire, but the model - still in a process of creation and therefore housed in an external studio ­- escaped the flames. With numerous full colour photos and illustrations, The Representative of Humanity offers a vivid introduction to this monumental, world-historic artwork. We can follow its evolution through photographic documentation of the many models created in its development: from six smaller versions to a full-size, plasticine construction. This latter model offers an impressive insight into the artists' detailed intentions, having been repeatedly revised by Rudolf Steiner. It demonstrates the continual spiritual movement evident in the whole series of small models, and the metamorphic processes which developed over an eight-year period. The authors offer indications regarding the realm and content out of which the work arose, the environment in which it is situated, and the artists who created it: Rudolf Steiner and the trained sculptress Edith Maryon. They also examine the intentions behind a work of art that addresses the destiny of the whole of mankind.

Soft cover. Condición: Very Good. 16 pages. Includes a 7 page section of Analytical Notes. (M23).

Soft cover. Condición: Very Good. 24 pages. Includes 7 pages of Analytics Notes. (M23).

Soft cover. Condición: Very Good. 16 pages. Includes Analytical Notes, 7 pages - most informative. (M23).

Condición: New. pp. 96.

CMD. Condición: Brand New. mp3 una edition. 6.75x5.25x0.50 inches. In Stock.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. First Edition. 21.5 x 11.5 x 4 cms; 732 pages.

Soft cover. Condición: Near Fine. First Edition. Single Issue In Original Wrappers. Light Wear, Bright, Foxing On Edges Of Page Block. Per Wikipedia, Stuart Chase (1888 - 1985) Was An American Economist, Social Theorist, And Writer. His Writings Covered Topics As Diverse As General Semantics And Physical Economy. His Thought Was Shaped By Henry George (1839-1897), By Economic Philosopher Thorstein Veblen (1857-1929), By Fabian Socialism, And Briefly By The Communist Social And Educational Experiments In The Soviet Union To Around 1930, Though Chase Was Broadly A Modern American Liberal. Chase Spent His Early Political Career Supporting "A Wide Range Of Reform Causes: The Single Tax, Women's Suffrage, Birth Control And Socialism." Chase's Early Books, The Tragedy Of Waste (1925) And Your Money's Worth (1927), Were Notable For Their Criticism Of Corporate Advertising And Their Advocacy Of Consumer Protection. In 1929 Chase Co-Founded Consumers' Research, A Consumer Protection Advocacy Organization. In 1932, Chase Wrote A New Deal, Which Became Identified With The Economic Programs Of American President Franklin Roosevelt. He Also Wrote A Cover Story In The New Republic, "A New Deal For America", Which Appeared Days Before Roosevelt Promised "A New Deal" In His Speech Accepting The Presidential Nomination Of The Democratic Party. Whether Roosevelt Speechwriter Samuel Rosenman Got The Phrase From Chase Is Unknown. Chase's 1938 Book The Tyranny Of Words Was An Early And Influential Popularization Of Alfred Korzybski's Theory Of General Semantics.

Paperback. Condición: New.

DVD. Condición: Gut. Standard Version. B3932-120 7321921213229 Altersfreigabe FSK ab 16 Jahre Sprache: Deutsch Gewicht in Gramm: 110.

DVD. Condición: Sehr gut. B3569-150 7321921213229 Sprache: Deutsch Gewicht in Gramm: 140.

Condición: New.

Condición: New. pp. 96.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 96.