Jocelyn saidenberg (26 resultados)

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condición: New.

Paperback or Softback. Condición: New. Dead Letter. Book.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: Very Good.

Paperback. Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback or Softback. Condición: New. Echo Otherwise: A Poetics of Sound and Loss in Ancient and Contemporary Poetry. Book.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New.

Soft cover. Condición: Very Good. 1st Edition. About the book: Softcover. First Printing. Inscribed to M. Philip Nourbese, by poet, on title page. Book is in very good condition. Additional photos available upon request. Signed by Author(s).

Taschenbuch. Condición: Neu. Neuware - At the heart of this book is a story about reading, about reading and pedagogy, about pedagogy's readers, about readers who listen, listening while reading, about poems and their sonic materials, about the demands that poetic sounds make on writers and readers, about seduction, about echoes and repetition, about the resounding qualities of poetic matter. How might the inarticulate (or inarticulable) communicate in the sounds of poetry And how might poetry teach us to attend to what is beyond language or even beyond figuration Reading for the excluded or absent, that which remains after erasure, might be said to be a hermeneutical commandment. But how might we 'read' for the faint echoes of words, the shared, phonic resonances that remain and continue to sound afterwards In Echo Otherwise, framed as a series of slow, recursive readerly meditations, Saidenberg sets about attending to these questions by bringing together two writers, Lucretius and Ferdinand de Saussure, whose selected works surprisingly disclose a set of interconnected and overlapping concerns with how sound works and in what sounds and resounds in the universe of poems and atoms, and they are also attentive to what sound tells us about poems and atoms. In addition to her readings of Lucretius and de Saussure on sound in the company of other readers - as reading, for Saidenberg, is a collective affair - there are garden walks in Little Sparta with Robert Glück and sustained engagements with m. nourbeSe philip's Zong!, several works by Saidiya Hartman, and the global pandemic. Ultimately, Echo Otherwise attests to the richness of the encounters that transpire in the process of reading and its transformative effects, encouraging forms of relation that would be receptive to and solicitous of unexpected otherness. …

Condición: Near fine. First printing. First edition of this collection by various artists and poets, hand-picked by Rollman to accompany her delightfully quirky and perverse cat illustrations. 8" x 8". Original bright pink wrappers. Black-and-white illustrations by Rollman throughout. 80 pages. Minor soiling to extremities. Bright and firm copy. …

Paperback. Condición: New.

Paperback. Condición: new. Paperback. At the heart of this book is a story about reading, about reading and pedagogy, about pedagogy's readers, about readers who listen, listening while reading, about poems and their sonic materials, about the demands that poetic sounds make on writers and readers, about seduction, about echoes and repetition, about the resounding qualities of poetic matter. How might the inarticulate (or inarticulable) communicate in the sounds of poetry? And how might poetry teach us to attend to what is beyond language or even beyond figuration? Reading for the excluded or absent, that which remains after erasure, might be said to be a hermeneutical commandment. But how might we "read" for the faint echoes of words, the shared, phonic resonances that remain and continue to sound afterwards?In Echo Otherwise, framed as a series of slow, recursive readerly meditations, Saidenberg sets about attending to these questions by bringing together two writers, Lucretius and Ferdinand de Saussure, whose selected works surprisingly disclose a set of interconnected and overlapping concerns with how sound works and in what sounds and resounds in the universe of poems and atoms, and they are also attentive to what sound tells us about poems and atoms. In addition to her readings of Lucretius and de Saussure on sound in the company of other readers - as reading, for Saidenberg, is a collective affair - there are garden walks in Little Sparta with Robert Glueck and sustained engagements with m. nourbeSe philip's Zong!, several works by Saidiya Hartman, and the global pandemic. Ultimately, Echo Otherwise attests to the richness of the encounters that transpire in the process of reading and its transformative effects, encouraging forms of relation that would be receptive to and solicitous of unexpected otherness. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condición: New. Print on Demand 94.

Condición: New. Print on Demand 94.

Condición: New. PRINT ON DEMAND 94.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Fiction. Poetry. California Interest. Women's Studies. LGBT Studies. Jocelyn Saidenberg's DEAD LETTER is a phenomenal dig into the tell of America's consciousness. In DEAD LETTER we hear Bartleby's voice beyond his singular, negative I prefer not to: his desire, his bewilderment and finally his revolt. Rarely has one person's point of view been so long awaited. 'The first thing a reader will notice is that DEAD LETTER is Jocelyn Saidenberg's rewriting of Herman Melville's profoundly ambiguous story 'Bartleby the Scrivener.' Under Saidenberg's canny rendering, a radical repositioning of the story's narrative consciousness takes place, allowing the Scrivener an opportunity to inscribe, into the account of his 'passivity,' his capacity for resistance and love. Melville's character mutes his senses and lapses into perfect inactivity; Saidenberg's insists and occupies. That his insistence is on negativity makes it no less forceful; that his occupation is motivated by love makes it no less political. This is a tale of Wall Street, and readers will be reminded of the recent occupation there. But, more fundamentally, this is a tale of the Other as autonomous, exercising a refusal to be used even as an object of interpretation, and requiring the right to love.'--Lyn Hejinian 'More than a retelling of Melville's 'Bartleby the Scrivener,' DEAD LETTER is a revelation: it digs into the core of the original and pulls out the hidden, the unthought, the previously unspoken. Saidenberg pushes Bartleby's 'preferring not to' through the first layer of refusal--that act of will, insistence of self--into the terrain of love and death, death by love, a most extreme form of devotion. This novel is a profound examination of where desire and writing meet the living, working body: 'my asylum of thinking not thinking thinking.' At first, it held me then it.…

Paperback. Condición: new. Paperback. At the heart of this book is a story about reading, about reading and pedagogy, about pedagogy's readers, about readers who listen, listening while reading, about poems and their sonic materials, about the demands that poetic sounds make on writers and readers, about seduction, about echoes and repetition, about the resounding qualities of poetic matter. How might the inarticulate (or inarticulable) communicate in the sounds of poetry? And how might poetry teach us to attend to what is beyond language or even beyond figuration? Reading for the excluded or absent, that which remains after erasure, might be said to be a hermeneutical commandment. But how might we "read" for the faint echoes of words, the shared, phonic resonances that remain and continue to sound afterwards?In Echo Otherwise, framed as a series of slow, recursive readerly meditations, Saidenberg sets about attending to these questions by bringing together two writers, Lucretius and Ferdinand de Saussure, whose selected works surprisingly disclose a set of interconnected and overlapping concerns with how sound works and in what sounds and resounds in the universe of poems and atoms, and they are also attentive to what sound tells us about poems and atoms. In addition to her readings of Lucretius and de Saussure on sound in the company of other readers - as reading, for Saidenberg, is a collective affair - there are garden walks in Little Sparta with Robert Glueck and sustained engagements with m. nourbeSe philip's Zong!, several works by Saidiya Hartman, and the global pandemic. Ultimately, Echo Otherwise attests to the richness of the encounters that transpire in the process of reading and its transformative effects, encouraging forms of relation that would be receptive to and solicitous of unexpected otherness. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Taschenbuch. Condición: Neu. Dead Letter | Jocelyn Saidenberg | Taschenbuch | Englisch | 2014 | Roof Books | EAN 9781931824583 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.