Adler tracy l (96 resultados)

Softcover exhibition catalog, 26 pages, very good condition, no internal marks.

Soft cover. Condición: Very Good. 1st Edition. New York: Bertha and Karl Leubsdorf Gallery, Hunter College, CUNY, 2003. unpaginated, c. 40 pages, color illustrations; 18 x 25 cm. Exhibition held October 30 to December 13, 2003. Very good condition. Wraps show age toning and price tag residue. Includes: Jeana Baumgardner, Yun-Fei Ji, Alyson Shotz, John Slepian, Dannielle Tegeder and Charlie White. No markings, writings, stamps, or nameplates from previous ownership. Actual book is pictured. See images provided. …

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Condición: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages.

Hardcover. Condición: Very Good+. No Dust Jacket. First Edition. Published in conjunction with the exhibition at the Ruth and Elmer Wellin Museum of Art at Hamilton College, Clinton, New York, September 4 - December 12, 2021. ; 111 pages.

Condición: Fine. 105 pp., Paperback, new. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Paperback. Condición: As New. Paperback in near fine condition. 38 pages, color illustrations. All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011.

Oversized Hardcover. Condición: Good.

Paperback. Condición: VG. Text free of underlining, writing and highlighting. Very nice clean copy.

Hardcover. Condición: Fine. No dustjacket as issued. First edition. First edition. Hardcover. 11 1/4'' x 9 3/4''. 168pp.

Hardcover. Condición: Near Fine. 125 pages, Folio. No DJ. Minor shelfwear. Tightly bound, no marks. Volume is in Near Fine condition.

hardcover. Condición: Good. A good hardcover. No dust jacket, as issued. Some light edgewear and scuffs to boards. No markings.

Hardcover with dustjacket, pages, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Hardcover without dustjacket as issued, 168 pages; very good condition, clean and crisp; inscription to first page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condición: Like New. Estado de la sobrecubierta: as new. Factory sealed. Features Beijing-born Yun-Fei Ji 's (b. 1963) acclaimed scrolls, sculptures, and drawings. In his stunning impressionistic works, Yun-Fei Ji takes on the thousand-year-old practice of Chinese scroll painting, employing ink on paper as his primary medium, and landscape as his central subject. Rather than adopting the idealism characteristic of traditional scroll painting, Ji presents the gritty reality of life in contemporary China. …

Hardcover. Condición: Very Good+. No Dust Jacket. First Edition. Published in conjunction with the exhibition originating at the Ruth and Elmer Wellin Museum of Art at Hamilton College, Clinton, New York, September 7 - December 8, 2019, and exhibited later elsewhere. ; 192 pages.

Cloth. Condición: Fine Condition. Estado de la sobrecubierta: No Jacket, As Issued. 128 pages color illustrations throughout. Illustrated boards. Curated by Tracy L. Adler. Published on the occasion of the exhibition from the Ruth and Elmer Welin Museum of Art, Hamilton College, Clinton NY May 11-July 28, 2013. Checklist of the Exhibition. Biography. Selected Bibliography. Book.…

Condición: As New. Unread book in perfect condition.

Pamphlet. Condición: Like New. March 30 - May 15, 1999. Page Numbers: N/A. Clean, fresh copy with very light shelf wear, crisp pages and clean text.

Condición: New.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Fine copy in hardcover with fine jacket.

Hardcover. Condición: New. Hardcover volume, measuring approximately 10.5" x 11.75", is, together with dust jacket, is new.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. How Oppenheimer's complex artworks break down barriers between art, audience and architecturePublished with Wellin Museum of Art.This publication documents the four interactive artworks by New York-based artist Sarah Oppenheimer (born 1972) created for the Wellin Museum of Art at Hamilton College in the context of her greater artistic oeuvre.Printed in five color with foil stamping, with striking reproductions and contributions by Tracy L. Adler, Suzanne Keen, Sarah Oppenheimer and Seph Rodney, the book explores the artist's multifaceted approach to empathy, agency, audience and cocreation, among many other themes in her work. Oppenheimer considers the space of the museum as a site of experimentation, where visitors experience the curiosity and joy of transforming the artworks themselves. In Oppenheimer's words, "You have to enter the temporal network in order for the work to exist.".…