Jens ulff moller (20 resultados)

Condición: Good. 1999. Corr. 3rd Printing ed. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. A clean unmarked copy in dust wrapper.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Still in the shrinkwrapping. Book.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9781580460866.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. Hollywood's Film Wars with France examines how Hollywood was able to establish a permanent dominance over the French market for motion pictures by using monopolistic trade practices and diplomatic pressure.Hollywood's Film Wars with France examines how Hollywood was able to establish a permanent dominance over the French market for motion pictures. This history of American film policy towards France is documented by a wealthof diplomatic correspondence, which reveals that American exports were promoted through close collaboration between the State Department, the United States Embassy in France, the Department of Commerce, and the Motion Picture Producers and Distributors of America [MPPDA]. It is based on hitherto unstudied documents from these institutions. While European film production was at a standstill after World War I, Hollywood companies flooded the European marketwith hundreds of films at very low prices. Hollywood's dominant position should not be considered as solely the result of successful collaboration between corporate capitalism and the federal government in Washington, but also asthe failure of the French government to provide proper assistance to its film industry. The support French film producers obtained from their government did not begin to compare with the whole-hearted support Hollywood received from the MPPDA. This book shows how Hollywood has upheld its dominant position in France by using monopolistic trade practices and diplomatic pressure. Hollywood's prominence must be considered the result of manipulations of the international political economy involving the interplay of economics and politics in the world arena. Jens Ulff-Moller is in the Department of Film and Media Studies at the University of Copenhagen.…

Condición: New. 2001. 1999. Corr. 3rd Printing ed. Hardcover. . . . . .

Condición: New. In English.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. 2001. 1999. Corr. 3rd Printing ed. Hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condición: New. Hollywood's Film Wars with France examines how Hollywood was able to establish a permanent dominance over the French market for motion pictures by using monopolistic trade practices and diplomatic pressure.Hollywood's Film Wars with France examines how Hollywood was able to establish a permanent dominance over the French market for motion pictures. This history of American film policy towards France is documented by a wealthof diplomatic correspondence, which reveals that American exports were promoted through close collaboration between the State Department, the United States Embassy in France, the Department of Commerce, and the Motion Picture Producers and Distributors of America [MPPDA]. It is based on hitherto unstudied documents from these institutions. While European film production was at a standstill after World War I, Hollywood companies flooded the European marketwith hundreds of films at very low prices. Hollywood's dominant position should not be considered as solely the result of successful collaboration between corporate capitalism and the federal government in Washington, but also asthe failure of the French government to provide proper assistance to its film industry. The support French film producers obtained from their government did not begin to compare with the whole-hearted support Hollywood received from the MPPDA. This book shows how Hollywood has upheld its dominant position in France by using monopolistic trade practices and diplomatic pressure. Hollywood's prominence must be considered the result of manipulations of the international political economy involving the interplay of economics and politics in the world arena. Jens Ulff-Moller is in the Department of Film and Media Studies at the University of Copenhagen.…

Hardcover. Condición: Brand New. 1999. corr. 3rd edition. 210 pages. 9.00x6.25x0.75 inches. In Stock.

Buch. Condición: Neu. Neuware - Hollywood's Film Wars with France examines how Hollywood was able to establish a permanent dominance over the French market for motion pictures by using monopolistic trade practices and diplomatic pressure.Hollywood's Film Wars with France examines how Hollywood was able to establish a permanent dominance over the French market for motion pictures. This history of American film policy towards France is documented by a wealthof diplomatic correspondence, which reveals that American exports were promoted through close collaboration between the State Department, the United States Embassy in France, the Department of Commerce, and the Motion Picture Producers and Distributors of America [MPPDA]. It is based on hitherto unstudied documents from these institutions. While European film production was at a standstill after World War I, Hollywood companies flooded the European marketwith hundreds of films at very low prices. Hollywood's dominant position should not be considered as solely the result of successful collaboration between corporate capitalism and the federal government in Washington, but also asthe failure of the French government to provide proper assistance to its film industry. The support French film producers obtained from their government did not begin to compare with the whole-hearted support Hollywood received from the MPPDA. This book shows how Hollywood has upheld its dominant position in France by using monopolistic trade practices and diplomatic pressure. Hollywood's prominence must be considered the result of manipulations of the international political economy involving the interplay of economics and politics in the world arena. Jens Ulff-Moller is in the Department of Film and Media Studies at the University of Copenhagen.…

Condición: New. Print on Demand.

Condición: New. Print on Demand.

Condición: New. PRINT ON DEMAND.

Hardcover. Condición: Brand New. 1999. corr. 3rd edition. 210 pages. 9.00x6.25x0.75 inches. In Stock. This item is printed on demand.

Hardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.