Hilda neck yoder (16 resultados)
Editorial: Johns Hopkins UP, 1998
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Librería: Yellowed Leaves Antique & Vintage Books, Port Williams, NS, CanadaYellowed Leaves Antique & Vintage Books
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Soft cover. Condición: As New. 239 pages. Illustrated. This is a special issue of Callaloo: A journal of African- American and African Arts and Letters, Vol. 21, Nr. 3.
Editorial: Martinus Nijhoff, The Hague, The Netherlands:, 1978
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Librería: J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, Estados Unidos de AmericaJ. HOOD, BOOKSELLERS, ABAA/ILAB
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EUR 31,68
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Paperback. 81pp. Very good plus condition with text clean & binding sound.
Editorial: Martinus Nijhoff, The Hague, 1978
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Librería: Snookerybooks, Philippolis, Sur AfricaSnookerybooks
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EUR 18,11
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Soft cover. Condición: Very Good. Ex-lib with usual trappings. Laminated wraps. 81pp unmarked.
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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EUR 59,31
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Condición: New. In.
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Librería: Chiron Media, Wallingford, Reino UnidoChiron Media
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EUR 56,86
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Paperback. Condición: New.
Editorial: Martinus Nijhoff, The Hague, 1978
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Librería: Snookerybooks, Philippolis, Sur AfricaSnookerybooks
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EUR 22,63
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Soft cover. Condición: Very Good. Ex-lib with usual treatments. Laminated wraps. 81pp unmarked and seemingly unread.
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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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EUR 77,69
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Condición: New. pp. 88.
Editorial: Martinus Nijhoff, The Hague, 1978
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- Primera edición
Librería: Snookerybooks, Philippolis, Sur AfricaSnookerybooks
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EUR 27,16
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Soft cover. Condición: Very Good. 1st Edition. Ex-lib with usual stamps etc. Laminated wraps. Appears unread. 81pp.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 76,93
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Paperback. Condición: Brand New. 1978 edition. 88 pages. 9.25x6.10x0.20 inches. In Stock.
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Librería: moluna, Greven, Alemaniamoluna
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EUR 48,37
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Condición: New.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 58,39
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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Herman Heijermans (1864-1924) was convinced that he lived in an 'overgangs 1 tijdperk,' a transitional period. As a young man in the eighteen nineties, he rejected those values and life styles which he felt belonged to the past period dominated by…the bourgeoisie, and sought out situations and a profession which would attune him to the future when, he hoped, the proletariat would 2 be in power. He left the conservative business milieu of Rotterdam in 1892 and went to Amsterdam- then teeming with radical ideas. At first, Heijermans was attracted to a group of poets, de tachtigers, who were claiming to have enlivened the stale tradition of Dutch poetry by discovering language and beauty in a totally new way; but soon he felt them to be elitist. Then, in 1895, he became a member of the newly founded Dutch Social Democratic Workers Party. He alienated himself from the literary circles by claiming that art should be socialistic and by rejecting the class separation between artists and workers. He felt himself to be one with the proletariat and, through them, with 'The New Life' and 'The New Humanity. ' Stimulated by the ongoing theater revival, which he interpreted as an attempt to challenge the bourgeois smugness and moral self-righteousness, he had started to write plays before becoming interested in the Socialist Party.
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Librería: preigu, Osnabrück, Alemaniapreigu
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EUR 50,25
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Taschenbuch. Condición: Neu. Dramatizations of Social Change: Herman Heijermans'Plays as Compared with Selected Dramas by Ibsen, Hauptmann and Chekhov | Hilda van Neck Yoder | Taschenbuch | v | Englisch | 2014 | Springer Netherland | EAN 9789400992887 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17,…69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 78,73
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Condición: New. Print on Demand pp. 88 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam.
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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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EUR 78,91
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Condición: New. PRINT ON DEMAND pp. 88.
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Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, AlemaniaBuchWeltWeit Ludwig Meier e.K.
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EUR 85,55
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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Herman Heijermans (1864-1924) was convinced that he lived in an 'overgangs 1 tijdperk,' a transitional period. As a young man in the eighteen nineties, he rejected those values and life styles which he felt belonged to the past peri…od dominated by the bourgeoisie, and sought out situations and a profession which would attune him to the future when, he hoped, the proletariat would 2 be in power. He left the conservative business milieu of Rotterdam in 1892 and went to Amsterdam- then teeming with radical ideas. At first, Heijermans was attracted to a group of poets, de tachtigers, who were claiming to have enlivened the stale tradition of Dutch poetry by discovering language and beauty in a totally new way; but soon he felt them to be elitist. Then, in 1895, he became a member of the newly founded Dutch Social Democratic Workers Party. He alienated himself from the literary circles by claiming that art should be socialistic and by rejecting the class separation between artists and workers. He felt himself to be one with the proletariat and, through them, with 'The New Life' and 'The New Humanity. ' Stimulated by the ongoing theater revival, which he interpreted as an attempt to challenge the bourgeois smugness and moral self-righteousness, he had started to write plays before becoming interested in the Socialist Party. 88 pp. Englisch.
Idioma: Inglés
Editorial: Springer Netherlands, Springer Netherlands Apr 2014, 2014
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Librería: buchversandmimpf2000, Emtmannsberg, BAYE, Alemaniabuchversandmimpf2000
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EUR 53,49
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Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Herman Heijermans (1864-1924) was convinced that he lived in an 'overgangs 1 tijdperk,' a transitional period. As a young man in the eighteen nineties, he rejected those values and life styles which he felt belonged to the past period d…ominated by the bourgeoisie, and sought out situations and a profession which would attune him to the future when, he hoped, the proletariat would 2 be in power. He left the conservative business milieu of Rotterdam in 1892 and went to Amsterdam- then teeming with radical ideas. At first, Heijermans was attracted to a group of poets, de tachtigers, who were claiming to have enlivened the stale tradition of Dutch poetry by discovering language and beauty in a totally new way; but soon he felt them to be elitist. Then, in 1895, he became a member of the newly founded Dutch Social Democratic Workers Party. He alienated himself from the literary circles by claiming that art should be socialistic and by rejecting the class separation between artists and workers. He felt himself to be one with the proletariat and, through them, with 'The New Life' and 'The New Humanity. ' Stimulated by the ongoing theater revival, which he interpreted as an attempt to challenge the bourgeois smugness and moral self-righteousness, he had started to write plays before becoming interested in the Socialist Party.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 88 pp. Englisch.
