J dillon brown (50 resultados)

Condición: New.

Condición: As New. Unread book in perfect condition.

dvd. Condición: Used - Good.

Condición: New.

Condición: As New. Unread book in perfect condition.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Hardcover. Condición: Good. No Dust Jacket. Clean and bright; no owners' marks; binding square and secure; hard cover shows a bump and concentric wrinkling around the spine head as well as a pressure mark at the spine heel, otherwise excellent.

paperback. Condición: Very Good. Unread paperback with some shelf wear. Inside pages are clean and unmarked.

Condición: New.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Very Good. no dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Paperback. Condición: New. This edited collection challenges a long sacrosanct paradigm. Since the establishment of Caribbean literary studies, scholars have exalted an elite cohort of émigré novelists based in postwar London, a group often referred to as "the Windrush writers" in tribute to the SS Empire Windrush, whose 1948 voyage from Jamaica inaugurated large-scale Caribbean migration to London. In critical accounts this group is typically reduced to the canonical troika of V. S. Naipaul, George Lamming, and Sam Selvon, effectively treating these three authors as the tradition's founding fathers. These "founders" have been properly celebrated for producing a complex, anticolonial, nationalist literature. However, their canonization has obscured the great diversity of postwar Caribbean writers, producing an enduring but narrow definition of West Indian literature.Beyond Windrush stands out as the first book to reexamine and redefine the writing of this crucial era. Its fourteen original essays make clear that in the 1950s there was already a wide spectrum of West Indian men and women-Afro-Caribbean, Indo-Caribbean, and white-creole-who were writing, publishing, and even painting. Many lived in the Caribbean and North America, rather than London. Moreover, these writers addressed subjects overlooked in the more conventionally conceived canon, including topics such as queer sexuality and the environment. This collection offers new readings of canonical authors (Lamming, Roger Mais, and Andrew Salkey); hitherto marginalized authors (Ismith Khan, Elma Napier, and John Hearne); and commonly ignored genres (memoir, short stories, and journalism).…

Condición: New. 2017. Reprint. Paperback. . . . . .

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condición: Very Good. Hardback with printed boards. Light shelf wear to cover but pages are clean and unmarked.

Condición: New. 2017. Reprint. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condición: New.

Condición: New. In English.

ripeness(S. A. Amer. Soc. Hort. Sci. Vol. 88)1966. S. 99-104. m. Abb. br. -2) -Sonderabdruck-.

Paperback. Condición: Brand New. reprint edition. 260 pages. 9.00x6.00x0.50 inches. In Stock.

Condición: New.

Hardcover. Condición: new. Hardcover. In Migrant Modernism, J. Dillon Brown examines the intersection between British literary modernism and the foundational West Indian novels that emerged in London after World War II. By emphasising the location in which anglophone Caribbean writers such as George Lamming, V. S. Naipaul, and Samuel Selvon produced and published their work, Brown reveals a dynamic convergence between modernism and postcolonial literature that has often been ignored. Modernist techniques not only provided a way for these writers to mark their difference from the aggressively English, literalist aesthetic that dominated postwar literature in London but also served as a self-critical medium through which to treat themes of nationalism, cultural inheritance, and identity. Modernist techniques not only provided a way for these writers to mark their difference from the aggressively English, literalist aesthetic that dominated postwar literature in London but served as a self-critical medium through which to treat themes of nationalism, cultural inheritance, and identity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: Brand New. A challenge to the primacy of the Windrush generation as the sole founders of Caribbean literature.

Condición: Brand New.

Condición: New. Num Pages: 256 pages. BIC Classification: 1DBK; DSK. Category: (G) General (US: Trade). Dimension: 229 x 152 x 23. Weight in Grams: 476. . 2013. 1st Edition. Hardcover. . . . .

Hardcover. Condición: Brand New. 1st edition. 246 pages. 9.00x6.00x1.00 inches. In Stock.

Paperback. Condición: New. This edited collection challenges a long sacrosanct paradigm. Since the establishment of Caribbean literary studies, scholars have exalted an elite cohort of émigré novelists based in postwar London, a group often referred to as "the Windrush writers" in tribute to the SS Empire Windrush, whose 1948 voyage from Jamaica inaugurated large-scale Caribbean migration to London. In critical accounts this group is typically reduced to the canonical troika of V. S. Naipaul, George Lamming, and Sam Selvon, effectively treating these three authors as the tradition's founding fathers. These "founders" have been properly celebrated for producing a complex, anticolonial, nationalist literature. However, their canonization has obscured the great diversity of postwar Caribbean writers, producing an enduring but narrow definition of West Indian literature.Beyond Windrush stands out as the first book to reexamine and redefine the writing of this crucial era. Its fourteen original essays make clear that in the 1950s there was already a wide spectrum of West Indian men and women-Afro-Caribbean, Indo-Caribbean, and white-creole-who were writing, publishing, and even painting. Many lived in the Caribbean and North America, rather than London. Moreover, these writers addressed subjects overlooked in the more conventionally conceived canon, including topics such as queer sexuality and the environment. This collection offers new readings of canonical authors (Lamming, Roger Mais, and Andrew Salkey); hitherto marginalized authors (Ismith Khan, Elma Napier, and John Hearne); and commonly ignored genres (memoir, short stories, and journalism).…

Condición: New. Num Pages: 256 pages. BIC Classification: 1DBK; DSK. Category: (G) General (US: Trade). Dimension: 229 x 152 x 23. Weight in Grams: 476. . 2013. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.

Condición: New. pp. 256 1st edition.