hoberman jim (20 resultados)

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condición: new. Paperback. In what the New York Times's A.O. Scott called a "suave, scholarly tour de force," J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one.This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate-as well as the tele-saturation of the American market and the advent of Pop art. In "elegant, epigrammatic prose," as Scott put it, Hoberman moves from the political histories of movies to the theater of wars, national political campaigns, and pop culture events.With entertaining reinterpretations of key Hollywood movies (such as Bonnie and Clyde, The Wild Bunch, and Shampoo), and meditations on personages from Che Guevara, John Wayne, and Patty Hearst to Jane Fonda, Ronald Reagan, and Dirty Harry, Hoberman reconstructs the hidden political history of 1960s cinema and the formation of America's mass-mediated politics. Delivers a brilliant and witty look at the decade when politics and pop culture became one. Evokes the period through meditations on the personas of Che Guevara, JFK, Patty Hearst, alongside John Wayne, Jane Fonda, James Bond and Dirty Harry. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. In what the New York Times's A.O. Scott called a "suave, scholarly tour de force," J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one.This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate-as well as the tele-saturation of the American market and the advent of Pop art. In "elegant, epigrammatic prose," as Scott put it, Hoberman moves from the political histories of movies to the theater of wars, national political campaigns, and pop culture events.With entertaining reinterpretations of key Hollywood movies (such as Bonnie and Clyde, The Wild Bunch, and Shampoo), and meditations on personages from Che Guevara, John Wayne, and Patty Hearst to Jane Fonda, Ronald Reagan, and Dirty Harry, Hoberman reconstructs the hidden political history of 1960s cinema and the formation of America's mass-mediated politics.

Paperback. Condición: New. Army of Phantoms, An : American Movies and the Making of the Cold War Brand new item sourced directly from publisher. Packed securely in tight packaging to ensure no damage. Shipped from warehouse on same/next day basis.

Soft Cover. Condición: Very Good. 2026.

Hardcover. Condición: Good. Estado de la sobrecubierta: Used good. 2026.

Paperback. Condición: New. In what the New York Times's A.O. Scott called a "suave, scholarly tour de force," J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one.This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate-as well as the tele-saturation of the American market and the advent of Pop art. In "elegant, epigrammatic prose," as Scott put it, Hoberman moves from the political histories of movies to the theater of wars, national political campaigns, and pop culture events.With entertaining reinterpretations of key Hollywood movies (such as Bonnie and Clyde, The Wild Bunch, and Shampoo), and meditations on personages from Che Guevara, John Wayne, and Patty Hearst to Jane Fonda, Ronald Reagan, and Dirty Harry, Hoberman reconstructs the hidden political history of 1960s cinema and the formation of America's mass-mediated politics.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Soft cover. Condición: Very Good. 1st edition. VG. 4to, 48pp, stapled wrappers. Classic issue of this groundbreaking but short-lived magazine of serious comics experiment. Presages RAW, Weirdo, and much else. Still one of the best things ever. Includes a William Burroughs text illustrated by S. Clay Wilson (Schottlaender C375). Unmarked copy, light wear, a little staining to a few leaves at top edge. Not Signed.

Paperback. Condición: New. In what the New York Times's A.O. Scott called a "suave, scholarly tour de force," J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one.This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate-as well as the tele-saturation of the American market and the advent of Pop art. In "elegant, epigrammatic prose," as Scott put it, Hoberman moves from the political histories of movies to the theater of wars, national political campaigns, and pop culture events.With entertaining reinterpretations of key Hollywood movies (such as Bonnie and Clyde, The Wild Bunch, and Shampoo), and meditations on personages from Che Guevara, John Wayne, and Patty Hearst to Jane Fonda, Ronald Reagan, and Dirty Harry, Hoberman reconstructs the hidden political history of 1960s cinema and the formation of America's mass-mediated politics.

Condición: New. A brilliant cultural history detailing the fascinating relationship between movies and American society in the 1960s.&Uumlber den AutorJ. Hoberman is the author, co-author, or editor of a dozen books, including the trilogy T.

Paperback. Condición: Very Good. Trade PB. 4to. Published by The Hunter College Art Galleries, New York. 2010. Unpaginated. Illustrated. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. ; 8vo 8" - 9" tall; 0 pages.

Hardcover. Condición: Used - Like New. Bill Viola (b. 1951) is widely acknowledged as the leading video artist on the international scene. His video installations - total environments that envelop the viewer in image and sound - employ sophisticated state-of-the-art technologies and are distinguished by their precision and direct simplicity. This catalogue has been published in conjunction with 'Bill Viola, ' the first major survey of the artist's work and the largest exhibition ever devoted to an individual video artist, organized by the Whitney Museum of American Art and curated by David A. Ross and Peter Sellars. The book features a dynamic and visually rich selection of works from 1972 to 1996, in a presentation compiled by Kira Perov and Bill Viola, with written descriptions by the artist, and a conversation between Viola and poet/scholar Lewis Hyde on the spiritual roots and cultural traditions underlying Viola's art. There is also an overview of the artist's achievement by David A. Ross, Whitney Museum director, who has been involved with Viola's work since its beginning and, as the first museum curator of video art, has played a major role in the history and development of the field. Out of print. Clean tight book with minimal wear.

Condición: New.

Paperback. Condición: new. Paperback. In what the New York Times's A.O. Scott called a "suave, scholarly tour de force," J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one.This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate-as well as the tele-saturation of the American market and the advent of Pop art. In "elegant, epigrammatic prose," as Scott put it, Hoberman moves from the political histories of movies to the theater of wars, national political campaigns, and pop culture events.With entertaining reinterpretations of key Hollywood movies (such as Bonnie and Clyde, The Wild Bunch, and Shampoo), and meditations on personages from Che Guevara, John Wayne, and Patty Hearst to Jane Fonda, Ronald Reagan, and Dirty Harry, Hoberman reconstructs the hidden political history of 1960s cinema and the formation of America's mass-mediated politics. Delivers a brilliant and witty look at the decade when politics and pop culture became one. Evokes the period through meditations on the personas of Che Guevara, JFK, Patty Hearst, alongside John Wayne, Jane Fonda, James Bond and Dirty Harry. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: New. In what the New York Times's A.O. Scott called a "suave, scholarly tour de force," J. Hoberman delivers a brilliant and witty look at the decade when politics and pop culture became one.This was the era of the Missile Gap and the Space Race, the Black and Sexual Revolutions, the Vietnam War and Watergate-as well as the tele-saturation of the American market and the advent of Pop art. In "elegant, epigrammatic prose," as Scott put it, Hoberman moves from the political histories of movies to the theater of wars, national political campaigns, and pop culture events.With entertaining reinterpretations of key Hollywood movies (such as Bonnie and Clyde, The Wild Bunch, and Shampoo), and meditations on personages from Che Guevara, John Wayne, and Patty Hearst to Jane Fonda, Ronald Reagan, and Dirty Harry, Hoberman reconstructs the hidden political history of 1960s cinema and the formation of America's mass-mediated politics.

Soft cover. Condición: Near Fine. 1st Edition. First Five Issues - Conditions the same unless noted: Issues 2 through 5 are Near Fine or better - no creases or shelfwear to speak of, sharp corners, bright colors with no fading. Seems almost unread. No. 1 has a bit of wear and has a small hole punched through the small Print Mint circular logo in the upper left corner with some tape strengthening same hole to rear corner. Colors are still very right with no fading and interior is NF or better. Overall No. 1 is close to NF but certainly at least Very Good++. Arcade was a short-lived but deeply influential anthology that captured the underground comix scene, trying to bring it to the newstands throughout the country. The magazine ran for only 7 issues - approx. 20,000 copies issued, not reprinted. Primary editors were Art Spiegelman and Bill Griffith (Zippy the Pinhead) and showcased writings and comic illustrations by underground icons like Robert Crumb, S. Clay Wilson, and Aline Kominsky along with more well known counter-culture heroes like Bukowski and Burroughs.

136 pp.; 10.5 x 7 cm.; sewn bound; black-and-white; edition size [1500]; unsigned and unnumbered; offset-printed Collection of short stories by Jack Smith. Selections edited by Ira Cohen. Introduction by Jim Hoberman. Edited by George Scrivani for Raymond Foye and Francesco Clemente. Frontispiece and life mask photos by Ira Cohen. Very Good / Fine. Light yellowing and dusting of dust-jacket and rubbing of dust-jacket edges. Otherwise Fine, contents clean and unmarked.

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Issue edited by Ingrid Sischy. Essays "The Uncanny Resurrections of 'America is Waiting,'" by Scott Cook; "Yves Klein, Messenger of the Age of Space," by Thomas McEvilley; "John Waters' 'Divine Comedy,'" by Scott MacDonald; "Neither Fool, nor Naive, nor Poseur-Saint: Fragments on R.B. Kitaj," by Frederic Tuten; "Michael McClard's Faces," by Ted Castle; "Books: Kelly Wise on 'Interviews with Francis Bacon 1962-1979," by Kelly Wise; " Books: Douglas Blau on 'The Persian Poems,'" by Douglas Blau. Reviews by Thomas Lawson, Jeanne Silverthorne, Colin Westerbeck, Lisa Liebmann, Ronny H. Cohen, Richard Flood, Jamey Gambrell, Shelley Rice, Jim Hoberman, Joan Casademont, Kate Linker, Judith Russi Kirshner, Susan C. Larsen, Christopher Knight, Annelie Pohlen, Paul Groot, Gerard Georges Lemaire, and Jo Anna Isaak. Cover: Yves Klein.